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“No Sign of Weakness” Review: Burna Boy’s LP Is Technical, Polished, Yet Safely Played
“Paradise Now” Review: Obongjayar’s Sophomore Album Is a Fitting Treatise on Self
In Conversation: Wingonia Ikpi Talks Making “The Lost Days”, the First Features Project, and What’s Next
Features & Essays
Examining Africa’s Literary Masterpieces: African Books That Should Be Considered Modern Classics
Nollywood’s Global Impact: How Nigerian Films are Captivating Audiences Worldwide
The “Crash” of OkadaBooks is a Call for Nigeria to Reflect on the State of Its Art Communities
Six Sub-Genres Expanding the Diversity of Afrobeats
Electric Vehicles (EVs): A Green Solution for Africa or More Environmental and Economic Quandaries?
Searching for New Philosophers at the Umuofia Arts and Books Festival 2023 (UmuofiaFest)
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Interviews
Zambia is Courting Continental Attention with “Can You See Us?”: Afrocritik in Conversation with Kenny Mumba, Director of the Country’s Netflix Debut
Film Editors as Architects of a Film’s Vision and Goal: Biyi Toluwalase, Notable for Editing “Gangs of Lagos” and “Sista,” in Conversation with Afrocritik
Interview: Celebrity Chef, Hilda Baci, Reflects On Her Record-Breaking Cooking Marathon and Culinary Career
“I am a Perfect Symbol of Limitlessness”: Ebuka Njoku in Conversation with Afrocritik
Painting a New Way of Seeing Africa: In Conversation with the Filmmakers Who Took “Mami Wata” Global
Reem Gaafar is Blurring the Lines between Science and Creativity: In Conversation with Afrocritik
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Film & TV
“At Ease” Review: Seun Richards’ Directorial Debut Is a Refreshing Take on War Trauma
“Inside Life” Review: Clarence Peters Explores Dark Realities at a High Emotional Cost
10 Films That Have Shaped Nollywood
“Other Side of History” Review: Chukwuemeka Odumegwu Ojukwu’s Biopic Is Narratively Flawed
“Death of a Saint” Review: Patricia Bbaale Bandak’s Documentary Navigates the Intersection of Life and Loss
Top 25 Iconic and Must-Watch East African Movies
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Music
“Don’t Hold Me Back” Review: Liya’s Strength Shines in New EP
BoyPee, Hyce & Brown Joel Find Their Rhythm on “Synergy”
In Conversation: OluwaMillar Talks “Agbalagbi”, Creativity, and Breaking Barriers
“Black and White” Review: Terry Apala’s New Project Stretches Apala’s Sonic Possibilities
Afrocritik’s Monthly Music Spotlight: January 2025
“I am the Blueprint” Review: Qing Madi’s Debut Album Explores R&B With Room to Grow
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VIDEOS
Welcome to our YouTube Channel
Books
With Aiwanose Odafen’s “Tomorrow I Become a Woman,” The Modern Feminist Nigerian Novel Continues To Mature
Nnamdi Ehirim’s “Prince of Monkeys” Captures the Trauma of a Generation
Hell Hath No Fury Like a Poet Scorned: A Review of Dami Ajayi’s “Affection and other Accidents”
What is Yet Unsaid about Eloghosa Osunde and Her Novel, “Vagabonds!”
The Orientations of the Street in Jindu Enugbe’s “Street OT”
Jennifer Makumbi’s “A Girl is a Body of Water” is a New Height for the African Coming-of-Age Novel
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Culture
How Igbo Traditional Religion Intersects With Modern Christianity, And Why The Igbos Easily Embraced The “White Man’s Religion”
Pride Month 2021: Dangerous Myths About LGBTQ+ People In Nigeria That Should Be Left Behind
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Fashion
2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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10 African Fashion Events to Watch Out for in 2025
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Sports
8 Interesting Facts About Cameroonian Fighter, Francis Ngannou
AFCON 2023: The Dynamic Players, the Teams, and Their Diverse Origins
Anthony Joshua and Francis Ngannou Set for Epic Showdown in Saudi Arabia
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Explainers
Fiction & Poetry
At the Squad
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