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Afrocritik’s 40 Notable Essays from Africa in 2025
Afrocritik’s Top 25 Sports Personalities of 2025
Afrocritik’s 30 Remarkable African Feature Films of 2025
Features & Essays
Nollywood Needs NollyTube, But Does NollyTube Need Our Brains to Be Turned Off?
10 Young African and Black Personalities Redefining the Creative Space
The Abstract Motions in Adetutu David Collins’ Art
Chinua Achebe’s “The Trouble with Nigeria” Revisited: Is Nigeria’s Trouble Still Rooted in Poor Leadership?
A Father’s Daughter Goes Home: The Illustrious Life of Mabel Segun
Why Is There a Dearth of Protest Music in Nigeria Today?
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Interviews
In Conversation: Moyosore Akinsete Talks “Love, Olaitan”, Growing Into Filmmaking, and the Fear of Loss
In Conversation: OluwaMillar Talks “Agbalagbi”, Creativity, and Breaking Barriers
In Conversation: Laurène Southe Speaks on Poetry, Creative Expression, and Diasporan Experience in Debut Chapbook
Tramaine Suubi Talks Debut Collection, the Craft of Poetry, and the Art of Literary Stewardship
In Conversation: Kimbassax Talks Upcoming Project, New Ventures, and More
In Conversation: Olubunmi Familoni Talks His NLNG Prize-Winning Book, Writing Process, and More
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Film & TV
The Cuts of Speaking Truth in Nigerian Cinema
AFRIFF 2025: Kalu Oji Reflects on Fatherhood and the Igbo Immigrant Experience in Tender Debut Feature, “Pasa Faho”
AFRIFF 2025: “Son of the Soil” Stages a Generic and Unconvincing Revenge Tale on the Streets of Lagos
“Osamede” Review: James Omokweʼs Film Shines in Language but Falters in Form
“Finding Optel” Review: A Tender, Uneven Portrait of Ordinary Lives and the Quiet Radicalism of Small Stories
“Gingerrr” Review: Yemi Morafa’s Film Is a More Chaotic, Less Memorable “Sugar Rush”
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Music
“444PLAY” Review: Minz’s New EP Explores a Breezy Expansion of His Eclectic Pop Textures
“Black Star” Review: Amaarae’s Boldness Finds Energetic Expression on New Album
The Neo-Arewa Soundscapes of FirstKlaz
Afrocritik Weekly Music Spotlight: Soul & Groove
“Ingubo Enamehlo” Review: Halo Yagami Tugs At Heartstrings Across New Album
Afrocritik Weekly Music Spotlight: Detour Week II
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VIDEOS
Welcome to our YouTube Channel
Books
The Life and Political Imaginations of Ngũgĩ wa Thiong’o
“Ujana” Review: Frank Njugi’s Chapbook Is a Portrait of Youth, City, and Self
“Barter” Review: Erhu Kome’s Dystopian Vision In Her Novella Falters in Execution But Shines In Concept
“Some Stars Do Not Fall” Review: Taofeek Ayeyemi’s Chapbook Meditates on the Language of Grief
Dhee Sylvester: The Designer Revolutionising Nigerian Book Covers
“While She Slept” Review: Kumashe Yaakugh’s Novella Explores Ghosts, Memory, and Masculinity
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Culture
Cyberbullying: The Lasting Toll on Victims and How to Address It
The Touchstones of Kikelomo’s Maternity Photography
Macondo Literary Festival 2024: A Celebration of the History of the Indian Ocean Worlds
Nigeria Cinema Day and the Marketing Hurdles Holding Back Nollywood
Addressing a Widespread Crisis: Gender-Based Violence in Kenyan Sports and Beyond
Kingsley Ayogu’s “If Hives Could Dance in Colours” Is a Poetic Exploration of Life and Memory
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Fashion
2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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10 African Fashion Events to Watch Out for in 2025
Read More
Sports
The Year Ahead in African Sports: Key Competitions in 2025
Afrocritik’s Top 20 African Athletes of 2024
Letsile Tebogo: The Rise to Men’s Athlete of the Year in 2024
AMGA 2024: Inside The Second Ever African Military Games
CAF’s Prize Money Boost: A Game Changer for African Women’s Football?
Can the Black Stars Defy the Odds and Qualify for AFCON 2025?
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Explainers
Fiction & Poetry
Three Poems | By Victor Chịmbọ
Three Poems | By Salama Wainaina
Three Poems | By Emmanuel Somtochukwu Ferdinand
Conversations With Strangers | Fiction By Lydia Mutuku Nzilani
Three Poems | By Muheez Olawale
The Wooden Shack | Fiction by Ndakotsu Abubakar
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