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It’s the Eleventh Edition, and We Still Don’t Know What the AMVCA Trailblazer Award Is
2025 AMVCA: How the Stars Lit up the Night With Style
“Addiction” Review: Jay Melody Stakes His Claim in Bongo Flava’s Hall of Fame
Features & Essays
Too Early for Birds Chronicles Tom Mboya’s Legacy with Wit and Heart
The Legacy of Loss | Nonfiction by Damilola Olaniyi
What Is the State of Nigeria’s Natural Parks and Game Reserves?
Which African Author Will Win the 2024 Nobel Prize in Literature?
Fragmented Visages, Unbroken Light: The Art of Ruth Agbolade
Xenophobia Blues and the South African Complex: Is the Dangerous Politics of Nazism on the Rise Again?
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Interviews
In Conversation: Bowman Aremwaki, the Ugandan Artiste with a Universal Musical Language
In Conversation: How ‘Najite Dede Takes on the Screen and Theatre as a Multifaceted Filmmaker
“In Poetry I Found My Voice, and in Poetry I Keep It Loud”: Dorphanage, Kenyan Spoken Word Artist, In Conversation
In Conversation: Obi Maduegbuna on Voice Acting, “Iwájú”, and Future Plans in Filmmaking
David Olatoye: A Visual Artist Forging His Identity Through Pen and Canvas
Móyòsóré Martins: Embracing Abstraction and Imperfectionism in Grunge Art
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Film & TV
What Happened to Nollywood Sitcoms?
“Tarella: Princess of the Nile” Review: A Nollywood Cinderella Reimagining With Too Little Imagination
“Summer Rain” Review: Adenike Adebayo-Esho’s Film Anchors a Promising Romance That Fizzles Away
“Kash Money” Review: Kenya’s Netflix Release Lacks Dimension And Complexity
“Penance” Review: Awal Abdulfatai’s Film Fails to Deliver on Its Premise
“Something About the Briggs” Review: Bukola Ogunsola’s Film Cleverly Navigates Marital Realities
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Music
Afrocritik’s Weekly Music Spotlight: Something Different
“I Dream In Color” Review: Magixx’s Debut Album Offers an Unfiltered Look Into His Mind
“Best of Both Worlds” Review: Kel-P and Wande Coal’s EP Struggles to Meet Expectations
Will Arewa Music Be the Next Big Wave in Contemporary Nigerian Pop?
Afrocritik’s Weekly Music Spotlight: Buttery Smooth
“Onorato” Review: Ajebo Hustlers Flex Their Sonic Consistency with New EP
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VIDEOS
Welcome to our YouTube Channel
Books
Sensational Book Titles: A New Trend in Nigerian Literature?
“Loss is an Aftertaste of Memories” Review: Michael Chiedoziem Chukwudera’s Debut Novel Explores Memory, Loss, and the Agency of Remembrance
“River Spirit” Review: Leila Aboulela’s Novel Illuminates Historical Lessons
Amaka Obioji’s Poetry Collection, “Mother, Did You Call My Name?” Explores the Transience of Human Emotions
In “Like Water Like Sea”, Olumide Popoola Offers an Exploration of Contemporary Human Experiences
Ike Anya’s “Small by Small” is a Medical, Personal, and Artistic Triumph
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Culture
Africa’s Iconic Pop Culture Moments of 2023
Exploring the Rhythms of Africa: 5 Traditional Dances From Across the Continent
In Memory of Imole: A 10-Track Mohbad Playlist You Should Listen To
Five Colourful Festivals Across West Africa
Hair Fetish Has Come a Longer Way Than We Know. It Is More Complex Than We Assumed
Here Are Six Things You Shouldn’t Discuss On A First Date
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Fashion
2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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10 African Fashion Events to Watch Out for in 2025
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Sports
Egypt vs. Morocco Preview: North African Rivals Face off for 2024 Paris Olympic Football Bronze
African Weightlifting Contenders at the 2024 Paris Olympics: A Comprehensive Preview
African Basketball in Paris: South Sudan and Nigeria Face Formidable Olympic Hurdles
Paris 2024: Tobi Amusan and the Olympic Dream
Kaylia Nemour: Africa’s Hope for a First-Ever Olympics Gymnastics Medal
Biniam Girmay: Breaking Barriers as the First Black African Tour de France Champion
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Explainers
Fiction & Poetry
1929 | Chinemerem Prince Nwankwo
Eye | Ogah Friday David
The Translator | Karen Jennings
You Win in This Fight, Against God | Okorie Divine
Hands | Feyisayo Anjorin
Fresh Dope (When Hope is a Voice Trapped in Dead Air) | Dhee Sylvester
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