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Kaelo Iyizoba’s “The Spectacular Death of Prisca” Earns Honourable Mention at Toronto Film Festival
“A Mama Deola Wedding Story” Review: Kava’s First Original Is a Feature-Length Skit That Doesn’t Know It’s a Skit
Whose Fault is the House Rent Crisis in Nigeria?
Features & Essays
The Consolation of Poetry
A Country That Shows Up: Kenya’s Cultural Social Capital
The Myth of the Apolitical Artiste
Condescending Benevolence: The Colonial Paradox of “Mister Johnson”
Afrocritik’s 40 Notable Essays from Africa in 2025
The Life and Works of Meja Mwangi, Kenya’s Great Chronicler
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Interviews
In Conversation: Wingonia Ikpi Talks Making “The Lost Days”, the First Features Project, and What’s Next
Maia Lekow And Christopher King Want To Make Films About Kenyan Women With A Strong Sense Of Agency
“Making a Film Anywhere in Africa Is a Struggle”: In Conversation With Tunisian Filmmaker, Amel Guellaty, Director of “Where the Wind Comes From”
“Readers Will Bring All Kinds of Meaning to Your Work”: Uche Okonkwo, In Conversation with Afrocritik
Idowu Odeyemi’s New Theory of Disgust: He Thinks What You Say Can Be Disgusting
Loud Urban Choir Is Redefining Choral Music in Afro-Pop
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Film & TV
Cannes Film Festival 2026: Arie and Chuko Esiri’s “Clarissa” Struggles to Conjure Nigerian Spirit in Reimagination of Virginia Woolf Classic
“Bride of the Year” Review: This South African Romcom Doesn’t Take Itself Seriously
African Filmmaking at the Crossroads of Oscars Reform and AI Ethics
“Call of My Life” Review: Dammy Twitch’s Feature Debut Is a Cute Romcom for the Lover Girls
“The Return of Arinzo” Mistakes Nostalgia for Necessity [A Review]
“Efunroye: The Unicorn” Review: Nollywood’s Most Politically Charged Historical Epic Chooses Devotion Over Truth
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Music
“Echoes of Botanical Gardens” Review: Zakes Bantwini & Skye Wanda Explore Narrative Electronica on New Album
Afrocritik Music Spotlight: Different and Fresh
Inside the Mind and Legacy of DJ Jimmy Jatt
Zeenobwoy Taps Into Afrobeats’ Rich Material on the Love-Led “Sweet Body”
“Oasis” Review: Brenique Offers a Soulful, Faith-Rooted Offering on Debut EP
“When Lagos Sleeps” Review: Spinall Showcases Curatorial Range on New EP
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VIDEOS
Welcome to our YouTube Channel
Books
Afrocritik’s Notable African Books of 2025
Carrying These Poems Far Into the Middle and Beyond: A Review of Othuke Umukoro’s “Fenestration”
The Life and Works of Meja Mwangi, Kenya’s Great Chronicler
“Ojirami: The Weeping River” Review: Immigration, Myth, and Tragedy Swirl in a Play About the Potency of a Deity
“Under the Rain” Review: Ayo Deforge Writes About Profound Loss, Duty, and Compromises
“Cursed Daughters” Review: Oyinkan Braithwaite’s Sophomore Novel Explores Superstition, Matrilineage, and Intergenerational Trauma
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Culture
10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
The Rise of Live-streaming in Nigerian Music Marketing
The Complex Relationship Between Football and Gambling
How Smart Waste Management Solutions Can Solve Africa’s Garbage Crisis
The Podcast Boom in Nigeria: An Era of Noise or Knowledge?
Top 10 Gyms in Lagos and Abuja
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Fashion
AMVCA 2026: The Best Celebrity Red Carpet Looks of the Night
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Met Gala 2026: How African Celebrities Showed Up on Fashion’s Biggest Stage
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2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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Sports
Letsile Tebogo: The Rise to Men’s Athlete of the Year in 2024
AMGA 2024: Inside The Second Ever African Military Games
CAF’s Prize Money Boost: A Game Changer for African Women’s Football?
Can the Black Stars Defy the Odds and Qualify for AFCON 2025?
Oliver Mbekeka: Uganda’s First Female Manager in Men’s Premier League
Inside the 2024 Beach Soccer Africa Cup of Nations
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Explainers
Fiction & Poetry
In Your Image | Poem by Tuke Ronald
Looking For Cloudberries In Onipanu, Or When You Fall Out Of Love
Three Poems | By Saadatu Uzairu
Two Poems | By Muhammad M Ubandoma
Two Poems | By Tharseo Jovita
Soliloquy At The Portico | Poem by Marvellous Mmesomachi Igwe
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