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“Readers Will Bring All Kinds of Meaning to Your Work”: Uche Okonkwo, In Conversation with Afrocritik
“Lagos Lover Boy” Review: Ric Hassani Crafts a Cohesive Portrait of Urban Romance
“Ms. Kanyin” Review: Jerry Ossaiʼs Wannabe Horror Flick is Forgettable
Features & Essays
Social Entrepreneurship in Africa: A Case of the Nigerian and Kenyan Social Enterprise Ecosystem
Mohbad: Post-Death Fame, and the Postmodern Reality of the Tortured Artist
Eco-Warriors: Gen Zs in Africa Leading the Sustainability Movement
Black History Month: 3 Inspirational Women Who Paved Way for Black Inclusivity
Democracy in the Digital Age: How Do Internet Shutdowns Impact Fairness During African Elections?
The Nollywood Mystery Thriller: Sometimes It’s Elementary, and Sometimes There’s None
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Interviews
Portraying Familial Bonds in “A Tribe Called Judah”: In Conversation with Box Office Hit Screenwriters, Akinlabi Ishola and Collins Okoh
Filmmaker, Perivi Katjavivi, Signals a New Era with Namibia’s Oscars Debut, “Under the Hanging Tree”
“Every Day Presents Another Angle to Approach My Music”: DumomiTheJig, the Artiste in His Debut Year in the Music Scene
“When It Comes to Lovesongs, Nobody Can Touch Me”: Joeboy, in Conversation with Afrocritik
“I Learnt to Let the Story Lead”: Nigerian Filmmaker, Wingonia Ikpi, on Producing the Crime-Comedy, “Bank Alert”
Tomilola Coco Adeyemo is Rekindling the Romance Genre in African Literature
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Film & TV
“Christmas in Lagos” Review: Jade Osiberu’s Latest Film Falls Short of Christmas Romcom Standards
“Seven Doors” Review: Femi Adebayo’s Directorial Debut is Impressive
10 African Movies to Watch for a Good Laugh
“A Danfo Christmas” Review: Sebastian Ukwa is Committed to Telling Heartfelt Stories
“On Becoming a Guinea Fowl” Review: Rungano Nyoni’s Award-Winning Sophomore Film Shatters Traditional Female Neglect
“Everybody Loves Jenifa” Review: Funke Akindele’s Latest Film Is a Worthy Addition to the ‘Jenifa’ Franchise
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Music
Odumodublvck & the Never-Ending Fight Over What Nigerian Rap Should Be
Afrocritik’s Weekly Music Spotlight: Something Different
“I Dream In Color” Review: Magixx’s Debut Album Offers an Unfiltered Look Into His Mind
“Best of Both Worlds” Review: Kel-P and Wande Coal’s EP Struggles to Meet Expectations
Will Arewa Music Be the Next Big Wave in Contemporary Nigerian Pop?
Afrocritik’s Weekly Music Spotlight: Buttery Smooth
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VIDEOS
Welcome to our YouTube Channel
Books
Afrocritik’s 33 Remarkable African Short Stories in 2023
18 Notable Essays From Nigeria in 2023
The Art of Attentiveness: A Review of “Through the Eye of a Needle: Art in a Time of Coronavirus” Essay Collection
Jide Badmus’ “Obaluaye” Is a Paradox of Chaos and Harmony
Sola Osofisan’s “The Simple Joys of Her Final Days” Presents Wry Portraits of Nigerian Life at Home and Abroad
Abubakar Adam Ibrahim’s “When We Were Fireflies” Examines the Primal Questions of Life and the Afterlife
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Culture
Ọja, The Musical Instrument Which Mirrors Igbo Individuality and Spirituality
Asaba, The Nigerian City That Perfectly Illustrates The Importance Of Spending Power
Cancel Culture, The Cancer Threatening To Erode Artistic Freedom
How To Enjoy A Great Weekend With 2,000 Naira In Lagos
Street Church: Making The Gospel Fun, Trendy And Relatable To A Younger Demographic
Timi Dakolo, “Everything”, And How Nigerian Gospel Songs Have Become Anthems Of Hope
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Fashion
2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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10 African Fashion Events to Watch Out for in 2025
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Sports
The Never-Ending Upheavals of the Nigerian Basketball Federation
World Scrabble Champion, Wellington Jighere, is Putting Nigeria on the Global Sports Stage
Racheal Kundananji: Becoming the World’s Most Expensive Female Footballer
Kelvin Kiptum: A Tribute to an Athletic Phenomenon
Côte d’Ivoire Seizes African Cup of Nations Victory Over Nigeria
AFCON 2023: The Differential Teams That Made History
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Explainers
Fiction & Poetry
Self Portrait At Nineteen | Hassan Usman
A Calligraphy of Love & Sweet Memories
If Nigeria Was a Bible, It Would Be the Gospel Without Jesus & For Boys Whose Hearts Are Old, Rugged Books | Psalmuel Benjamin
The Eccentrics | Adedoyin Ajayi
Homecoming | Sunday Saheed
of memories, moments & manhood | Jaachị Anyatọnwụ
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