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African Writers Dominate 2026 BSFA Awards Longlist with Nearly 30 Nominations
Sundance 2026: Olive Nwosu’s “Lady” Weaves Dreams, Trauma, and Chaos into a Gender-Aware Debut
ARMC 2026 Announces First Headline Speakers, Strategic Partnerships, and Genre Spotlights
Features & Essays
The Life and Political Imaginations of Ngũgĩ wa Thiong’o
What’s Behind Nigeria’s Fear and Criminalisation of Dreadlocks?
JAMB: Exam Body in Crisis or Symptom of a Broken Educational System?
Tolani Is Creating Music on Her Own Terms
Who Wrote This? The Crisis of Criticism in the AI Era
It’s the Eleventh Edition, and We Still Don’t Know What the AMVCA Trailblazer Award Is
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Interviews
Tolani Is Creating Music on Her Own Terms
Dhee Sylvester: The Designer Revolutionising Nigerian Book Covers
In Conversation: 4Mr Frank White Talks Sound, Identity, and Evolution of East African Afro-Swing Rap
In Conversation: Victor Ugoo Njoku Talks “This Is Love”, Reclaiming Agency, and Representation in Nollywood
The Manifesto of M.anifest: New Roads, Same Genius
Kenyan-Nigerian Producer, Afamefuna Onyebadi, Talks Debut EP, Creativity, and Music Production
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Film & TV
“Bad Influencer” Review: Netflix’s South African Series Is a Stylish, Chaotic Tale of Clout and Consequences
“Dust to Dreams” Review: Idris Elba and Mo Abudu Collaborate on a Short Film That Squanders Its Fortunes
“Milisuthando” Review: Bongela-Davis’ Film Places the Nation in the Mirror of a Single Life
“3 Cold Dishes” Review: Asurf Oluseyi’s Cold Revenge Thriller Arrives Lukewarm
AFRIFF 2025: Atlanta Bridget Johnson Has More to Give Than Kayode Kasum’s “Fractured” Has to Offer
AIFF 2025: “Together Apart”, “Jimbi”, and “I Can Smell a Rat” Navigate the Edges of Humanity
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Music
Afrocritik Weekly Music Spotlight: Projects Galore
“This One Is Personal” Review: Tiwa Savage Deeply Explores R&B in Her Most Soul-Baring Album Yet
“After Midnight” Review: Gyakie Consolidates Her Familiar Style on Debut Album
“Less Trouble” Review: Shekhinah Presents Her Best Work Yet With New Album
“Memorabilia” Review: Efue Announces Herself Impressively With Debut EP
Afrocritik Weekly Music Spotlight: BIG JOL!
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VIDEOS
Welcome to our YouTube Channel
Books
“The Middle Daughter” Review: Chika Unigwe Synthesises Form And Content Into Mesmerising Storytelling
Grief Touches the Sublime in Yewande Omotoso’s “An Unusual Grief”
“New York, My Village” Review: Uwem Akpan’s Book Is An Important Breakaway From Conventional Contemporary Setting
Michael Afenfia’s “Leave My Bones in Saskatoon” and the Burial of Prose Fiction
8 Literary Festivals Lighting Up Africa in the Second Half of 2025
“Years of Shame” Review: Obinna Udenwe’s Ambitious New Novel Nearly Crumbles Under the Weight of Editorial Issues
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Culture
The Complex Relationship Between Football and Gambling
How Smart Waste Management Solutions Can Solve Africa’s Garbage Crisis
The Podcast Boom in Nigeria: An Era of Noise or Knowledge?
Top 10 Gyms in Lagos and Abuja
BNPL Services in Nigeria: The Benefits and Risks of Flexible Repayments
Content Piracy in Nigeria: Trends, Challenges, and Pathways to Resolution
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Fashion
2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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10 African Fashion Events to Watch Out for in 2025
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Sports
Is It Time to Ban Libya From Hosting African Football Games?
Transformation in South African Cricket: Can Quotas Ensure Both Fairness and Excellence?
How IFAB’s New Eight-Second Rule Could Reshape African Football Tactics
How Tems’ Stake in San Diego FC Bridges Music, Culture, and Sports
How Intra-Continental Cross-Border Coaching Appointments Are Redefining African Football
Cricket Glory: Africa’s Rising Stars at the U19 World Cup
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Explainers
Fiction & Poetry
“Ancestry” & “The Cathedral” | Poems by Chimezie Umeoka
Two Poems by Doreen Masika
In Your Image | Poem by Tuke Ronald
Looking For Cloudberries In Onipanu, Or When You Fall Out Of Love
Three Poems | By Saadatu Uzairu
Two Poems | By Muhammad M Ubandoma
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