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“ALKEBULAN III: The Water Remembers” Review: Matt B Rounds Out Album Trilogy With Orchestral Flourish
“Starrgirl” Review: Ayra Starr Cements Star Girl Status with New Album
Élékéré Press Announces Inaugural Prize for Fiction
Features & Essays
Thinking Through Christopher Okigbo’s Words
Why Nollywood Has Stars but No Movie Stars
Why Do Nigerians Pray So Much?
Kwani? To Qwani: The Layers of 21st Century Literary Time in Kenya
The Consolation of Poetry
A Country That Shows Up: Kenya’s Cultural Social Capital
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Interviews
In Conversation With Deola And Darey Art Alade: On Making EWA “Africa’s Definitive Creative Convergence”
TIFF 2025: In Conversation With the Cast and Crew of “Nomad Shadow”
In Conversation: Achille Ronaimou on “Diya”, Confronting Tradition, Justice, and Forgiveness in Chad
TIFF 2025: In Conversation With Zamo Mkhwanazi, Director Of “Laundry”
The Neo-Arewa Soundscapes of FirstKlaz
“None of Us Is Immune”: In Conversation with Afolabi Olalekan and Blessing Uzzi, Director and Producer of “Freedom Way”
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Film & TV
“The Return of Arinzo” Mistakes Nostalgia for Necessity [A Review]
“Efunroye: The Unicorn” Review: Nollywood’s Most Politically Charged Historical Epic Chooses Devotion Over Truth
Livespot360 MD, Tiwa Medubi Talks “Real Housewives of Lagos”, “LOL: Last One Laughing Naija” and the Business of Reality TV
“Trade by Bata” Review: Biodun Stephen’s Culture-Clash Comedy Has One Brilliant Idea but Doesn’t Know What To Do With It
“A Spark in the Dark” Review: Akay Mason’s Melodrama Offers No Insights on Its Subject Matter
“Michael” Review: Biopic on King of Pop Overlooks Man in the Mirror
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Music
“More To Life” Review: Alex Iwobi’s Musical Persona 17 Flashes Promise on Debut Project
“See What We’ve Done” Review: Mr Eazi and King Promise Ponder Love and Life on New Joint Album
What Are Neighbouring Rights and Why African Artistes and Producers Are Missing Out on Millions
Peace Sunday Renders Affectionate Praise on “His Mercy”
The Paternity Test of Afrobeats
“Clarity of Mind” Review: Omah Lay Delivers A Magnum Opus on Sophomore Album
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VIDEOS
Welcome to our YouTube Channel
Books
Of Cities and Ancestors: A Review of “The Naming” and “African Urban Echoes”
“Poetry Has All My Pain” and “Love Through the Eyes of a Village Boy” Review: Vic’Adex Twin Collection Finds Tension in Parental Absence and Love
Afrocritik’s Most Anticipated Books of 2026
Afrocritik’s Notable African Books of 2025
Carrying These Poems Far Into the Middle and Beyond: A Review of Othuke Umukoro’s “Fenestration”
The Life and Works of Meja Mwangi, Kenya’s Great Chronicler
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Culture
10 Must-Have Apps for University Students in Africa
Should We Be Having Deep Conversations With AI Chatbots?
Can Satellite Imagery Spot and Solve Africa’s Poverty From The Sky?
Afrocritik Turns Four: Still Projecting Africa, One Story at a Time
What’s Behind Nigeria’s Fear and Criminalisation of Dreadlocks?
JAMB: Exam Body in Crisis or Symptom of a Broken Educational System?
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Fashion
AMVCA 2026: The Best Celebrity Red Carpet Looks of the Night
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Met Gala 2026: How African Celebrities Showed Up on Fashion’s Biggest Stage
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2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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Sports
Recap of the On-Going CAF U-17 Nations Cup
World Athletics’ DNA Testing: How New Gender Rules Impact African Athletes
Is It Time to Ban Libya From Hosting African Football Games?
Transformation in South African Cricket: Can Quotas Ensure Both Fairness and Excellence?
How IFAB’s New Eight-Second Rule Could Reshape African Football Tactics
How Tems’ Stake in San Diego FC Bridges Music, Culture, and Sports
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Explainers
The Never-Ending Upheavals of the Nigerian Basketball Federation
Ewa Cole vs Funke Akindele Copyright Dispute: Exclusive Details as Court Hearing Begins
Remote Work Safety: A Guide to Preventing Data Breaches While Working from Home
Wangiri Call-Back Scam: What It Is and How to Protect Yourself
6 Online Learning Platforms To Kickstart Your Career in 2024
AFCON 2023: Quarter-Finals Preview
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Fiction & Poetry
FLOODWATER | Poem By Al Ameen Muhammad
The Boy Who Brought Balloons | Short Story by Maryam Abdulkarim
MIDNIGHTS | Fiction by David Agyei-Yeboah
Clan | Poem by Victor Obukata
Fine Geh | Fiction by Chizitere Madeleine Nwaemesi
Untitled Poem for a Boy Who Never Knew Love | By Stephen Nwankwo
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