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Kyalami’s Renaissance: Paving the Way for F1’s Return to Africa
10 Must-Have Apps for University Students in Africa
“Inside Job” Review: Jacky Vike and Mammito Eunice Find Kenya’s Laugh Lines and Its Pain Points
Features & Essays
A Brief History on the Visual Language of Sex in Cinema
Opinion: Why Calling Don Jazzy an Influencer is an Erasure of His Impact on Afrobeats’ Global Dominance
In the Wake of Ojo Taiye’s Sneaky Poetry, How Should Plagiarism in the Nigerian Literary Community Be Addressed?
Artificial Intelligence, Neocolonialism, and the Politics of the English Language
Emeka Nwokedi: A Classical Music Conductor of International Repute
Is This the Age of Nollywood at Domestic Box Office?
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Interviews
World Scrabble Champion, Wellington Jighere, is Putting Nigeria on the Global Sports Stage
Moussa Sène Absa and the Trilogy that Redefines African Femininity in Film
Obii Ifejika’s Multifaceted Use of Poetry in Navigating the Human Experience
Barnabas Emordi: Successive Steps Behind the Lens to Becoming Nollywood’s Highest-Grossing Cinematographer
“All Art Helps Us to See the Humanity of Another”: Kenya Writer, Dennis Mugaa, Speaks About His Forthcoming Debut, “Half Portraits Under Water”
The Soundtrack to Success: Music Supervisor, Unique Oliver, is Creating a Blueprint for Music Licensing in Nollywood Productions
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Film & TV
“Penance” Review: Awal Abdulfatai’s Film Fails to Deliver on Its Premise
“Something About the Briggs” Review: Bukola Ogunsola’s Film Cleverly Navigates Marital Realities
What Trends Will Drive Africa’s Film Industry in 2025?
15 Nollywood Movies Perfect for Date Night
21 Films That Shaped Major Trends in Nollywood
“Mr Easy Loo” Review: The Mandla Ngcongwane-Directed Film Is a Humorous Critique of Apartheid Era South Africa
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Music
“Moonflower” Review: MiDi KwaKwa Explores Romantic Experiences on New EP
It’s 2025 and We Still Don’t Understand Intellectual Property in Kenya
Afrocritik’s Weekly Music Spotlight: Energy Boost
Odumodublvck & the Never-Ending Fight Over What Nigerian Rap Should Be
Afrocritik’s Weekly Music Spotlight: Something Different
“I Dream In Color” Review: Magixx’s Debut Album Offers an Unfiltered Look Into His Mind
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VIDEOS
Welcome to our YouTube Channel
Books
Africanfuturism: A Literary Plane of Infinite Possibilities for Africa’s Future
“All Art Helps Us to See the Humanity of Another”: Kenya Writer, Dennis Mugaa, Speaks About His Forthcoming Debut, “Half Portraits Under Water”
Masobe Books to Open 2024 Submissions Window for Emerging Authors on February 1
Mubanga Kalimamukwento Wins 2024 Drue Heinz Literature Prize
African Authors, Ayọ̀bámi Adébáyọ̀ and Caleb Azumah Nelson, Longlisted for 2024 Dylan Thomas Prize
Teju Cole, Marie Ndiaye, Romeo Oriogun, Shortlisted for 2023 NBCC Awards
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Culture
Has The Concept Of Tolerance In Marriage Become Old-Fashioned?
Tribal Marks: Cultural Heritage, Or Plain Barbarism?
How To Cope With Traffic In A City Like Lagos
Men, Please Note That Women Do Not Dress Up For Your Attention Or Approval
Here Are Five Self-Care Tips Useful For Surviving In Africa’s Busiest Cities
The Ikenga Deity, A Conduit For Igbo Communal Philosophy And Individual Reflection
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Fashion
2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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10 African Fashion Events to Watch Out for in 2025
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Sports
How Lucrative is the Competitive E-sports Industry Today?
BAL 2024: A Definitive Guide to the Basketball Africa League Season
WAFCON 2024: Does CAF’s Failure to Set a Date Reflect Unequal Treatment of Women’s Football?
2024 UCI World Tour: Louis Meintjes, Henok Mulubrhan, and Stefan De Bod Ride in the Tour de Romandie
AFCON Futsal Semi-Finals: Teams Vie for World Cup Qualification and Continental Glory
What Private Investment Could Mean for the Nigerian Premier Football League
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Explainers
Fiction & Poetry
Little Gifts Given to the Wild | Joemario Umana
It’s enough for us to sit in silence and wonder | Abigail George
Waltz Beyond the Veil | Obongofon Etuk
i’d like to own an elephant — that’s no bigger than a peanut | temidayo okun
A Poem Where Goodbye(s) Means What the Hands Cannot Hold Anymore | Anderson Moses
Off River Road, a Girl Plays a Sax Solo to Truncate the Intricacies of My History | Frank Njugi
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