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“Ọ̀kànjúwà” Review: Inkblot and FilmOne Throw a Mediocre Party with Elementary Moral Lessons
“Map of Her Shadow” Review: Anaïs Cardot Dazzles Softly on Sophomore EP
“Before The Morning Light” Review: Johnny Drille Expands His Prowess on New Album
Features & Essays
Kester Kanayo Onyemaechi and His Archive of Healing
The Success of “Sinners” at the Nigerian Box Office: Five Lessons for Nollywood
Dhee Sylvester: The Designer Revolutionising Nigerian Book Covers
The Obscured Realities in Shegun Oseh’s Smokescreen Images
The Complex Relationship Between Football and Gambling
NYrobi BookFest 2025: Exploring the Shifting Currents of Kenyan Literature
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Interviews
Yemi Alade: The Rebel Queen of Afro-Pop
Sabi Wu Is East Africa’s Best Kept Secret
In Conversation: Camillo Doregos on Managing Mr Eazi, Pheelz, and Key Industry Lessons
In Conversation: Mark Mac on Amapiano’s Evolution and the Trials of Talent Management
The Creative Pulse of Chike: An Artiste’s Narrative
In Conversation: Kcee Talks “Mr. Versatile”, Culture, and the Art of Reinvention
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Film & TV
Afrocritik’s 10 Nollywood Projects on YouTube Worth Watching in 2025
Afrocritik’s 20 Remarkable African Short Films of 2025
“Muganga, Celui Qui Soigne” Review: Marie-Hélène Roux’s Film Explores the Radical Practice of Care
Afrocritik’s 30 Remarkable African Feature Films of 2025
“Mothers of Chibok” Review: Joel ‘Kachi Benson Explores The Long Wait After Chibok
TSWA Film Festival 2025: “Girl-Boy”, “Say Something”, “Ziwa”, “Entre Nós e o Silêncio”, “Bureau De Change”, and “Fading Candle” Reviews
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Music
“Maison Rouge” Review: Mr Eazi’s Intimate EP Is a Love Letter to Banku Music
How Wizkid Redefined Nigeria’s Sonic Landscape With “Made In Lagos”
Has Nigerian Hip-Hop Found Its Mojo Again?
“No Excuses” Review: Blaqbonez Reaffirms His Status With Swagger, Skill, and Clarity
“Fuji” Review: Adekunle Gold’s Sixth Album Honours Fuji’s Legacy With Modern Sensibility
Afrocritik Weekly Music Spotlight: Mega Catch-Up
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VIDEOS
Welcome to our YouTube Channel
Books
Nairobi LitFest 2025: NBO Explores The Countercurrents of Knowing
“The Parlour Wife” Review: Foluso Agbaje’s Novel Is a Vital Contribution to Historical Fiction
“Readers Will Bring All Kinds of Meaning to Your Work”: Uche Okonkwo, In Conversation with Afrocritik
“Little Rot” Review: Akwaeke Emezi’s Novel Confronts The Performance of Morality
“Only Big Bumbum Matters Tomorrow” Review: Damilare Kuku’s Novel Addresses Body Politics, Biases, and Femininity
The Life and Political Imaginations of Ngũgĩ wa Thiong’o
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Culture
Mara: What to Know About the Viral Hyper-Fast and Energetic Sound
All the Fuss About Afrobeats, Its “Way-Pavers” and Frontliners
Is Controvesy the Linchpin that Keeps Portable in the Spotlight?
Will Rwanda Become the New Hub for Arts and Entertainment in East Africa?
Cape Town International Jazz Festival (CTIJF): Africa’s Grandest Gathering of Jazz Aficionados and Cultural Resonance
“No Gree for Anybody”, the New Nigerian Catchphrase for Tenacity in 2024
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Fashion
AMVCA 2026: The Best Celebrity Red Carpet Looks of the Night
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Met Gala 2026: How African Celebrities Showed Up on Fashion’s Biggest Stage
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2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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Sports
Paris 2024: Tobi Amusan and the Olympic Dream
Kaylia Nemour: Africa’s Hope for a First-Ever Olympics Gymnastics Medal
Biniam Girmay: Breaking Barriers as the First Black African Tour de France Champion
Why African Athletes Need Strong Public Relations
Who Really Benefits From the International Players’ Multiple Allegiances in Football?
Ons Jabeur’s French Open Exit: So Close Yet So Far From the Grand Slam Title
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Explainers
Fiction & Poetry
Contranormative: A Monologue | Poem by Precious Chidera Harrison
Broken Vessels and Other Poems | By Feyijimi Fayowolé
First Rain | Fiction By Chimezie Okoro
How to Blackmail God | Poem By Felix Eshiet
Rich People’s Street | Poem By Obongofon Etuk
Good Guys Finish Last | Fiction by John “Penwielder” Ebute
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