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“One Gidi Night” Review: A Thriller That Finds Its Rhythm Only to Lose It
The Will to Leave and Live: A Review of Emmanuel Eruemulor’s “Unwanted”
Lights, Camera, Africa! Returns to Lagos After Six Years With “Convivium: In Gathering”
Features & Essays
The Workshop and the Invention of the Contemporary Reader
African Cinema’s Long Road to Freedom
How Contemporary Nollywood Uses Humour to Both Expose and Excuse the Politics of Marriage
After the Peak: What Is Next for Afrobeats?
Zaylevelten, Mavo: The Case for the Nouveau Underground
On Afrobeats to the World: Where Is the Line Between Evolution and Identity Crisis?
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Interviews
Tribeca Film Festival 2026: Mohamed Taher Talks Fatherhood, Vulnerability, and the Conversations We Avoid in “32B”
Livespot360 MD, Tiwa Medubi Talks “Real Housewives of Lagos”, “LOL: Last One Laughing Naija” and the Business of Reality TV
In Conversation: Mubanga Kalimamukwento Talks “The Shipikisha Club” and Reclaiming the Place of Zambian Languages
Kagiso Samuel Leburu on Telling a Story of Silence, Power, and Female Oppression in “Balaclava”
“Certainty Is the Prerogative of Those With the Power to Exclude and Reject”: Pede Hollist on Displacement, Diaspora, and the Stories We Carry
Inside the Mind and Legacy of DJ Jimmy Jatt
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Film & TV
HollyShorts Film Festival 2026: “Woman Land” and “The Unnamed” Reflect on Female Identity and Vulnerability
Twelve First Films Later: What Did the First Features Project Actually Produce?
HollyShorts Film Festival 2026: “Lift Me Up”, “Mon Taxi” and “White Agbada” Express Different Shades of Identity, Spirituality, Memory and the Human Condition
“Love and Life” Review: Reuben Reng’s Debut Has Three of Nollywood’s Best and Doesn’t Know What to Do With Them
Filmmaking Within the Frame of Neglect
Nollywood’s Political Unconsciousness and the Critic’s Quagmire
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Music
“A*POP” Review: Tyla Flaunts Global Pop Flair on Sophomore Album
“Deepla Sauce” Review: Sam Deep Cooks Up Tasty New Project
“RnBling” Review: Fave’s Ascension Continues on New EP
“Revival” Review: Ladipoe’s Sophomore Album Proves the Wait Was Worth It
“Ku Ngawe” Review: Thando Zide Finds Emotional Resonance on Debut Album
Afrocritik Music Spotlight: Unique Stylings
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VIDEOS
Welcome to our YouTube Channel
Books
Maternal Disciple and Abandonment: A Review of “Rootless” by Krystle Zara Appiah
Applause Lines on Paper: Thoughts on Koleka Putuma’s “Collective Amnesia”
“While the World Slept” Review: A Tender, Uneven Portrait of Gay Life in Nigeria
“War Girls” Review: Tochi Onyebuchi Reimagines the Nigerian Civil War Through Science Fiction
The Land Remembers: 20 African Environmental Novels of the Last Decade
Of Men Whose Poems Have Become Ours: A Review of D. M. Aderibigbe’s “82nd Division”
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Culture
Traditional Leadership and Its Mirroring: What the Igbo Unlanded Kingship Means
Who Owns African Culture in the Age of AI?
The Afrocritik Report 2025: Note From the Editor-in-Chief
The Akwete Renaissance and the Politics of Nigerian Fast Fashion
The Performance of Purity: Nollywood, Kissing and Nigeriaʼs Faux Conservatism
University of Ibadan’s First Class Graduates and the Performance Debate in Nigerian Universities
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Fashion
AMVCA 2026: The Best Celebrity Red Carpet Looks of the Night
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Met Gala 2026: How African Celebrities Showed Up on Fashion’s Biggest Stage
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2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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Sports
NFF Presidency: Can John Obi Mikel Effectively Lead Nigerian Football?
Ghizlane Chebbak and the CAF Awards Debate: Was Merit Ignored?
Same Grievance, Different Year: The Endless Cycle of Unpaid Bonuses in Nigerian Football
Ignoring Africa’s Sports Merchandise Market Is Costing Clubs Millions
Africa’s 2026 World Cup Qualifiers Explained: Standings, Withdrawals, and the Playoff Route
What Exactly Is Happening to Nigerian Men’s Football?
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Explainers
What Are Neighbouring Rights and Why African Artistes and Producers Are Missing Out on Millions
No East African Nation Has Ever Qualified for a FIFA World Cup. Here’s Why
What Buy-Out Fees Really Mean and Why They Matter for Producers
Understanding 360 Deals in Today’s Music Industry
The Black Box in Music Royalties: Why African Artistes Are Missing Out on Their Money
Music Splits Explained: Who Gets What From a Song and Why It Matters
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Fiction & Poetry
“Fisherboy: An Abecedarian” | By Felix Eshiet
“At the World’s Edge” and Other Poems | By John Chinaka Onyeche
“Oli Wa Wa?” | Short Story By Innocent Baluge
“Three Hymns”: On Poems by Onyekachi Iloh, Yomi Folaranmi, and Gboyega Odubanjo
“MIRROR” | Short Story by Olaore Raheemat Adebola
“How to Save a Drowning Man” | Poem by Jean Wathugu
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