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HOME
ABOUT
NEWS
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AT THE ALTAR | Poem By Rutendo Chichaya
Afrocritik’s Most Anticipated Books of 2026
Documentary Spotlight: “Shine”
Features & Essays
Kester Kanayo Onyemaechi and His Archive of Healing
The Success of “Sinners” at the Nigerian Box Office: Five Lessons for Nollywood
Dhee Sylvester: The Designer Revolutionising Nigerian Book Covers
The Obscured Realities in Shegun Oseh’s Smokescreen Images
The Complex Relationship Between Football and Gambling
NYrobi BookFest 2025: Exploring the Shifting Currents of Kenyan Literature
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Interviews
Tolani Is Creating Music on Her Own Terms
Dhee Sylvester: The Designer Revolutionising Nigerian Book Covers
In Conversation: 4Mr Frank White Talks Sound, Identity, and Evolution of East African Afro-Swing Rap
In Conversation: Victor Ugoo Njoku Talks “This Is Love”, Reclaiming Agency, and Representation in Nollywood
The Manifesto of M.anifest: New Roads, Same Genius
Kenyan-Nigerian Producer, Afamefuna Onyebadi, Talks Debut EP, Creativity, and Music Production
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Film & TV
AIFF 2025: In “Radia”, Khaoula Assebab Benomar Crafts a Stark Portrait of Widowhood, Agency, and the Cost of Becoming
AFRIFF 2025: Zoey Martinson’s “The Fisherman” Mines Humour in the Pursuit of Dreams and the Tensions That Accompany Change
AFRIFF 2025: “Njem” and “The Boy Who Gave” Find Drama in the Spectacle of Suffering
AIFF 2025: Rachida SaadiʼS “Double or Nothing” Is a Gamble on Love and Addiction That Plays It Too Safe
AFRIFF 2025: In Conversation With Kalu Oji and Okey Bakassi, Writer-Director and Lead Actor of “Pasa Faho”
AIFF 2025: “Adunni: Ogidan Binrin” Is a Story of Resistance Undone by Its Own Execution
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Music
“Memorabilia” Review: Efue Announces Herself Impressively With Debut EP
Afrocritik Weekly Music Spotlight: BIG JOL!
Are Music Videos Relevant in Afro-Pop Today?
“Emadlelweni Aluhlaza” Review: Blue Pappi Charts Introspective Journey Across Sprawling Album
“Lifestyle” Review: Balloranking Brings His Street-Pop Sound to an Amapiano-Driven EP
Afrocritik Weekly Music Spotlight: Potential Showcase
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VIDEOS
Welcome to our YouTube Channel
Books
Michael Afenfia’s “Leave My Bones in Saskatoon” and the Burial of Prose Fiction
8 Literary Festivals Lighting Up Africa in the Second Half of 2025
“Years of Shame” Review: Obinna Udenwe’s Ambitious New Novel Nearly Crumbles Under the Weight of Editorial Issues
“When Love Visits” Review: Comfort Omovre’s Explores Love Through Conventional Romance Archetypes
Nairobi LitFest 2025: NBO Explores The Countercurrents of Knowing
“The Parlour Wife” Review: Foluso Agbaje’s Novel Is a Vital Contribution to Historical Fiction
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Culture
How Smart Waste Management Solutions Can Solve Africa’s Garbage Crisis
The Podcast Boom in Nigeria: An Era of Noise or Knowledge?
Top 10 Gyms in Lagos and Abuja
BNPL Services in Nigeria: The Benefits and Risks of Flexible Repayments
Content Piracy in Nigeria: Trends, Challenges, and Pathways to Resolution
Top 8 Nightclubs in Lagos and Why You Should Visit Them
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Fashion
2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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10 African Fashion Events to Watch Out for in 2025
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Sports
Transformation in South African Cricket: Can Quotas Ensure Both Fairness and Excellence?
How IFAB’s New Eight-Second Rule Could Reshape African Football Tactics
How Tems’ Stake in San Diego FC Bridges Music, Culture, and Sports
How Intra-Continental Cross-Border Coaching Appointments Are Redefining African Football
Cricket Glory: Africa’s Rising Stars at the U19 World Cup
CHAN: Is It Truly Serving African Football?
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Explainers
Fiction & Poetry
In Your Image | Poem by Tuke Ronald
Looking For Cloudberries In Onipanu, Or When You Fall Out Of Love
Three Poems | By Saadatu Uzairu
Two Poems | By Muhammad M Ubandoma
Two Poems | By Tharseo Jovita
Soliloquy At The Portico | Poem by Marvellous Mmesomachi Igwe
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