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Sundance 2026: In Conversation with “Kikuyu Land” Directors, Bea Wangondu and Andrew H. Brown
“Three Hymns”: On Poems by Onyekachi Iloh, Yomi Folaranmi, and Gboyega Odubanjo
2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
Features & Essays
The Life and Political Imaginations of Ngũgĩ wa Thiong’o
What’s Behind Nigeria’s Fear and Criminalisation of Dreadlocks?
JAMB: Exam Body in Crisis or Symptom of a Broken Educational System?
Tolani Is Creating Music on Her Own Terms
Who Wrote This? The Crisis of Criticism in the AI Era
It’s the Eleventh Edition, and We Still Don’t Know What the AMVCA Trailblazer Award Is
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Interviews
Joel Kachi Benson Just Wants to Make an Impact
Tolani Is Creating Music on Her Own Terms
Dhee Sylvester: The Designer Revolutionising Nigerian Book Covers
In Conversation: 4Mr Frank White Talks Sound, Identity, and Evolution of East African Afro-Swing Rap
In Conversation: Victor Ugoo Njoku Talks “This Is Love”, Reclaiming Agency, and Representation in Nollywood
The Manifesto of M.anifest: New Roads, Same Genius
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Film & TV
In Conversation: Nnamdi Kanaga Explores Liaising With The Supernatural in “Water Girl”
“Memory of Princess Mumbi” Review: Damien Hauser’s Bold Afrofuturistic Swing Into the Age of Artificial Intelligence
ENIFF 2025: Nnamdi Kanagaʼs “Water Girl” Reclaims Ogbanje Narratives With Intimacy and Precision
“Bad Influencer” Review: Netflix’s South African Series Is a Stylish, Chaotic Tale of Clout and Consequences
“Dust to Dreams” Review: Idris Elba and Mo Abudu Collaborate on a Short Film That Squanders Its Fortunes
“Milisuthando” Review: Bongela-Davis’ Film Places the Nation in the Mirror of a Single Life
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Music
“Kings Will Rise” Review: The Scorpion Kings Continue Stellar Run With New Album
Afrocritik Weekly Music Spotlight: Projects Galore
“This One Is Personal” Review: Tiwa Savage Deeply Explores R&B in Her Most Soul-Baring Album Yet
“After Midnight” Review: Gyakie Consolidates Her Familiar Style on Debut Album
“Less Trouble” Review: Shekhinah Presents Her Best Work Yet With New Album
“Memorabilia” Review: Efue Announces Herself Impressively With Debut EP
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VIDEOS
Welcome to our YouTube Channel
Books
“The Middle Daughter” Review: Chika Unigwe Synthesises Form And Content Into Mesmerising Storytelling
Grief Touches the Sublime in Yewande Omotoso’s “An Unusual Grief”
“New York, My Village” Review: Uwem Akpan’s Book Is An Important Breakaway From Conventional Contemporary Setting
Michael Afenfia’s “Leave My Bones in Saskatoon” and the Burial of Prose Fiction
8 Literary Festivals Lighting Up Africa in the Second Half of 2025
“Years of Shame” Review: Obinna Udenwe’s Ambitious New Novel Nearly Crumbles Under the Weight of Editorial Issues
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Culture
The Complex Relationship Between Football and Gambling
How Smart Waste Management Solutions Can Solve Africa’s Garbage Crisis
The Podcast Boom in Nigeria: An Era of Noise or Knowledge?
Top 10 Gyms in Lagos and Abuja
BNPL Services in Nigeria: The Benefits and Risks of Flexible Repayments
Content Piracy in Nigeria: Trends, Challenges, and Pathways to Resolution
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Fashion
2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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Sports
Is It Time to Ban Libya From Hosting African Football Games?
Transformation in South African Cricket: Can Quotas Ensure Both Fairness and Excellence?
How IFAB’s New Eight-Second Rule Could Reshape African Football Tactics
How Tems’ Stake in San Diego FC Bridges Music, Culture, and Sports
How Intra-Continental Cross-Border Coaching Appointments Are Redefining African Football
Cricket Glory: Africa’s Rising Stars at the U19 World Cup
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Explainers
Fiction & Poetry
“the village’s elegy” & “A sonnet is fighting absolution” | Poems by Josiane Kouagheu
“Transit”, “Leaven”, & ”Arrive in Your Skeleton” | Poems by Abiodun Salako
HOMECOMING | Fiction by Chukwuebuka Obiakaeze
“Ancestry” & “The Cathedral” | Poems by Chimezie Umeoka
Two Poems by Doreen Masika
In Your Image | Poem by Tuke Ronald
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