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Features & Essays

LIPFest 2023 - Sanctuary - Afrocritik
Lagos International Poetry Festival (LIPFest) 2023: A Sanctuary for Language-Hungry Creatives
Seyi Vibez: From Soulful Solace to Vibrant Vibez - Afrocritik
Seyi Vibez: From Soulful Solace to Vibrant Vibez
Ten of the Best Kenyan Hip-Hop Cyphers of All Time - Afrocritik
Celebrating Hip-Hop At 50: Ten of the Best Kenyan Cyphers of All Time
Nneoha Ann Aligwe - Africa International Horror Film Festival- Afrocritik
Nneoha Ann Aligwe is Reviving the Horror Film Genre with the Africa International Horror Film Festival (AIHFF): In Conversation with Afrocritik
Africa’s Gaming Industry Has Come a Long Way Since Its Early Stages, but Grassroot Development is Still Needed - Afrocritik
Unveiling Africa’s Gaming Boom: How Grassroot Development May Impact the Gaming Industry
femi.the.god - Afrocritik
Painting a Picture of the Future: The Social Consciousness Behind the Art of Femi.the.god

Interviews

Leading Conversations on Inclusivity, Babatunde Apalowo Takes First Nigerian Queer Film to Berlinale
Leading Conversations on Inclusivity, Babatunde Apalowo Takes First Nigerian Queer Film to Berlinale
Josh Olaoluwa - Afrocritik
From Marine Biology to Filmmaking: Josh Olaoluwa’s Unlikely Journey into Nollywood
“Why My New EP Took Me Close to a Year to Put Out,” – Rhita Nattah: In Conversation With Afrocritik
Director Diji Aderogba is Telling Conscious Stories with Film and Twitter
Philip on a mission to build a film industry in Lesotho.
Phillip Leteka is on a Mission to Build a Thriving Film Industry in Lesotho
Why “Soundtrack to the Good Life” Album Took Me Six Years to Put Out, Ajebutter22: In Conversation with Afrocritik

Film & TV

Mapantsula
“Mapantsula” Review: Oliver Schmitz’s Crime-Drama is a Gripping Portrayal of Apartheid-Era South Africa
Mvera
“Mvera” Review: Linah Sande’s Talent is the Conspicuous Selling Point of Daudi Anguka’s Film
A Song from the Dark
“A Song from the Dark” Review: Ogo Okpue’s Horror Feature Debut Feels Exactly Like a Debut, and Not a Good One
The Lions of Buganda
“The Lions of Buganda” Review: Jerry Sesanga’s Historical Picture Glides at a Glacial Pace Towards Nowhere
MTV Base's Ghosted
Navigating Heartbreak and Closure: Inside MTV Base’s Nigerian Adaptation of the “Ghosted” Reality Show
Savage Beauty
“Savage Beauty Season 2” Review: Lebogang Mogashoa’s Series Fails to Honour its Important Plots

Music

20 Nigerian Underground Songs That Should Be On Your Playlist
20 Nigerian Underground Songs That Should Be On Your Playlist
Snippet from Nigerian artistes
10 Nigerian Music Snippets Left Unreleased
Conscious songs from East Africa
Top 10 Conscious Songs from East Africa
15 Best Conscious Songs From Nigeria
15 Best Conscious Songs From Nigeria
Sui Generis
“Sui Generis” Review: Reminisce’s New EP Is a Gritty Fusion of Indigenous Rap and Fuji Rhythms
OFA
“OFA” Review: Oxlade’s Emotional Range Shines in His Debut Album

VIDEOS

Welcome to our YouTube Channel

Books

A Review of Orode’s “Bring Me Flowers in April”
The Ironies of Patriarchy in Igbo Society: a Review of Cheluchi Onyemelukwe-Onuobia’s “The Son of the House”
In Abi Dare’s “The Girl with the Louding Voice,” Language Plays a Foremost Role in Storytelling
The Son of the House: Cheluchi Onyemelukwe-Onuobia’s Powerful Storytelling Builds an Edifice from an Age-worn Plot
Chibundu Onuzo’s “The Spider King’s Daughter” Fails Tragically in its Literary Bidding
The Call to Greater Understanding: A Review of Ukamaka Olisakwe’s “Ogadinma: Or Everything Will Be All Right”

Culture

Fashion

AMVCA

2025 AMVCA: How the Stars Lit up the Night With Style

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AMVCA Cultural Day

10 Celebrities Who Slayed the 2025 AMVCA Cultural Day

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Met Gala
What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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2025 Grammy
Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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Africa Sourcing and Fashion Week
10 African Fashion Events to Watch Out for in 2025
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Sports

Explainers

Fiction & Poetry