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Matt B: The Water Remembered Him First
Davido, Wizkid, FOLA Lead 2026 Headies Awards Nominations + Full Nominees List
Nollywood’s Political Unconsciousness and the Critic’s Quagmire
Features & Essays
Sanctified Sleeplessness: Nigeria’s Addiction to Holy Hustle
Enugu Photo Festival: Architectural Ruins and the Death of Preservation
How Perliks Became Nigeria’s Most Story-Driven Music Video Director
How Should We Read? Akpata Magazine and the Reading Debate
The Cuts of Speaking Truth in Nigerian Cinema
How Wizkid Redefined Nigeria’s Sonic Landscape With “Made In Lagos”
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Interviews
Loud Urban Choir Is Redefining Choral Music in Afro-Pop
Billboard-Honoured Lawyer, Akinyemi Ayinoluwa, Talks Music Law, African Excellence, and Creative Rights
Blinky Bill: East Africa’s Quiet Radical
“Fortune Favours the Bold”: In Conversation With the Cast and Crew of “Red Circle”
In Conversation: Ife Olujuyigbe Talks Storytelling, the Realities of Producing, and Navigating Nollywood
Joel Kachi Benson Just Wants to Make an Impact
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Film & TV
[Opinion]: Who and What Does the “Children of Blood and Bone” Film Adaptation Really Represent?
Streaming Africa: Predicting the Growth and Adoption of Online Video Platforms Across African Markets (2026–2031)
“The Creek” Review: Toka McBaror’s Niger Delta Thriller Has the Right Setting and the Wrong Convictions
How Film Incubators Are Transforming Talent Development, Financing and Market Access in African Cinema
Kagiso Samuel Leburu on Telling a Story of Silence, Power, and Female Oppression in “Balaclava”
“Aba Blues” Review: Jack’enneth Opukeme’s Unconventional Style Can’t Fix Conventional Nollywood Storytelling
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Music
“Oasis” Review: Brenique Offers a Soulful, Faith-Rooted Offering on Debut EP
“When Lagos Sleeps” Review: Spinall Showcases Curatorial Range on New EP
The Black Box in Music Royalties: Why African Artistes Are Missing Out on Their Money
“Free (Deluxe)” Review: Nasty C Searches for Himself on Ambitious but Uneven Album
“Agaba Romantic” Review: Wizard Chan and Joeboy Deliver a Cohesive, Emotionally Resonant Joint EP
“I Am Bigger” Review: DarkoVibes Misses The Mark with New Album
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VIDEOS
Welcome to our YouTube Channel
Books
“Bitter Honey” Review: Lọlá Ákínmádé Åkerström Explores Generational Trauma and Its Effect on Matrilineal Connection
“A Meal Is a Meal” Review: Nnamdi Anyadu’s Collection Serves a Balanced Plate of Pleasures
“The Beast of Green Manor” Review: Grace Grandi Turns Melodrama Into a Mirror for Family, Pride, and Survival
“Worse Than Fire”: On Water, Violence, and the Fragility of Home
“Everything Is Not Enough” Review: Lola Akinmade Åkerström’s Sequel Deepens Her Mirror of Black Womanhood and Survival
“Nairobi Is a City Where Literature Thrives”: In Conversation With Alexander Nderitu, Africa’s First Digital Novelist
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Culture
The Rise of Live-streaming in Nigerian Music Marketing
The Complex Relationship Between Football and Gambling
How Smart Waste Management Solutions Can Solve Africa’s Garbage Crisis
The Podcast Boom in Nigeria: An Era of Noise or Knowledge?
Top 10 Gyms in Lagos and Abuja
BNPL Services in Nigeria: The Benefits and Risks of Flexible Repayments
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Fashion
AMVCA 2026: The Best Celebrity Red Carpet Looks of the Night
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Met Gala 2026: How African Celebrities Showed Up on Fashion’s Biggest Stage
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2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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Sports
AMGA 2024: Inside The Second Ever African Military Games
CAF’s Prize Money Boost: A Game Changer for African Women’s Football?
Can the Black Stars Defy the Odds and Qualify for AFCON 2025?
Oliver Mbekeka: Uganda’s First Female Manager in Men’s Premier League
Inside the 2024 Beach Soccer Africa Cup of Nations
All the Scoop on Samson Dauda, the 2024 Mr Olympia Winner
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Explainers
Fiction & Poetry
In Your Image | Poem by Tuke Ronald
Looking For Cloudberries In Onipanu, Or When You Fall Out Of Love
Three Poems | By Saadatu Uzairu
Two Poems | By Muhammad M Ubandoma
Two Poems | By Tharseo Jovita
Soliloquy At The Portico | Poem by Marvellous Mmesomachi Igwe
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