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“Finding Optel” Review: A Tender, Uneven Portrait of Ordinary Lives and the Quiet Radicalism of Small Stories
Africa International Film Festival (AFRIFF) Returns for 14th Edition + Full List of Selections
“Time After Time” & “Buy Her an Air Fryer” | Poems by Sheila Ngei
Features & Essays
What’s Behind Nigeria’s Fear and Criminalisation of Dreadlocks?
JAMB: Exam Body in Crisis or Symptom of a Broken Educational System?
Tolani Is Creating Music on Her Own Terms
Who Wrote This? The Crisis of Criticism in the AI Era
It’s the Eleventh Edition, and We Still Don’t Know What the AMVCA Trailblazer Award Is
Kester Kanayo Onyemaechi and His Archive of Healing
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Interviews
Loud Urban Choir Is Redefining Choral Music in Afro-Pop
Billboard-Honoured Lawyer, Akinyemi Ayinoluwa, Talks Music Law, African Excellence, and Creative Rights
Blinky Bill: East Africa’s Quiet Radical
“Fortune Favours the Bold”: In Conversation With the Cast and Crew of “Red Circle”
In Conversation: Ife Olujuyigbe Talks Storytelling, the Realities of Producing, and Navigating Nollywood
Joel Kachi Benson Just Wants to Make an Impact
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Film & TV
TIFF 2025: In Conversation With Zamo Mkhwanazi, Director Of “Laundry”
“The Serpent’s Gift” Review: Kayode Kasum’s Film Is Undone by Shallow Cultural Detail
TIFF 2025: Eimi Imanishi’s “Nomad Shadow” Deftly Navigates the Intricacies of Exile
TIFF 2025: Achille Ronaimou’s “Diya” Confronts The Brutal Arithmetic Of Justice And Retribution
“Say Who Die?” Review: Paul Utomiʼs Film Crumbles Under the Weight of its Own Ambition
NIFS Dispatch: 5 Key Takeaways from the 2025 Nigerian International Film Summit
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Music
“After Midnight” Review: Gyakie Consolidates Her Familiar Style on Debut Album
“Less Trouble” Review: Shekhinah Presents Her Best Work Yet With New Album
“Memorabilia” Review: Efue Announces Herself Impressively With Debut EP
Afrocritik Weekly Music Spotlight: BIG JOL!
Are Music Videos Relevant in Afro-Pop Today?
“Emadlelweni Aluhlaza” Review: Blue Pappi Charts Introspective Journey Across Sprawling Album
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VIDEOS
Welcome to our YouTube Channel
Books
Michael Afenfia’s “Leave My Bones in Saskatoon” and the Burial of Prose Fiction
8 Literary Festivals Lighting Up Africa in the Second Half of 2025
“Years of Shame” Review: Obinna Udenwe’s Ambitious New Novel Nearly Crumbles Under the Weight of Editorial Issues
“When Love Visits” Review: Comfort Omovre’s Explores Love Through Conventional Romance Archetypes
Nairobi LitFest 2025: NBO Explores The Countercurrents of Knowing
“The Parlour Wife” Review: Foluso Agbaje’s Novel Is a Vital Contribution to Historical Fiction
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Culture
JAMB: Exam Body in Crisis or Symptom of a Broken Educational System?
Can Body-Worn Cameras Build Trust In Africa’s Policing?
The Cultural and Structural Realities Behind Llona and Odumodublvck’s Grassroots Tours
10 Times Nigerian Songs Made a Surprise Comeback Online
Can African Proptech Startups Build Trust in a Skeptical Market?
Can AI Make Loan Applications Fairer in Africa?
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Fashion
2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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10 African Fashion Events to Watch Out for in 2025
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Sports
The 2025 CAF U-20 Africa Cup of Nations: Competition Review, Standout Players, and Finals Preview
Basketball Africa League Season 5: Race for the Playoffs
African Excellence at the 2025 Diamond League
The Complex Relationship Between Football and Gambling
Serhou Guirassy: Against the Odds
Recap of the On-Going CAF U-17 Nations Cup
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Explainers
The Never-Ending Upheavals of the Nigerian Basketball Federation
Ewa Cole vs Funke Akindele Copyright Dispute: Exclusive Details as Court Hearing Begins
Remote Work Safety: A Guide to Preventing Data Breaches While Working from Home
Wangiri Call-Back Scam: What It Is and How to Protect Yourself
6 Online Learning Platforms To Kickstart Your Career in 2024
AFCON 2023: Quarter-Finals Preview
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Fiction & Poetry
Fine Geh | Fiction by Chizitere Madeleine Nwaemesi
Untitled Poem for a Boy Who Never Knew Love | By Stephen Nwankwo
Across the Border | Fiction by Bello Taiwo Victoria
“the village’s elegy” & “A sonnet is fighting absolution” | Poems by Josiane Kouagheu
“Transit”, “Leaven”, & ”Arrive in Your Skeleton” | Poems by Abiodun Salako
HOMECOMING | Fiction by Chukwuebuka Obiakaeze
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