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Afrocritik’s Weekly Music Spotlight: Afrobeats Summer
Tems Honoured with Diamond Award at Billboard Global Power Players Event
Durban FilmMart Institute Opens Applications for 5th Edition of DFMI Business Lab
Features & Essays
The Power of Protest: When Challenging Bad Governance is Justified
Will Rwanda Become the New Hub for Arts and Entertainment in East Africa?
Social Entrepreneurship in Africa: A Case of the Nigerian and Kenyan Social Enterprise Ecosystem
Mohbad: Post-Death Fame, and the Postmodern Reality of the Tortured Artist
Eco-Warriors: Gen Zs in Africa Leading the Sustainability Movement
Black History Month: 3 Inspirational Women Who Paved Way for Black Inclusivity
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Interviews
Afropantheology and the Future of African Speculative Fiction: A Conversation with Oghenechovwe Donald Ekpeki
Portraying Familial Bonds in “A Tribe Called Judah”: In Conversation with Box Office Hit Screenwriters, Akinlabi Ishola and Collins Okoh
Filmmaker, Perivi Katjavivi, Signals a New Era with Namibia’s Oscars Debut, “Under the Hanging Tree”
“Every Day Presents Another Angle to Approach My Music”: DumomiTheJig, the Artiste in His Debut Year in the Music Scene
“When It Comes to Lovesongs, Nobody Can Touch Me”: Joeboy, in Conversation with Afrocritik
“I Learnt to Let the Story Lead”: Nigerian Filmmaker, Wingonia Ikpi, on Producing the Crime-Comedy, “Bank Alert”
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Film & TV
10 African Movies to Watch for a Good Laugh
“A Danfo Christmas” Review: Sebastian Ukwa is Committed to Telling Heartfelt Stories
“On Becoming a Guinea Fowl” Review: Rungano Nyoni’s Award-Winning Sophomore Film Shatters Traditional Female Neglect
“Everybody Loves Jenifa” Review: Funke Akindele’s Latest Film Is a Worthy Addition to the ‘Jenifa’ Franchise
Afrocritik’s 25 Remarkable African Films of 2024
“Suspicion” Review: Tosin Igho Explores African Spirituality from an Intriguing Perspective
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Music
“Don’t Hold Me Back” Review: Liya’s Strength Shines in New EP
BoyPee, Hyce & Brown Joel Find Their Rhythm on “Synergy”
In Conversation: OluwaMillar Talks “Agbalagbi”, Creativity, and Breaking Barriers
“Black and White” Review: Terry Apala’s New Project Stretches Apala’s Sonic Possibilities
Afrocritik’s Monthly Music Spotlight: January 2025
“I am the Blueprint” Review: Qing Madi’s Debut Album Explores R&B With Room to Grow
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VIDEOS
Welcome to our YouTube Channel
Books
Afropantheology and the Future of African Speculative Fiction: A Conversation with Oghenechovwe Donald Ekpeki
Akwaeke Emezi’s Latest Novel, “Little Rot” Set to Hit Shelves in 2024
Africa’s Most Anticipated Books of 2024
Afrocritik’s 33 Remarkable African Short Stories in 2023
18 Notable Essays From Nigeria in 2023
The Art of Attentiveness: A Review of “Through the Eye of a Needle: Art in a Time of Coronavirus” Essay Collection
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Culture
How The Igbos Get Around To Naming Their Children
Obi Cubana, “Igba Boy” And Igbo Communalism
Ọja, The Musical Instrument Which Mirrors Igbo Individuality and Spirituality
Asaba, The Nigerian City That Perfectly Illustrates The Importance Of Spending Power
Cancel Culture, The Cancer Threatening To Erode Artistic Freedom
How To Enjoy A Great Weekend With 2,000 Naira In Lagos
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Fashion
2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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10 African Fashion Events to Watch Out for in 2025
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Sports
MMA Debut at the 2023 African Games: One Step Towards Achieving GAMMA’s Olympic Games Ambitions
African Games 2023: What Impact Has Hosting African Athletes for the First Time Had on Ghana?
Anthony Joshua Knocks Out Francis Ngannou, Continues Path to Heavyweight Championship Title
Simidele Adeagbo: First-Ever African Athlete at the International Bobsleigh and Skeleton Federation World Championship
The Never-Ending Upheavals of the Nigerian Basketball Federation
World Scrabble Champion, Wellington Jighere, is Putting Nigeria on the Global Sports Stage
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Explainers
Fiction & Poetry
Two poems | Adesiyan Oluwapelumi
Praying in a Lawn | Ogah Friday David
There Is Nothing Christian about a Road | Enit’ayanfe Ayosojumi Akinsanya
Recrudescence | Ement Amaku
Self Portrait At Nineteen | Hassan Usman
A Calligraphy of Love & Sweet Memories
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