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“The Termite Colony” Review: Ike Okonta’s First Novel Bears Witness to the Making of Nations
Who Shapes Our Narratives?: Afrobeats, Billboard, and the Barometers of Success in African Music
Kunle Afolayan Signs Deal with Benin Republic to Boost West Africa’s Film Industry
Features & Essays
X Is Doing Us In and We Don’t Know It
Fusion and Superimposition in Mede Akran’s Photography
What Happened to Nollywood Sitcoms?
Opinion: Is It Time to Revamp the Judge Selection for the NLNG Nigeria Prize for Literature?
Igbobinna Eze: An Artist Staying True to His Spirit
In the Place Between Sleep and Awake
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Interviews
In Conversation: Simbarashe Steyn Kundizeza on Crafting His Island Prize Winning Manuscript, “Freelance”
Itegboje Daniel is Effecting Societal Change Through Documentary Filmmaking
In Conversation: Konstance Talks Music, Ambition, and New Ventures
In Conversation: How Kaycee Brown Is Embracing His Identity Through Music
Navigating Heartbreak and Closure: Inside MTV Base’s Nigerian Adaptation of the “Ghosted” Reality Show
“We Are Trying to Make History Accessible”: Archivi.ng, the Startup On a Journey to Digitise Nigerian History
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Film & TV
AIFF 2025: “Adunni: Ogidan Binrin” Is a Story of Resistance Undone by Its Own Execution
AFRIFF 2025: Nwamaka Chikezie’s “To Adaego with Love” Is a Post-War Romance of Half Measures
AIFF 2025: Enah Johnscott Illuminates the Fragility of Memory and the Fading Architecture of Care in “Lights Out”
“The Herd” Review: Daniel Etim Effiong’s Debut Feature Is Taut and Human
The Cuts of Speaking Truth in Nigerian Cinema
AFRIFF 2025: Kalu Oji Reflects on Fatherhood and the Igbo Immigrant Experience in Tender Debut Feature, “Pasa Faho”
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Music
Afrocritik Weekly Music Spotlight: Detour Week II
“WWP” Review: Tyla Returns to Form on New EP
10 Rising African Alté Artistes to Watch in 2025
“Spiral” Review: Tim Lyre Charts Cycles of Love and Life on Sophomore Album
Afrocritik Weekly Music Spotlight: Detour Week
“The Summer That Saved Me” Review: Odeal Bottles Newfound Freedom and Clarity on New EP
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VIDEOS
Welcome to our YouTube Channel
Books
“A Kind of Madness” Review: Uche Okonkwo’s Collection of Short Stories Explores the Ramifications of Figurative Madness
“Five Things Mother Did Not Prepare Me For” Review: Sumaiyah Muhammad’s Story Explores Intra-Familial Chaos And The Quest For Peace
“Dream Count” Review: Chimamanda Ngozi Adichie’s Novel Psychoanalyses the Intangibility of Dreams
“Grief’s First Kiss Is an Avalanche” Review: Wendy Okeke Offers an Introspective Look At the Multifaceted Nature of Grief
“Runnin’ No More” Review: G.T. Dipe’s Novel Celebrates the Resilience of Love
“Child of Congo” Review: Laurène Southe’s Chapbook Explores History, Identity, and the African Experience
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Culture
All the Fuss About Afrobeats, Its “Way-Pavers” and Frontliners
Is Controvesy the Linchpin that Keeps Portable in the Spotlight?
Will Rwanda Become the New Hub for Arts and Entertainment in East Africa?
Cape Town International Jazz Festival (CTIJF): Africa’s Grandest Gathering of Jazz Aficionados and Cultural Resonance
“No Gree for Anybody”, the New Nigerian Catchphrase for Tenacity in 2024
“New Year, New Blessings”, and the Obsession With New Year Prophecies and Declarations
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Fashion
2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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Sports
Egypt vs. Morocco Preview: North African Rivals Face off for 2024 Paris Olympic Football Bronze
African Weightlifting Contenders at the 2024 Paris Olympics: A Comprehensive Preview
African Basketball in Paris: South Sudan and Nigeria Face Formidable Olympic Hurdles
Paris 2024: Tobi Amusan and the Olympic Dream
Kaylia Nemour: Africa’s Hope for a First-Ever Olympics Gymnastics Medal
Biniam Girmay: Breaking Barriers as the First Black African Tour de France Champion
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Explainers
Fiction & Poetry
How to Blackmail God | Poem By Felix Eshiet
Rich People’s Street | Poem By Obongofon Etuk
Good Guys Finish Last | Fiction by John “Penwielder” Ebute
Refaat Alareer | Poem by Abigail George
Eternal Feast | Fiction by Iko Odoba
the gospel of a father | Poem by Azaiouris Y. Zeon
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