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Variations on the Subject of Family: A Review of the 2026 Caine Prize Shortlist
“Salt in the Snow” Review: Displacements and Shifting Identities Come Together in Sahra Noor’s Debut Memoir
Somalia National Pavilion to Spotlight Contemporary Somali Cinema During Venice Biennale
Features & Essays
How Geoblocking and Cinema Scheduling Bias Undermine Distribution in Nollywood
The Legend of Area Scatter: Enigmatic Musician or Misunderstood Individual?
The Life and Political Imaginations of Ngũgĩ wa Thiong’o
What’s Behind Nigeria’s Fear and Criminalisation of Dreadlocks?
JAMB: Exam Body in Crisis or Symptom of a Broken Educational System?
Tolani Is Creating Music on Her Own Terms
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Interviews
Sabi Wu Is East Africa’s Best Kept Secret
In Conversation: Camillo Doregos on Managing Mr Eazi, Pheelz, and Key Industry Lessons
In Conversation: Mark Mac on Amapiano’s Evolution and the Trials of Talent Management
The Creative Pulse of Chike: An Artiste’s Narrative
In Conversation: Kcee Talks “Mr. Versatile”, Culture, and the Art of Reinvention
In Conversation: Simbarashe Steyn Kundizeza on Crafting His Island Prize Winning Manuscript, “Freelance”
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Film & TV
“Onobiren” Review: Laju Iren Spins a Faith-Based Tale of Female Resilience and Solidarity
Berlinale 2026: Karimah Ashaduʼs “Muscle” Turns the Black Male Body Into a Site of Witness
How Visa Denials Are Costing African Film Professionals More Than Just a Trip
Berlinale 2026: In Conversation with Olive Nwosu, Writer-Director of “Lady”
“Love and New Notes” Review: Kayode Kasum’s So-Called Romantic Period Drama Confuses Ambition for Vision
The Performance of Purity: Nollywood, Kissing and Nigeriaʼs Faux Conservatism
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Music
The Long Retreat of East African Conscious Music
Mr Eazi & King Promise Craft A Sweet Valentine’s Day Record On “That Way”
“Peace in the Storm” Review: Min. Adeoluwa Experiments with Different Sonic Direction on New Single
25 Emerging African Artistes You Should Listen to in 2026
“Real, Vol. 1” Review: Wizkid and Asake’s Joint EP Falls Short of Its Monumental Potential
The Rise of Kenyan Oontz Music and Culture
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VIDEOS
Welcome to our YouTube Channel
Books
“Sanya” Review: Oyin Olugbile’s Debut Novel Is a Creative Retelling of Sango as a Woman Warrior
“Petrichor” Review: Ayo Oyeku’s Novel Is an Attempt to Probe the Meaning of Justice
“The Middle Daughter” Review: Chika Unigwe Synthesises Form And Content Into Mesmerising Storytelling
Grief Touches the Sublime in Yewande Omotoso’s “An Unusual Grief”
“New York, My Village” Review: Uwem Akpan’s Book Is An Important Breakaway From Conventional Contemporary Setting
Michael Afenfia’s “Leave My Bones in Saskatoon” and the Burial of Prose Fiction
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Culture
Is Controvesy the Linchpin that Keeps Portable in the Spotlight?
Will Rwanda Become the New Hub for Arts and Entertainment in East Africa?
Cape Town International Jazz Festival (CTIJF): Africa’s Grandest Gathering of Jazz Aficionados and Cultural Resonance
“No Gree for Anybody”, the New Nigerian Catchphrase for Tenacity in 2024
“New Year, New Blessings”, and the Obsession With New Year Prophecies and Declarations
Africa’s Iconic Pop Culture Moments of 2023
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Fashion
AMVCA 2026: The Best Celebrity Red Carpet Looks of the Night
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Met Gala 2026: How African Celebrities Showed Up on Fashion’s Biggest Stage
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2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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Sports
Why North Africa Continues to Dominate in Continental Club Football
Highlights From the 2024 Marrakech Diamond League
Will Finidi George Usher in a New Era for Nigeria’s Super Eagles?
How Lucrative is the Competitive E-sports Industry Today?
BAL 2024: A Definitive Guide to the Basketball Africa League Season
WAFCON 2024: Does CAF’s Failure to Set a Date Reflect Unequal Treatment of Women’s Football?
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Explainers
Fiction & Poetry
A Flicker of Light | Daniel Echezonachi Maxwell
A Sacred Song for You | Tehila Okagbue
Smile, Stranger | Daniel Echezonachi Maxwell
Three Square Meal | Obongofon Etuk
1929 | Chinemerem Prince Nwankwo
Eye | Ogah Friday David
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