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“Family Brouhaha” Review: Femi Adebayo’s Solo Debut Is a Dysfunctional Film About a Dysfunctional Family
Mo Abudu and Kwame Onwuachi Named in TIME’s 100 Most Influential People of 2025
“Barrystar Vol 1” Review: Barry Jhay Pays Homage to Barrister With a Soul-Stirring Debut Album
Features & Essays
Funding and Collaboration in Nollywood: What Could “The Black Book” Tech Investors Mean for Filmmakers in Nigeria?
Understanding the Uproar About a White Miss Universe Zimbabwe: Could This Spark Fresh Dialogues on Inclusion and Diversity?
Seven Ancient African Civilisations You Should Know About
Is There a Parallel Between the Skin Bleaching Epidemic and Colourism That is Being Overlooked in Africa?
Beyond the Visual Aesthetics, Film Locations Are a Tool for Storytelling in Nollywood
Pat Nebo, Nollywood’s Veteran Production Designer, Documented Nigeria’s History Through Filmmaking
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Interviews
Chinua Ezenwa-Ohaeto: The Shape of Dreams and Memories
With “Collector of Memories,” Joshua Chizoma is Creating Identities
Dami Ajayi, and the Mission of Creating Unending Voices
From South Sudan to Canada, Amanie Illfated’s Music Charts New Paths
“How I Produced Pheelz’s ‘Finesse’” — Miichkel
“African Filmmakers Need To Retain Their Original Form Of Storytelling” – Akinola Davies Jr, Director Of “Lizard”
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Film & TV
A Brief History on the Visual Language of Sex in Cinema
AMVCA 2024: The Year the Award Ceremony Attempted to Get It Right
“Water & Garri” Review: Meji Alabi’s Directorial Debut Feature Offers Scintillating Visuals But Doubtful Storytelling
“Momiwa” Review: Family is Redefined in the Biodun Stephen-Directed Drama
“Postcards” Review: Hamisha Daryani Ahuja’s Series Stacks the Pile of Poorly-Contrived Nollywood Productions
Why We Need New Names in Nollywood
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Music
“King” Review: Jeriq Declares His Supremacy With New Album
Wonu Osikoya Documents Afrobeats History From a Fresh Perspective With “Grime, Glory & Afropop”
“No Love in Lagos” Review: Show Dem Camp, The Cavemen & Nsikak David Deliver a Masterful Blend of Highlife and Hip-Hop
“Purple Doesn’t Exist” Review: A-Q’s Experience Serves As The Backdrop For A Poetic Prowess
“Lungu Boy” Review: Asake’s Sonic Leap Stumbles on Thematic Cohesion
The Creative Pulse of Chike: An Artiste’s Narrative
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VIDEOS
Welcome to our YouTube Channel
Books
Here Are Seven Books Written By Black Feminists That You Should Read
Chimeka Garricks’ “A Broken People’s Playlist”, A Story Collection That Demonstrates the Power of Music.
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Culture
Fashion
Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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10 African Fashion Events to Watch Out for in 2025
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Size Bias on Our Runways: How Inclusive Are Fashion Competitions and the Industry?
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AMVCA 2024: 7 Designers Whose Outfits Graced the Red Carpet
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10 African Models Making Waves in the Global Fashion Industry
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Fiction & Poetry
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