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Izu Ojukwu’s “77: The Festac Conspiracy” to Make Exclusive Preview at Cannes 2025
Full Winners List at the 26th Telecel Ghana Music Awards
Wizkid, Tyla, Tems, Others Bag Nominations At the 2025 American Music Awards
Features & Essays
Electric Vehicles (EVs): A Green Solution for Africa or More Environmental and Economic Quandaries?
Searching for New Philosophers at the Umuofia Arts and Books Festival 2023 (UmuofiaFest)
New Generation Connectivity: Africa’s Journey to 5G and the Wealth of Opportunities It Brings
African Fashion on Display: Embracing Traditional Attires With a Modern Twist
African Folklore and Lessons: Exploring the Rich Heritage of Traditional Tales from the Continent
Lagos International Poetry Festival (LIPFest) 2023: A Sanctuary for Language-Hungry Creatives
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Interviews
On Growing Up, Music, New Single And Future Projects: Guchi in Conversation with Afrocritik
“There’s no Permanent Enemy, only Permanent Interests” — Olarotimi Fakunle, Eleniyan of “Gangs of Lagos,” in Conversation with Afrocritik
Michael Omonua is Telling African Stories in the Language He Wants
On Writing a Prescient Film: Kayode Jegede, Co-writer of “Gangs of Lagos” in Conversation with Afrocritik
“‘Kaleidoscope’ was written differently from the way I had done other projects,” – Lindsey Abudei: In Conversation with Afrocritik
Esther Kemi Gbadamosi on Taking Nigerian Animated Films to Berlinale: in Conversation with Afrocritik
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Film & TV
“My Father’s Fable” Review: Faith Omole’s Theatre Show Is an Emotional Exploration Into Family Trauma and Nigerian Identity
“Onye Egwu” Review: The Uche Jombo-Directed Film is a Near Miss
“Lobola Man” Review: Thabang Moleya’s Romcom is a Breeding Ground of Cliches
Filmjoint: The Platform Promoting and Distributing Nigerian and International Short Films
“Mapantsula” Review: Oliver Schmitz’s Crime-Drama is a Gripping Portrayal of Apartheid-Era South Africa
“Mvera” Review: Linah Sande’s Talent is the Conspicuous Selling Point of Daudi Anguka’s Film
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Music
“Dutty Love” Review: Fave Captures the Paradoxes of Love In Sophomore EP
African Artistes at the 2025 Grammys: Top Contenders, Surprising Snubs, and Key Takeaways
Juliana Ehada Showcases Sonic Dynamism On “Smile Until The Devil Cries”
How Fuji Music Influences the Modern Afro-Pop Soundscape
The Best Nigerian Music Videos Released So Far in 2024
20 Nigerian Underground Songs That Should Be On Your Playlist
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VIDEOS
Welcome to our YouTube Channel
Books
The Orientations of the Street in Jindu Enugbe’s “Street OT”
Jennifer Makumbi’s “A Girl is a Body of Water” is a New Height for the African Coming-of-Age Novel
Caleb Nelson’s Open Water: Literature melds Music and Photography
Afrocritik’s 20 Remarkable African Essays of 2021
Afrocritik’s 25 Notable African Books of 2021
“Rummaging for Omens”: A Review of Nneoma Otuegbe’s book of poetry
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Culture
Fashion
10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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10 African Fashion Events to Watch Out for in 2025
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Size Bias on Our Runways: How Inclusive Are Fashion Competitions and the Industry?
Read More
Sports
AFCON 2023: The Dynamic Players, the Teams, and Their Diverse Origins
Anthony Joshua and Francis Ngannou Set for Epic Showdown in Saudi Arabia
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Explainers
Fiction & Poetry
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