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TikTok for Artistes Launches in Nigeria to Boost Artiste Growth and Fan Engagement
Noise or Attention: What Really Sells Nollywood Films?
Angolan Writer, Nituecheni Africano, Wins 2025 Sankofa Book Awards Kenya
Features & Essays
Fusion and Superimposition in Mede Akran’s Photography
What Happened to Nollywood Sitcoms?
Opinion: Is It Time to Revamp the Judge Selection for the NLNG Nigeria Prize for Literature?
Igbobinna Eze: An Artist Staying True to His Spirit
In the Place Between Sleep and Awake
Afrocritik’s 50 Notable Essays from Africa in 2024
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Interviews
In Conversation: Camillo Doregos on Managing Mr Eazi, Pheelz, and Key Industry Lessons
In Conversation: Mark Mac on Amapiano’s Evolution and the Trials of Talent Management
The Creative Pulse of Chike: An Artiste’s Narrative
In Conversation: Kcee Talks “Mr. Versatile”, Culture, and the Art of Reinvention
In Conversation: Simbarashe Steyn Kundizeza on Crafting His Island Prize Winning Manuscript, “Freelance”
Itegboje Daniel is Effecting Societal Change Through Documentary Filmmaking
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Film & TV
In Conversation: Ife Olujuyigbe Talks Storytelling, the Realities of Producing, and Navigating Nollywood
20 Prolific Producer-Director Collaborations in Nollywood
Joel Kachi Benson Just Wants to Make an Impact
“Soccer Season: Playmaker” Review: Stephina Zwane’s Sports Drama Finds Power in Its Humour
25 Prolific Actor-Director Collaborations in Nollywood
“Over the Bridge” Review: Tolu Ajayi’s Film Explores Nigeria’s Systematic Rot and the Lives It Unravels
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Music
Afrocritik Weekly Music Spotlight: Subtle Twists
Loud Urban Choir Is Redefining Choral Music in Afro-Pop
[Opinion] At the Risk of Talking Rubbish: Obongjayar Is Keeping up the “Talk Olympics”
Billboard-Honoured Lawyer, Akinyemi Ayinoluwa, Talks Music Law, African Excellence, and Creative Rights
Afrocritik Weekly Music Spotlight: Fresh Sounds
“Next Gen” Review: Oskido Platforms Fresh Talents on New Album
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VIDEOS
Welcome to our YouTube Channel
Books
“And So I Roar” Review: Abi Dare’s Sequel Sends Powerful Message on Female Advocacy
“The Road to the Country” Review: Chigozie Obioma’s Book Explores the Costs of War, Guilt, and the Enduring Survival of Love
Finding Freedom: Aké Arts and Book Festival Returns with a Focus on Diverse Voices
“The Most Secret Memory of Men” Review: Mohamed Mbougar Sarr’s Book Engages with the Complexities of Literary Critique
“After the End” Review: Olukorede Yishau’s Book Explores Betrayal and Trauma in Fine Detail
“Face Me I Face You” Review: Oyindamola Shoola Uses Unconventional Poetry to Explore Nigerian Communal Life
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Culture
Macondo Literary Festival 2024: A Celebration of the History of the Indian Ocean Worlds
Nigeria Cinema Day and the Marketing Hurdles Holding Back Nollywood
Addressing a Widespread Crisis: Gender-Based Violence in Kenyan Sports and Beyond
Kingsley Ayogu’s “If Hives Could Dance in Colours” Is a Poetic Exploration of Life and Memory
Xenophobia Blues and the South African Complex: Is the Dangerous Politics of Nazism on the Rise Again?
Wonu Osikoya Documents Afrobeats History From a Fresh Perspective With “Grime, Glory & Afropop”
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Fashion
2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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10 African Fashion Events to Watch Out for in 2025
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Sports
Can the Black Stars Defy the Odds and Qualify for AFCON 2025?
Oliver Mbekeka: Uganda’s First Female Manager in Men’s Premier League
Inside the 2024 Beach Soccer Africa Cup of Nations
All the Scoop on Samson Dauda, the 2024 Mr Olympia Winner
Strengthening the NPFL: Evaluating the Impact of Seasoned Players and Managers
Why African Top-Flight Football Clubs Struggle to Sell Directly to Europe’s Elite
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Explainers
Fiction & Poetry
Three Poems | By Salama Wainaina
Three Poems | By Emmanuel Somtochukwu Ferdinand
Conversations With Strangers | Fiction By Lydia Mutuku Nzilani
Three Poems | By Muheez Olawale
The Wooden Shack | Fiction by Ndakotsu Abubakar
Contranormative: A Monologue | Poem by Precious Chidera Harrison
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