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“Uncle K: Lemon Chase” Review: Kizz Daniel’s EP Is Refreshingly Potent
Afrocritik Turns Four: Still Projecting Africa, One Story at a Time
The Life and Political Imaginations of Ngũgĩ wa Thiong’o
Features & Essays
The Legacy of Loss | Nonfiction by Damilola Olaniyi
What Is the State of Nigeria’s Natural Parks and Game Reserves?
Which African Author Will Win the 2024 Nobel Prize in Literature?
Fragmented Visages, Unbroken Light: The Art of Ruth Agbolade
Xenophobia Blues and the South African Complex: Is the Dangerous Politics of Nazism on the Rise Again?
Mapping Queer African Cinema: How Censorship Still Hinders Queer Representation in the African Mainstream Media
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Interviews
“In Poetry I Found My Voice, and in Poetry I Keep It Loud”: Dorphanage, Kenyan Spoken Word Artist, In Conversation
In Conversation: Obi Maduegbuna on Voice Acting, “Iwájú”, and Future Plans in Filmmaking
David Olatoye: A Visual Artist Forging His Identity Through Pen and Canvas
Móyòsóré Martins: Embracing Abstraction and Imperfectionism in Grunge Art
“In Bloom” Anthology Creators: In Conversation with the Changemakers Who Lend a Voice to Gender Equality
In Conversation: “I Want People to Know that Africa Has Real Filmmaking Talents”, Claire Diao, Film Critic and Founder of Sudu Connexion
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Film & TV
“Ada Ọmọ Daddy” Review: A Dramatic Critique of Deadbeat Culture or A Deadbeat’s Fantasy?
Souleymane Cissé: The Light That Will Continue to Shine
“Reel Love” Review: Kayode Kasum’s Film Falls Victim to Overused Tropes
“Love Lockdown” Review: Lyndsey F. Efejuku’s Erotic Lockdown Romance Wants to Say Something About Love
What Happened to Nollywood Sitcoms?
“Tarella: Princess of the Nile” Review: A Nollywood Cinderella Reimagining With Too Little Imagination
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Music
“Moonflower” Review: MiDi KwaKwa Explores Romantic Experiences on New EP
It’s 2025 and We Still Don’t Understand Intellectual Property in Kenya
Afrocritik’s Weekly Music Spotlight: Energy Boost
Odumodublvck & the Never-Ending Fight Over What Nigerian Rap Should Be
Afrocritik’s Weekly Music Spotlight: Something Different
“I Dream In Color” Review: Magixx’s Debut Album Offers an Unfiltered Look Into His Mind
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VIDEOS
Welcome to our YouTube Channel
Books
“River Spirit” Review: Leila Aboulela’s Novel Illuminates Historical Lessons
Amaka Obioji’s Poetry Collection, “Mother, Did You Call My Name?” Explores the Transience of Human Emotions
In “Like Water Like Sea”, Olumide Popoola Offers an Exploration of Contemporary Human Experiences
Ike Anya’s “Small by Small” is a Medical, Personal, and Artistic Triumph
Tolu’ A. Akinyemi’s “Black Does Not Equal Inferior” Invokes the Spirit of the Harlem Renaissance
Onyeka Nwelue Set to Release a New Book, “The Nigerian Mafia: Johannesburg”
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Culture
“No Gree for Anybody”, the New Nigerian Catchphrase for Tenacity in 2024
“New Year, New Blessings”, and the Obsession With New Year Prophecies and Declarations
Africa’s Iconic Pop Culture Moments of 2023
Exploring the Rhythms of Africa: 5 Traditional Dances From Across the Continent
In Memory of Imole: A 10-Track Mohbad Playlist You Should Listen To
Five Colourful Festivals Across West Africa
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Fashion
2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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10 African Fashion Events to Watch Out for in 2025
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Sports
Paris 2024: Tobi Amusan and the Olympic Dream
Kaylia Nemour: Africa’s Hope for a First-Ever Olympics Gymnastics Medal
Biniam Girmay: Breaking Barriers as the First Black African Tour de France Champion
Why African Athletes Need Strong Public Relations
Who Really Benefits From the International Players’ Multiple Allegiances in Football?
Ons Jabeur’s French Open Exit: So Close Yet So Far From the Grand Slam Title
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Explainers
Fiction & Poetry
A Sacred Song for You | Tehila Okagbue
Smile, Stranger | Daniel Echezonachi Maxwell
Three Square Meal | Obongofon Etuk
1929 | Chinemerem Prince Nwankwo
Eye | Ogah Friday David
The Translator | Karen Jennings
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