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“The Termite Colony” Review: Ike Okonta’s First Novel Bears Witness to the Making of Nations
Who Shapes Our Narratives?: Afrobeats, Billboard, and the Barometers of Success in African Music
Kunle Afolayan Signs Deal with Benin Republic to Boost West Africa’s Film Industry
Features & Essays
Tolani Is Creating Music on Her Own Terms
Who Wrote This? The Crisis of Criticism in the AI Era
It’s the Eleventh Edition, and We Still Don’t Know What the AMVCA Trailblazer Award Is
Kester Kanayo Onyemaechi and His Archive of Healing
The Success of “Sinners” at the Nigerian Box Office: Five Lessons for Nollywood
Dhee Sylvester: The Designer Revolutionising Nigerian Book Covers
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Interviews
In Conversation: 4Mr Frank White Talks Sound, Identity, and Evolution of East African Afro-Swing Rap
In Conversation: Victor Ugoo Njoku Talks “This Is Love”, Reclaiming Agency, and Representation in Nollywood
The Manifesto of M.anifest: New Roads, Same Genius
Kenyan-Nigerian Producer, Afamefuna Onyebadi, Talks Debut EP, Creativity, and Music Production
In Conversation: Moyosore Akinsete Talks “Love, Olaitan”, Growing Into Filmmaking, and the Fear of Loss
In Conversation: OluwaMillar Talks “Agbalagbi”, Creativity, and Breaking Barriers
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Film & TV
ENIFF 2025: Jessica J. Rowlands Puts Zimbabwean Cinema on the Map with “Rise”
ENIFF 2025: “V’s Secret”, “The Noise Around Her Black”, “Falling Out”, “Ụmụnne”, and “She’s Got Courage to Love” Reviews
Films and TV Shows to Watch Across Africa This Holiday
ENIFF 2025: Gaëlle Le Roy Chronicles a Decade of Youth Resistance in “Afrikki”
In Conversation: Nnamdi Kanaga Explores Liaising With The Supernatural in “Water Girl”
“Memory of Princess Mumbi” Review: Damien Hauser’s Bold Afrofuturistic Swing Into the Age of Artificial Intelligence
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Music
“Kings Will Rise” Review: The Scorpion Kings Continue Stellar Run With New Album
Afrocritik Weekly Music Spotlight: Projects Galore
“This One Is Personal” Review: Tiwa Savage Deeply Explores R&B in Her Most Soul-Baring Album Yet
“After Midnight” Review: Gyakie Consolidates Her Familiar Style on Debut Album
“Less Trouble” Review: Shekhinah Presents Her Best Work Yet With New Album
“Memorabilia” Review: Efue Announces Herself Impressively With Debut EP
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VIDEOS
Welcome to our YouTube Channel
Books
Grief Touches the Sublime in Yewande Omotoso’s “An Unusual Grief”
“New York, My Village” Review: Uwem Akpan’s Book Is An Important Breakaway From Conventional Contemporary Setting
Michael Afenfia’s “Leave My Bones in Saskatoon” and the Burial of Prose Fiction
8 Literary Festivals Lighting Up Africa in the Second Half of 2025
“Years of Shame” Review: Obinna Udenwe’s Ambitious New Novel Nearly Crumbles Under the Weight of Editorial Issues
“When Love Visits” Review: Comfort Omovre’s Explores Love Through Conventional Romance Archetypes
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Culture
BNPL Services in Nigeria: The Benefits and Risks of Flexible Repayments
Content Piracy in Nigeria: Trends, Challenges, and Pathways to Resolution
Top 8 Nightclubs in Lagos and Why You Should Visit Them
Cyberbullying: The Lasting Toll on Victims and How to Address It
The Touchstones of Kikelomo’s Maternity Photography
Macondo Literary Festival 2024: A Celebration of the History of the Indian Ocean Worlds
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Fashion
2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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Sports
CHAN: Is It Truly Serving African Football?
The Year Ahead in African Sports: Key Competitions in 2025
Afrocritik’s Top 20 African Athletes of 2024
Letsile Tebogo: The Rise to Men’s Athlete of the Year in 2024
AMGA 2024: Inside The Second Ever African Military Games
CAF’s Prize Money Boost: A Game Changer for African Women’s Football?
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Explainers
Fiction & Poetry
Two Poems by Doreen Masika
In Your Image | Poem by Tuke Ronald
Looking For Cloudberries In Onipanu, Or When You Fall Out Of Love
Three Poems | By Saadatu Uzairu
Two Poems | By Muhammad M Ubandoma
Two Poems | By Tharseo Jovita
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