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CreativeCon ‘26 and Afrocritik Launch “Outside The Box” Challenge to Spotlight Nigeria’s Creative Voices
“Hope is a Tool of Resistance”: In Conversation with Andy Mundy-Castle on “Shoot the People” and the Ethics of Bearing Witness
The Popularity, Tensions, and Criticisms of Livestreaming in Contemporary Nigerian Pop Culture
Features & Essays
Tolani Is Creating Music on Her Own Terms
Who Wrote This? The Crisis of Criticism in the AI Era
It’s the Eleventh Edition, and We Still Don’t Know What the AMVCA Trailblazer Award Is
Kester Kanayo Onyemaechi and His Archive of Healing
The Success of “Sinners” at the Nigerian Box Office: Five Lessons for Nollywood
Dhee Sylvester: The Designer Revolutionising Nigerian Book Covers
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Interviews
In Conversation: Moyosore Akinsete Talks “Love, Olaitan”, Growing Into Filmmaking, and the Fear of Loss
In Conversation: OluwaMillar Talks “Agbalagbi”, Creativity, and Breaking Barriers
In Conversation: Laurène Southe Speaks on Poetry, Creative Expression, and Diasporan Experience in Debut Chapbook
Tramaine Suubi Talks Debut Collection, the Craft of Poetry, and the Art of Literary Stewardship
In Conversation: Kimbassax Talks Upcoming Project, New Ventures, and More
In Conversation: Olubunmi Familoni Talks His NLNG Prize-Winning Book, Writing Process, and More
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Film & TV
Inside the Creative and Business Architecture of “Aníkúlápó: The Ghoul Awakens”
“Art Has the Capacity to Move the Needle”: In Conversation with Akinola Davies Jr. on “My Father’s Shadow”, Nigerian History, and Casting Choices
Sundance 2026: In Conversation with Rami Jarboui, Director of “The Bird’s Placebo”
What Trends Will Drive Africa’s Film Industry in 2026?
Sundance 2026: Praise Odigie Paige’s “Birdie” Interrogates War, Displacement, and the Frayed Edges of Memory
Why Nollywood Has Stars but No Movie Stars
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Music
The Myth of the Apolitical Artiste
“Caged Bird” Review: Tryve Explores Pursuit of Freedom on Lo-Fi Hip-Hop-Infused Single
“Eba Anthem” Review: How Faloh Jagaban Turned a Staple into a Cultural Statement and Disapora Identity
Afrocritik’s Top 50 African Music Projects of 2025
Afrocritik’s Top 100 African Songs of 2025
“Afroculture” Review: Flavour Embodies The Sounds of Africa on New Album
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VIDEOS
Welcome to our YouTube Channel
Books
“New York, My Village” Review: Uwem Akpan’s Book Is An Important Breakaway From Conventional Contemporary Setting
Michael Afenfia’s “Leave My Bones in Saskatoon” and the Burial of Prose Fiction
“Black Ink, White Paper” Review: The Familiar Thrills in JC Amaechi’s Contemporary Romance
8 Literary Festivals Lighting Up Africa in the Second Half of 2025
“Years of Shame” Review: Obinna Udenwe’s Ambitious New Novel Nearly Crumbles Under the Weight of Editorial Issues
“When Love Visits” Review: Comfort Omovre’s Explores Love Through Conventional Romance Archetypes
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Culture
Wonu Osikoya Documents Afrobeats History From a Fresh Perspective With “Grime, Glory & Afropop”
Art, Culture, and Community: The Spirit of the Second Edition of the Umuofia Arts and Books Festival
Onyeka Onwenu: An Ode to the Elegant Stallion
30 Years Later: Tai Solarin is Still an Exemplary Educator and Ferocious Social Critic
Sensational Book Titles: A New Trend in Nigerian Literature?
Afrocritik Turns Three: What It Means to Amplify African Voices
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Fashion
AMVCA 2026: The Best Celebrity Red Carpet Looks of the Night
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Met Gala 2026: How African Celebrities Showed Up on Fashion’s Biggest Stage
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2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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Sports
African Weightlifting Contenders at the 2024 Paris Olympics: A Comprehensive Preview
African Basketball in Paris: South Sudan and Nigeria Face Formidable Olympic Hurdles
Paris 2024: Tobi Amusan and the Olympic Dream
Kaylia Nemour: Africa’s Hope for a First-Ever Olympics Gymnastics Medal
Biniam Girmay: Breaking Barriers as the First Black African Tour de France Champion
Why African Athletes Need Strong Public Relations
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Explainers
Fiction & Poetry
Contranormative: A Monologue | Poem by Precious Chidera Harrison
Broken Vessels and Other Poems | By Feyijimi Fayowolé
First Rain | Fiction By Chimezie Okoro
How to Blackmail God | Poem By Felix Eshiet
Rich People’s Street | Poem By Obongofon Etuk
Good Guys Finish Last | Fiction by John “Penwielder” Ebute
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