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TikTok for Artistes Launches in Nigeria to Boost Artiste Growth and Fan Engagement
Noise or Attention: What Really Sells Nollywood Films?
Angolan Writer, Nituecheni Africano, Wins 2025 Sankofa Book Awards Kenya
Features & Essays
The Evolving Role of Streaming Platforms in Global Culture
Does Nollywood Have Too Many Speaking Events?
What Music and Dance Trended in Francophone Africa in 2024?
Opinion: We Have Taken Afrobeats to the World, and Now They Are Taking It From Us
Chidimma Adetshina’s Inspiring Rise to the Miss Universe Stage
BBL Comedy Box: Showcasing South-Eastern Nigeria’s Comic Brilliance
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Interviews
In Conversation: Konstance Talks Music, Ambition, and New Ventures
In Conversation: How Kaycee Brown Is Embracing His Identity Through Music
Navigating Heartbreak and Closure: Inside MTV Base’s Nigerian Adaptation of the “Ghosted” Reality Show
“We Are Trying to Make History Accessible”: Archivi.ng, the Startup On a Journey to Digitise Nigerian History
In Conversation: How Nezsa is Soul Searching and Finding Clarity Through Music
Afrobeats Royalty: Tekno, On Growth, Abundance, and New Opportunities
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Film & TV
“The Fire and the Moth” Review: Taiwo Egunjobi Has Grown in Confidence as a Filmmaker
It’s the Eleventh Edition, and We Still Don’t Know What the AMVCA Trailblazer Award Is
2025 AMVCA: How the Stars Lit up the Night With Style
AMVCA 2025: What Are We Really Celebrating?
14 Prolific Writer-Director Collaborations in Nollywood
10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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Music
“Still The Mayor” Review: Mayorkun’s Third Album Is a Reaffirmation of His Pop Status
“CKay The Second” Review: CKay Explores Intimacy and Vulnerability on Polished EP
Blinky Bill: East Africa’s Quiet Radical
“Workaholic” Review: Xbusta Flaunts His Artistic Strengths on New EP
“Starters” Review: Ice Prince and Chopstix’s Joint EP Leans On Legacy With Mixed Results
Afrocritik’s Weekly Music Spotlight: Amapiano Party
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VIDEOS
Welcome to our YouTube Channel
Books
“Tearless” Review: Ayo Deforge’s Novel Explores Self-Discovery, Trauma Resolution, and Love
Macondo Literary Festival 2024: A Celebration of the History of the Indian Ocean Worlds
“We Were Girls Once” Review: Aiwanose Odafen’s Novel Explores Human Flaws and the Enduring Strength of Friendship
The 2024 Caine Prize Shortlist Speaks on the Condition of the Times We Live In
“Water Baby” Review: Chioma Okereke’s Book Explores Resilience and the Power of Community
Pemi Aguda’s “Ghostroots” Explores Nigeria’s Everydayness and Otherworldliness
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Culture
Art, Culture, and Community: The Spirit of the Second Edition of the Umuofia Arts and Books Festival
Onyeka Onwenu: An Ode to the Elegant Stallion
30 Years Later: Tai Solarin is Still an Exemplary Educator and Ferocious Social Critic
Sensational Book Titles: A New Trend in Nigerian Literature?
Afrocritik Turns Three: What It Means to Amplify African Voices
The Cultural Renaissance of East African Theatre and Performing Arts
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Fashion
2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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10 African Fashion Events to Watch Out for in 2025
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Sports
FASU 2024: Scholars Compete, Cultures Converge in Lagos
Addressing a Widespread Crisis: Gender-Based Violence in Kenyan Sports and Beyond
2024 Paralympics: How African Nations Fared at the Paris Games
Super Eagles and the Foreign Coach Conundrum: A Step Forward or Backward?
Paralympics 2024: Can Egypt Get Back to Winning Gold in Paris?
Nigeria’s Paris 2024 Olympic Failure: Who’s to Blame?
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Explainers
Fiction & Poetry
Broken Vessels and Other Poems | By Feyijimi Fayowolé
First Rain | Fiction By Chimezie Okoro
How to Blackmail God | Poem By Felix Eshiet
Rich People’s Street | Poem By Obongofon Etuk
Good Guys Finish Last | Fiction by John “Penwielder” Ebute
Refaat Alareer | Poem by Abigail George
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