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Gabzy Teams Up with Fireboy DML for Feel-Good New Single, “So Much Sense”
Kirsty Coventry Makes History as First African and Female President of the International Olympic Committee
Afro-Jazz Legends, Oneness of Juju, Announce First Album in Over 30 Years
Features & Essays
Nollywood’s Global Impact: How Nigerian Films are Captivating Audiences Worldwide
The “Crash” of OkadaBooks is a Call for Nigeria to Reflect on the State of Its Art Communities
Six Sub-Genres Expanding the Diversity of Afrobeats
Electric Vehicles (EVs): A Green Solution for Africa or More Environmental and Economic Quandaries?
Searching for New Philosophers at the Umuofia Arts and Books Festival 2023 (UmuofiaFest)
New Generation Connectivity: Africa’s Journey to 5G and the Wealth of Opportunities It Brings
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Interviews
Reem Gaafar is Blurring the Lines between Science and Creativity: In Conversation with Afrocritik
On Growing Up, Music, New Single And Future Projects: Guchi in Conversation with Afrocritik
“There’s no Permanent Enemy, only Permanent Interests” — Olarotimi Fakunle, Eleniyan of “Gangs of Lagos,” in Conversation with Afrocritik
Michael Omonua is Telling African Stories in the Language He Wants
On Writing a Prescient Film: Kayode Jegede, Co-writer of “Gangs of Lagos” in Conversation with Afrocritik
“‘Kaleidoscope’ was written differently from the way I had done other projects,” – Lindsey Abudei: In Conversation with Afrocritik
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Film & TV
Technical Excellence Saves “Farmer’s Bride” From an Uneven Script
“Lisabi: The Uprising” Review: Niyi Akinmolayan’s Dramatised Biopic Is a Deeply Contained Story
“Tejiri” Is a Timely Commentary on Justice and Governance in Africa
Highlights From the Third Edition of the Ibadan International Film Festival
IDFA 2024: Spotlight on Selected African Documentaries
Nigeria Cinema Day and the Marketing Hurdles Holding Back Nollywood
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Music
Inside the Mercy Chinwo and EeZee Conceptz Fallout
East Africa’s Altè Movement: A New Era of Hybrid Sound
Afrocritik’s 25 Emerging African Artistes Worth Listening To in 2025
“Taigwa Goma” Review: 4Mr Frank White Displays a Seamless Harmony in His Afro-Swing Rap
Afrocritik’s 2024 Top 100 African Songs
“Recess” Review: Joshua Baraka’s Growth on Full Display in New EP
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VIDEOS
Welcome to our YouTube Channel
Books
The Orientations of the Street in Jindu Enugbe’s “Street OT”
Jennifer Makumbi’s “A Girl is a Body of Water” is a New Height for the African Coming-of-Age Novel
Caleb Nelson’s Open Water: Literature melds Music and Photography
Afrocritik’s 20 Remarkable African Essays of 2021
Afrocritik’s 25 Notable African Books of 2021
“Rummaging for Omens”: A Review of Nneoma Otuegbe’s book of poetry
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Culture
Fashion
2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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10 African Fashion Events to Watch Out for in 2025
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Sports
AFCON 2023: The Dynamic Players, the Teams, and Their Diverse Origins
Anthony Joshua and Francis Ngannou Set for Epic Showdown in Saudi Arabia
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Fiction & Poetry
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