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BFI London 2026: In Conversation With the Director and Cast of “The Secret Lives of Baba Segi’s Wives”
Francis Duru: The Legacy Beyond Ahanna
HollyShorts Film Festival 2026: In Conversation with British-Nigerian Filmmaker Efosa Osaghae, Director of “Phantom Carousel”
Features & Essays
A Voyage and An Exploration: What An Essay Is
Skin Is Skinning: How Nigeria’s Skincare Culture Became a Movement and a Market
The Yoruba Traitor as Political Construction: A Response to Sam Omatseye’s “The Yoruba Traitors”
Interior Is a Country: On Nigerian Novels and the Limits of the Screen
The Poet’s Convenient Martyrdom (A Rejoinder to Ernest Jesuyemi’s “The Wrong Kind of Black Poet”)
[Opinion]: Who and What Does the “Children of Blood and Bone” Film Adaptation Really Represent?
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Interviews
Jubed Is Expanding the Sound and Vision of Ghanaian Pop
In Conversation: oSHAMO Talks Fuji, Self-Discovery, and What’s Next
Berlinale 2026: In Conversation with Olive Nwosu, Writer-Director of “Lady”
In Conversation: Praise Odigie Paige Reflects on Migration, Memory and Artistic Trajectory in “Birdie”
“Art Has the Capacity to Move the Needle”: In Conversation with Akinola Davies Jr. on “My Father’s Shadow”, Nigerian History, and Casting Choices
Sundance 2026: In Conversation with Rami Jarboui, Director of “The Bird’s Placebo”
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Film & TV
Filmmaking Within the Frame of Neglect
Nollywood’s Political Unconsciousness and the Critic’s Quagmire
MIFF 2026: “Variations on a Theme” Is a Masterpiece That Occasionally Forgets to Trust Itself
MIFF 2026: “Chronicles From the Siege” Is the Film That Says What Politics Has Failed To
MIFF 2026: Alain Gomis’ “Dao” Is a Three-Hour Act of Cultural Memory That Earns Every Minute It Asks For
“Zikoko Life” Review: Big Cabal’s Anthology Mostly Finds Its Rhythm in Its Second Edition
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Music
“A Rii Set” Review: Pheelz Expresses Artistic Duality On New Project
“Barely Legal” Review: Qing Madi Hits Full Stride on New EP
Afrocritik Music Spotlight: May on the Mind
“Map of Her Shadow” Review: Anaïs Cardot Dazzles Softly on Sophomore EP
“Before The Morning Light” Review: Johnny Drille Expands His Prowess on New Album
The Sound Behind the Moment: How Wisdom Ihekwuaba and Azuka Olie Shaped Ossy Brown’s London Performance
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VIDEOS
Welcome to our YouTube Channel
Books
20 Notable Escapist African Fiction of the Last Ten Years
Love in a Time of Terror: A Review of Donica Merhazion’s “Born at the End of the World”
The Endless Work of Culture Positioning: The Challenge for Nigerian Literature
In Conversation: Mubanga Kalimamukwento Talks “The Shipikisha Club” and Reclaiming the Place of Zambian Languages
The Best 15 African Political Novels of the Last Decade
“Certainty Is the Prerogative of Those With the Power to Exclude and Reject”: Pede Hollist on Displacement, Diaspora, and the Stories We Carry
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Culture
To Kill a Conversation: Nollywood, Criticism, and the Culture of Silence
Nigeria’s Class Problem and the Nepotism Debate
Why African Men Are Finally Embracing Skincare
To Sacrifice for Love: A Case for the Beauty of Marriage
Can Crime Reporting Apps Increase Police Responsiveness in Africa?
The Misogyny of “Wife vs. Mom” Hypotheticals and Why We Must Retire Them
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Fashion
AMVCA 2026: The Best Celebrity Red Carpet Looks of the Night
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Met Gala 2026: How African Celebrities Showed Up on Fashion’s Biggest Stage
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2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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Sports
Africa at the 2025 FIFA Club World Cup
Has the African Football League Gone Ghost?
Unity Cup 2025: New Squads, Old Rivalries, One Cause
Why Are East Africa’s Best Athletes Competing for Other Countries?
The 2025 CAF U-20 Africa Cup of Nations: Competition Review, Standout Players, and Finals Preview
Basketball Africa League Season 5: Race for the Playoffs
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Explainers
All the Scoop on Samson Dauda, the 2024 Mr Olympia Winner
How Gamification Can Make Technical Learning Fun for African Students
FASU 2024: Scholars Compete, Cultures Converge in Lagos
Bongo Flava: The Evolution of East Africa’s Soundtrack
Examining the Role of Cold Chain Storage Facilities in Reducing Nigeria’s Post-harvest Losses
The Art Behind the Music: Why Album Covers Matter
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Fiction & Poetry
“I Give You Softness” and Other Poems | By Olobo Ejile
“Àtìpó: The Stranger I Have Become” and Other Poems | by Olamoyegun Noah O
Two Poems | By Salama Wainaina
Dearth Warning Signs | Poem By Peace Ogunjemilua
Three Poems | By Olamoyegun Noah O
Two Poems | By Tukur Ridwan
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