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How E-Pharmacies Are Transforming HIV Care in Sub-Saharan Africa
WAFCON 2024 Quarterfinal Guide: Players to Watch and Our Predictions
Afrocritik Weekly Music Spotlight: Second Bridge Week
Features & Essays
Social Entrepreneurship in Africa: A Case of the Nigerian and Kenyan Social Enterprise Ecosystem
Mohbad: Post-Death Fame, and the Postmodern Reality of the Tortured Artist
Eco-Warriors: Gen Zs in Africa Leading the Sustainability Movement
Black History Month: 3 Inspirational Women Who Paved Way for Black Inclusivity
Democracy in the Digital Age: How Do Internet Shutdowns Impact Fairness During African Elections?
The Nollywood Mystery Thriller: Sometimes It’s Elementary, and Sometimes There’s None
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Interviews
The Soundtrack to Success: Music Supervisor, Unique Oliver, is Creating a Blueprint for Music Licensing in Nollywood Productions
“Winning the James Currey Prize Might Represent My Coming of Age as a Writer”: In Conversation with 2023 Prizewinner, Peter Ngila Njeri
Afropantheology and the Future of African Speculative Fiction: A Conversation with Oghenechovwe Donald Ekpeki
Portraying Familial Bonds in “A Tribe Called Judah”: In Conversation with Box Office Hit Screenwriters, Akinlabi Ishola and Collins Okoh
Filmmaker, Perivi Katjavivi, Signals a New Era with Namibia’s Oscars Debut, “Under the Hanging Tree”
“Every Day Presents Another Angle to Approach My Music”: DumomiTheJig, the Artiste in His Debut Year in the Music Scene
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Film & TV
15 Nollywood Movies Perfect for Date Night
21 Films That Shaped Major Trends in Nollywood
“Mr Easy Loo” Review: The Mandla Ngcongwane-Directed Film Is a Humorous Critique of Apartheid Era South Africa
“Katangari Goes to Town” Review: Reuben Reng’s Film Is a Commendable Attempt at a Nigerian Whodunit
“Dahomey” Review: Mati Diop’s Documentary is a Powerful Commentary on Decolonisation
“Christmas in Lagos” Review: Jade Osiberu’s Latest Film Falls Short of Christmas Romcom Standards
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Music
Afrocritik’s Weekly Music Spotlight: Rhythm & Blues
“Did I Lie” Review: Cina Soul Reminds Us of Her Pedigree on New Album
Afrocritik’s Weekly Music Spotlight: Chill Vibes
Why Is There a Dearth of Protest Music in Nigeria Today?
“Moonflower” Review: MiDi KwaKwa Explores Romantic Experiences on New EP
It’s 2025 and We Still Don’t Understand Intellectual Property in Kenya
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VIDEOS
Welcome to our YouTube Channel
Books
Afropantheology and the Future of African Speculative Fiction: A Conversation with Oghenechovwe Donald Ekpeki
Akwaeke Emezi’s Latest Novel, “Little Rot” Set to Hit Shelves in 2024
Africa’s Most Anticipated Books of 2024
Afrocritik’s 33 Remarkable African Short Stories in 2023
18 Notable Essays From Nigeria in 2023
The Art of Attentiveness: A Review of “Through the Eye of a Needle: Art in a Time of Coronavirus” Essay Collection
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Culture
How The Igbos Get Around To Naming Their Children
Obi Cubana, “Igba Boy” And Igbo Communalism
Ọja, The Musical Instrument Which Mirrors Igbo Individuality and Spirituality
Asaba, The Nigerian City That Perfectly Illustrates The Importance Of Spending Power
Cancel Culture, The Cancer Threatening To Erode Artistic Freedom
How To Enjoy A Great Weekend With 2,000 Naira In Lagos
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Fashion
2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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10 African Fashion Events to Watch Out for in 2025
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Sports
Anthony Joshua Knocks Out Francis Ngannou, Continues Path to Heavyweight Championship Title
Simidele Adeagbo: First-Ever African Athlete at the International Bobsleigh and Skeleton Federation World Championship
The Never-Ending Upheavals of the Nigerian Basketball Federation
World Scrabble Champion, Wellington Jighere, is Putting Nigeria on the Global Sports Stage
Racheal Kundananji: Becoming the World’s Most Expensive Female Footballer
Kelvin Kiptum: A Tribute to an Athletic Phenomenon
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Explainers
Fiction & Poetry
Recrudescence | Ement Amaku
Self Portrait At Nineteen | Hassan Usman
A Calligraphy of Love & Sweet Memories
If Nigeria Was a Bible, It Would Be the Gospel Without Jesus & For Boys Whose Hearts Are Old, Rugged Books | Psalmuel Benjamin
The Eccentrics | Adedoyin Ajayi
Homecoming | Sunday Saheed
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