BSFA Awards
Lady
ARMC 2026

Features & Essays

animation
Animating Africa: Inside the Rise and Realities of African Animation
Surnames
Whose Name Do You Bear? The Politics of Surnames and the Erasure of African Women
Macondo Literary Festival
Macondo Literary Festival 2025: East Africa’s Literary Vanguard Holds Its Fifth Edition
music videos
Are Music Videos Relevant in Afro-Pop Today?
Marketing
Noise or Attention: What Really Sells Nollywood Films?
Labubu dolls
How Capitalists Are Exploiting Us Through ‘Must-Haves’

Interviews

Fimí
In Conversation: Fimí Talks Rap, Creative Confidence, and Finding Her Voice Through Music
Wingonia Ikpi
In Conversation: Wingonia Ikpi Talks Making “The Lost Days”, the First Features Project, and What’s Next
Maia Lekow
Maia Lekow And Christopher King Want To Make Films About Kenyan Women With A Strong Sense Of Agency
Amel Guellaty
“Making a Film Anywhere in Africa Is a Struggle”: In Conversation With Tunisian Filmmaker, Amel Guellaty, Director of “Where the Wind Comes From”
Uche Okonkwo
“Readers Will Bring All Kinds of Meaning to Your Work”: Uche Okonkwo, In Conversation with Afrocritik
Idowu Odeyemi
Idowu Odeyemi’s New Theory of Disgust: He Thinks What You Say Can Be Disgusting

Film & TV

The Heart is a Muscle
“The Heart is a Muscle” Review: Imran Hamdulay’s Debut Feature Traces the Wounds We Inherit and the Ones We Try to Heal
Cotton Queen
S16 Film Festival 2025: Suzannah Mirghani Insists on Female Joy and Agency in Powerful Sudanese-Set Feature Debut, “Cotton Queen”
The Banjo Boys
ADIFF 2025: Johan Nayar’s “The Banjo Boys” is a Soul-Stirring Portrait of Music, Faith, and Survival
When Nigeria Happens
“When Nigeria Happens” Review: Young Nigerians Dance Through Dysfunction in Ema Edosio’s Theatrical Contemporary Dance Drama
Jason Jacobs
ADIFF 2025: In Conversation with the Filmmakers of South African Coming-of-Age Drama, “Carissa”
Rise
ENIFF 2025: Jessica J. Rowlands Puts Zimbabwean Cinema on the Map with “Rise”

Music

Spotlight
Afrocritik Weekly Music Spotlight: Mega Catch-Up
Industry Machine
“Industry Machine” Review: Odumodublvck’s Album Is Loud, Bold, and Loosely Bolted Together
Protect Sarz At All Costs
“Protect Sarz At All Costs” Review: Sarz’s Star-Loaded Debut Is Brilliant in Parts, But Fails to Thrill Fully
Peace By Piece
“Peace By Piece” Review: Fireboy DML and Pheelz’s Collaborative EP Serves Up Feel-Good Afro-Pop Bliss
Yariasu
“Yariasu” Review: Nyashinski’s Familiarity Dulls the Spark of His Latest Album
The Torcher
“The Torcher” Review: Stonebwoy Proves His Pedigree on New Album

VIDEOS

Welcome to our YouTube Channel

Books

Alexander Nderitu
“Nairobi Is a City Where Literature Thrives”: In Conversation With Alexander Nderitu, Africa’s First Digital Novelist
The Edge of Water
“The Edge of Water” Review: Grace Olufunke Bankole’s Debut Novel Searches For Meaning In Matrilineal Ties And Liminal Spaces
They Killed Ahmet
“They Killed Ahmet” Review: Ikenna Okeh’s Novel Is Trope-Heavy With Flickers of Promise
The Mind Is Not an Ally
“The Mind Is Not An Ally” Review: Ayo Deforge Philosophises About The Mind In Her Poetry Collection
Thunder and Roses
“Thunder and Roses” Review: Eniola Omorinkoba’s Novella Is an Apt Encapsulation of the Nuances of Love & Loving
I Cry At The Feet of My Other Body
“I Cry At The Feet of My Other Body” Review: Mustapha Enesi’s Debut Collection Confronts Patriarchy and the Loss of Agency

Culture

AI chatbots
Should We Be Having Deep Conversations With AI Chatbots?
satellite
Can Satellite Imagery Spot and Solve Africa’s Poverty From The Sky?
Afrocritik
Afrocritik Turns Four: Still Projecting Africa, One Story at a Time
Dreadlocks
What’s Behind Nigeria’s Fear and Criminalisation of Dreadlocks?
JAMB
JAMB: Exam Body in Crisis or Symptom of a Broken Educational System?
body-worn cameras
Can Body-Worn Cameras Build Trust In Africa’s Policing?

Fashion

AMVCA

2025 AMVCA: How the Stars Lit up the Night With Style

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AMVCA Cultural Day

10 Celebrities Who Slayed the 2025 AMVCA Cultural Day

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Met Gala
What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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2025 Grammy
Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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Africa Sourcing and Fashion Week
10 African Fashion Events to Watch Out for in 2025
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Sports

Kyalami
Kyalami’s Renaissance: Paving the Way for F1’s Return to Africa
Club World Cup
Africa at the 2025 FIFA Club World Cup
African Football League
Has the African Football League Gone Ghost?
Unity Cup
Unity Cup 2025: New Squads, Old Rivalries, One Cause
athletes
Why Are East Africa’s Best Athletes Competing for Other Countries?
CAF U-20 Africa Cup of Nations
The 2025 CAF U-20 Africa Cup of Nations: Competition Review, Standout Players, and Finals Preview

Explainers

The Never-Ending Upheavals of the Nigerian Basketball Federation
Ewa Cole vs Funke Akindele Copyright Dispute: Exclusive Details as Court Hearing Begins
Remote Work Safety: A Guide to Preventing Data Breaches While Working from Home - Afrocritik
Remote Work Safety: A Guide to Preventing Data Breaches While Working from Home
Wangiri call-back scam - Afrocritik
Wangiri Call-Back Scam: What It Is and How to Protect Yourself
6 Online Learning Platforms To Kickstart Your Career in 2024
AFCON Quarter-finals 2023 - Afrocritik
AFCON 2023: Quarter-Finals Preview

Fiction & Poetry

two poems
“Knitting Grief” & “Conversations” | Poems by Pleasant Nneoma Stephen
two poems
Two Poems by Salihu Muhammad Ebba
FLOODWATER | Poem By Al Ameen Muhammad
The Boy Who Brought Balloons
The Boy Who Brought Balloons | Short Story by Maryam Abdulkarim
MIDNIGHTS
MIDNIGHTS | Fiction by David Agyei-Yeboah
Clan
Clan | Poem by Victor Obukata