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“When Love Visits” Review: Comfort Omovre’s Explores Love Through Conventional Romance Archetypes
10 Artistes Leading the Afro-Gospel Sound in 2025
Maia Lekow And Christopher King Want To Make Films About Kenyan Women With A Strong Sense Of Agency
Features & Essays
New Generation Connectivity: Africa’s Journey to 5G and the Wealth of Opportunities It Brings
African Fashion on Display: Embracing Traditional Attires With a Modern Twist
African Folklore and Lessons: Exploring the Rich Heritage of Traditional Tales from the Continent
Lagos International Poetry Festival (LIPFest) 2023: A Sanctuary for Language-Hungry Creatives
Seyi Vibez: From Soulful Solace to Vibrant Vibez
Celebrating Hip-Hop At 50: Ten of the Best Kenyan Cyphers of All Time
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Interviews
“There’s no Permanent Enemy, only Permanent Interests” — Olarotimi Fakunle, Eleniyan of “Gangs of Lagos,” in Conversation with Afrocritik
Michael Omonua is Telling African Stories in the Language He Wants
On Writing a Prescient Film: Kayode Jegede, Co-writer of “Gangs of Lagos” in Conversation with Afrocritik
“‘Kaleidoscope’ was written differently from the way I had done other projects,” – Lindsey Abudei: In Conversation with Afrocritik
Esther Kemi Gbadamosi on Taking Nigerian Animated Films to Berlinale: in Conversation with Afrocritik
Leading Conversations on Inclusivity, Babatunde Apalowo Takes First Nigerian Queer Film to Berlinale
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Film & TV
“Lisabi: The Uprising” Review: Niyi Akinmolayan’s Dramatised Biopic Is a Deeply Contained Story
“Tejiri” Is a Timely Commentary on Justice and Governance in Africa
Highlights From the Third Edition of the Ibadan International Film Festival
IDFA 2024: Spotlight on Selected African Documentaries
Nigeria Cinema Day and the Marketing Hurdles Holding Back Nollywood
“The Legend of the Vagabond Queen of Lagos” Review: The Agbajowo Collective’s Film Is a Bold Statement on Resistance
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Music
“Music In My Life” Review: Echo Deep Showcases His Expertise in Fourth Studio Album
“Agbalagbi” Review: OluwaMillar Navigates Life, Faith, and Fame on Debut EP
Top Predictions for Africa’s Music Landscape in 2025
Inside the Mercy Chinwo and EeZee Conceptz Fallout
East Africa’s Altè Movement: A New Era of Hybrid Sound
Afrocritik’s 25 Emerging African Artistes Worth Listening To in 2025
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VIDEOS
Welcome to our YouTube Channel
Books
Caleb Nelson’s Open Water: Literature melds Music and Photography
Afrocritik’s 20 Remarkable African Essays of 2021
Afrocritik’s 25 Notable African Books of 2021
“Rummaging for Omens”: A Review of Nneoma Otuegbe’s book of poetry
A Review of Orode’s “Bring Me Flowers in April”
The Ironies of Patriarchy in Igbo Society: a Review of Cheluchi Onyemelukwe-Onuobia’s “The Son of the House”
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Culture
Fashion
2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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10 African Fashion Events to Watch Out for in 2025
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