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“One Gidi Night” Review: A Thriller That Finds Its Rhythm Only to Lose It
The Will to Leave and Live: A Review of Emmanuel Eruemulor’s “Unwanted”
Lights, Camera, Africa! Returns to Lagos After Six Years With “Convivium: In Gathering”
Features & Essays
The Paternity Test of Afrobeats
An Artist of the Times: A Retrospective Review of Sef Adeola
KFCB’s Notice and The Problem With The Film and Stage Plays Act
Why the Crisis in South Sudan Does Not Need Another “Peace Agreement”
Beguiling Beauty
Nollywood and African Spirituality: The Demonisation of a Continent’s Tradition
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Interviews
BFI London Film Festival 2025: In Conversation With Vincho Nchogu and Josh Olaoluwa, Director and Producer of “One Woman One Bra”
“Creators Have Been Blessed With An Opportunity To Start Conversations”: Wale Davies on Writing “My Father’s Shadow”
“I Write Because I Have to Tell the Story”: In Conversation With Oyin Olugbile on Her Nigeria Prize for Literature Shortlist, “Sanya”
“It’s People You Belong To Rather Than Places”: In Conversation With Nikki May on Her Nigeria Prize for Literature Shortlist, “This Motherless Land”
In Conversation With Omotola Jalade Ekeinde On Her Directorial Debut, “Mother’s Love”
In Conversation With Deola And Darey Art Alade: On Making EWA “Africa’s Definitive Creative Convergence”
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Film & TV
“The Anniversary” Review: Prosper Edesiri’s Chamber Drama Has a Fascinating Psychological Core It Doesn’t Fully Trust
African Cinema and Its Treaty-Based Co-Production Network
In Conversation with Zipporah Nyaruri on the Road Behind “Truck Mama”
Tribeca Festival 2026: In Conversation with Pietra Brettkelly and The Critics’ Raymond Yusuff on Making “Crocodile” and Rising Above Constraints
Tribeca Festival 2026: Pietra Brettkelly and The Critics’ “Crocodile” Turns a Nigerian Filmmaking Collective Into A Story of Hope
Tribeca Festival 2026: In Conversation with Dian Weys on “Vultures”, Capitalism, and Moral Responsibility in the Aftermath of Violence
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Music
Who Are the DJs Really Soundtracking the Everyday Lives of Nigerians?
“The Game Needs Us” Review: BNXN and Sarz Reaffirm Their Creative Chemistry on a Cohesive Joint EP
“Sweet Boy” Review: Kuami Eugene Delivers Consistency on New Project
Afrocritik Music Spotlight: April Mega Spotlight
“Testimony of Grace” Review: Ice Prince Returns Wiser, Quieter, and More Purposeful
“M$NEY” Review: Asake’s Affluence Persona Takes Concrete Shape on New Album
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VIDEOS
Welcome to our YouTube Channel
Books
The Year So Far in African Literature: Talking Points of the First Quarter of 2026
“BackHomeAbroad and Other Stories” Review: Immigrant Realities Convene in Pede Hollist’s Collection of Stories
The Ethics of Knowledge and the Difficult Conversation Around Book Piracy in Africa
“The Situation in Africa Today Is So Urgent”: Ike Okonta on Fiction, Journalism, and Diagnosing the Nigerian Condition
“Riding the Storm” Review: What Does Africa’s Response to COVID-19 Teach Us?
Uchenna Awoke’s “A Siege of Owls” is a Masterpiece About Nigeria’s Volatility
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Culture
Do African Languages Come From the Same Place?
10 Must-Have Apps for University Students in Africa
Should We Be Having Deep Conversations With AI Chatbots?
Can Satellite Imagery Spot and Solve Africa’s Poverty From The Sky?
Afrocritik Turns Four: Still Projecting Africa, One Story at a Time
What’s Behind Nigeria’s Fear and Criminalisation of Dreadlocks?
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Fashion
AMVCA 2026: The Best Celebrity Red Carpet Looks of the Night
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Met Gala 2026: How African Celebrities Showed Up on Fashion’s Biggest Stage
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2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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Sports
The Complex Relationship Between Football and Gambling
Serhou Guirassy: Against the Odds
Recap of the On-Going CAF U-17 Nations Cup
World Athletics’ DNA Testing: How New Gender Rules Impact African Athletes
Is It Time to Ban Libya From Hosting African Football Games?
Transformation in South African Cricket: Can Quotas Ensure Both Fairness and Excellence?
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Explainers
AI Voice Cloning Scams: How to Protect Yourself
African Basketball in Paris: South Sudan and Nigeria Face Formidable Olympic Hurdles
Understanding Music Marketing Beyond Publicity Stunts: A Guide for African Artistes
Enhancing Learning for African Children with Disabilities Through Assistive Technologies
The Never-Ending Upheavals of the Nigerian Basketball Federation
Ewa Cole vs Funke Akindele Copyright Dispute: Exclusive Details as Court Hearing Begins
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Fiction & Poetry
“Knitting Grief” & “Conversations” | Poems by Pleasant Nneoma Stephen
Two Poems by Salihu Muhammad Ebba
FLOODWATER | Poem By Al Ameen Muhammad
The Boy Who Brought Balloons | Short Story by Maryam Abdulkarim
MIDNIGHTS | Fiction by David Agyei-Yeboah
Clan | Poem by Victor Obukata
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