Collective Amnesia
VeryDarkMan
While the World Slept

Features & Essays

Afrobeats
The Afrobeats Takeover: A Myth of Institutional Power
June 12
Should We Actually Celebrate June 12 As Nigeria’s Democracy Day?
Jamir Nazir
[Opinion] Jamir Nazir’s Commonwealth-Winning Story “The Serpent in the Grove”: A Beautifully Told Story or an AI Mash-Up Job?
African Filmmaking
African Filmmaking at the Crossroads of Oscars Reform and AI Ethics
EndSars
The Comment Section Republic: Where Does the Nigerian Anger Go?
essay
A Voyage and An Exploration: What An Essay Is

Interviews

DJ Jimmy Jatt
Inside the Mind and Legacy of DJ Jimmy Jatt
Jordy Sank
Joburg Film Festival 2026: Jordy Sank Reflects on Xenophobia, Social Justice, and Stylistic Choices In “Amazeze (Fleas)”
Sandulela Asanda
BFI Flare 2026: In Conversation With Sandulela Asanda, Director of “Black Burns Fast”
Moges Ababu Belachew
Joburg Film Festival 2026: Moges Ababu Belachew Talks “Mother Country” and Ethiopia’s Fragile Socio-Political Landscape
Ike Okonta
“The Situation in Africa Today Is So Urgent”: Ike Okonta on Fiction, Journalism, and Diagnosing the Nigerian Condition
Jubed
Jubed Is Expanding the Sound and Vision of Ghanaian Pop

Film & TV

The Anniversary
“The Anniversary” Review: Prosper Edesiri’s Chamber Drama Has a Fascinating Psychological Core It Doesn’t Fully Trust
African cinema
African Cinema and Its Treaty-Based Co-Production Network
Zipporah Nyaruri
In Conversation with Zipporah Nyaruri on the Road Behind “Truck Mama”
Pietra Brettkelly
Tribeca Festival 2026: In Conversation with Pietra Brettkelly and The Critics’ Raymond Yusuff on Making “Crocodile” and Rising Above Constraints
Crocodile
Tribeca Festival 2026: Pietra Brettkelly and The Critics’ “Crocodile” Turns a Nigerian Filmmaking Collective Into A Story of Hope
Dian Weys
Tribeca Festival 2026: In Conversation with Dian Weys on “Vultures”, Capitalism, and Moral Responsibility in the Aftermath of Violence

Music

For Me, This Time
“For Me, This Time” Review: Africaine Makes Strong Impression with Debut EP
spotlight
Afrocritik Music Spotlight: Matters of the Heart
Big Bad World
“Big Bad World” Review: Ajebutter22 Hits New Artistic Heights on New EP
Out of Sight - Out of Mind
“Out of Sight – Out of Mind: Volume 1” Review: Ycee Expresses Stylistic Yin & Yang on New Album
Love is a Machinery
“Love is a Machinery” Review: Anendlessocean Gives Romance the Album It Deserves
Spotlight
Afrocritik Music Spotlight: Outside the Box
Afrocritik Report - 2026 2025-01

VIDEOS

Welcome to our YouTube Channel

Books

The Comedian’s Diary
“The Comedian’s Diary” Review: Obase-Sam Ikoi’s Debut Novel Challenges Traditional Forms of the Novel in Its Portrait of Addiction
African Political Fiction
Notable African Political Fiction of the Last Decade (Part II)
In Our Own Ways
Sisterhood and a Fractured Marriage: A Review of Yejide Kilanko’s “In Our Own Ways”
escapist fiction
20 Notable Escapist African Fiction of the Last Ten Years
Born at the End of the World
Love in a Time of Terror: A Review of Donica Merhazion’s “Born at the End of the World”
Nigerian Literature
The Endless Work of Culture Positioning: The Challenge for Nigerian Literature

Culture

AI
Who Owns African Culture in the Age of AI?
The Afrocritik Report 2025
The Afrocritik Report 2025: Note From the Editor-in-Chief
Akwete
The Akwete Renaissance and the Politics of Nigerian Fast Fashion
Kissing
The Performance of Purity: Nollywood, Kissing and Nigeriaʼs Faux Conservatism
University of Ibadan
University of Ibadan’s First Class Graduates and the Performance Debate in Nigerian Universities
Billboard
Who Shapes Our Narratives?: Afrobeats, Billboard, and the Barometers of Success in African Music

Fashion

AMVCA

AMVCA 2026: The Best Celebrity Red Carpet Looks of the Night

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Met Gala

Met Gala 2026: How African Celebrities Showed Up on Fashion’s Biggest Stage

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Grammy
2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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AMVCA
2025 AMVCA: How the Stars Lit up the Night With Style
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AMVCA Cultural Day
10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
Read More
Africa Magic Viewers’ Choice Awards

Sports

Merchandise
Ignoring Africa’s Sports Merchandise Market Is Costing Clubs Millions
World Cup
Africa’s 2026 World Cup Qualifiers Explained: Standings, Withdrawals, and the Playoff Route
Football
What Exactly Is Happening to Nigerian Men’s Football?
football
How Malnutrition Undermines African Teams in International Football Competitions
World Athletics Championships
Africa’s Medal Tally at the 2025 World Athletics Championships
transfer
The Biggest African Transfers of Summer 2025 Across Europe’s Top Leagues

Explainers

Black Box
The Black Box in Music Royalties: Why African Artistes Are Missing Out on Their Money
splits
Music Splits Explained: Who Gets What From a Song and Why It Matters
royalties
Royalties 101: How Music Actually Makes Money
sampling
Sampling, Interpolation, and What Music Copyright Requires
What You Lose When You Sign Away Your Masters
sync licensing
How Sync Licensing Works and Why It Matters for Nigerian Artistes

Fiction & Poetry

Oli Wa Wa
“Oli Wa Wa?” | Short Story By Innocent Baluge
Onyekachi Iloh, Yomi Folaranmi, and Gboyega Odubanjo
“Three Hymns”: On Poems by Onyekachi Iloh, Yomi Folaranmi, and Gboyega Odubanjo
MIRROR
“MIRROR” | Short Story by Olaore Raheemat Adebola
How to Save a Drowning Man
“How to Save a Drowning Man” | Poem by Jean Wathugu
We are but wax
“We are but wax” | Poem by Obongofon Etuk
Fathers of Alego’s Roads
“Fathers of Alego’s Roads” | Poem by Victoria Kerubo