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“Paradise Now” Review: Obongjayar’s Sophomore Album Is a Fitting Treatise on Self
In Conversation: Wingonia Ikpi Talks Making “The Lost Days”, the First Features Project, and What’s Next
“When Love Visits” Review: Comfort Omovre’s Explores Love Through Conventional Romance Archetypes
Features & Essays
Which African Author Will Win the 2024 Nobel Prize in Literature?
Fragmented Visages, Unbroken Light: The Art of Ruth Agbolade
Xenophobia Blues and the South African Complex: Is the Dangerous Politics of Nazism on the Rise Again?
Mapping Queer African Cinema: How Censorship Still Hinders Queer Representation in the African Mainstream Media
How Effective Are Online Petitions in Advocating for Policy Change?
The Cultural Renaissance of East African Theatre and Performing Arts
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Interviews
In Conversation: Bowman Aremwaki, the Ugandan Artiste with a Universal Musical Language
In Conversation: How ‘Najite Dede Takes on the Screen and Theatre as a Multifaceted Filmmaker
“In Poetry I Found My Voice, and in Poetry I Keep It Loud”: Dorphanage, Kenyan Spoken Word Artist, In Conversation
In Conversation: Obi Maduegbuna on Voice Acting, “Iwájú”, and Future Plans in Filmmaking
David Olatoye: A Visual Artist Forging His Identity Through Pen and Canvas
Móyòsóré Martins: Embracing Abstraction and Imperfectionism in Grunge Art
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Film & TV
The Annual AMVCA’s Category Problem: Should TV Productions Be Competing with Films?
“Fine Girl” Review: Fatimah Gimsay’s Film Is a Subversive Take On Modern Harassment and Female Empowerment
“Love, Olaitan” Review: Moyosore Akinsete’s Short Film Is a Mesmerising Portrait of Love and Loss
“This Is Love” Review: Njoku and Nonso’s Documentary Is a Tender Exploration of Queer Nigerian Love and Identity
In Conversation: Moyosore Akinsete Talks “Love, Olaitan”, Growing Into Filmmaking, and the Fear of Loss
“Blackout” Review: Okechukwu Oku’s Psychological Thriller Is Confident in Its Vision
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Music
Afrocritik’s Weekly Music Spotlight: South Africa, Soul & Sundry
Back to Base, But Not Without Baggage: The Highs and Lows of the 17th Headies Awards
Afrocritik’s Weekly Music Spotlight: New Names
“5ive” Review: Davido Refines His Magic on Fifth Album
“Barrystar Vol 1” Review: Barry Jhay Pays Homage to Barrister With a Soul-Stirring Debut Album
Afrocritik’s Weekly Music Spotlight: Refreshment
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VIDEOS
Welcome to our YouTube Channel
Books
“River Spirit” Review: Leila Aboulela’s Novel Illuminates Historical Lessons
Amaka Obioji’s Poetry Collection, “Mother, Did You Call My Name?” Explores the Transience of Human Emotions
In “Like Water Like Sea”, Olumide Popoola Offers an Exploration of Contemporary Human Experiences
Ike Anya’s “Small by Small” is a Medical, Personal, and Artistic Triumph
Tolu’ A. Akinyemi’s “Black Does Not Equal Inferior” Invokes the Spirit of the Harlem Renaissance
Onyeka Nwelue Set to Release a New Book, “The Nigerian Mafia: Johannesburg”
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Culture
“No Gree for Anybody”, the New Nigerian Catchphrase for Tenacity in 2024
“New Year, New Blessings”, and the Obsession With New Year Prophecies and Declarations
Africa’s Iconic Pop Culture Moments of 2023
Exploring the Rhythms of Africa: 5 Traditional Dances From Across the Continent
In Memory of Imole: A 10-Track Mohbad Playlist You Should Listen To
Five Colourful Festivals Across West Africa
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Fashion
2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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10 African Fashion Events to Watch Out for in 2025
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Sports
Biniam Girmay: Breaking Barriers as the First Black African Tour de France Champion
Why African Athletes Need Strong Public Relations
Who Really Benefits From the International Players’ Multiple Allegiances in Football?
Ons Jabeur’s French Open Exit: So Close Yet So Far From the Grand Slam Title
Why North Africa Continues to Dominate in Continental Club Football
Highlights From the 2024 Marrakech Diamond League
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Explainers
Fiction & Poetry
Eye | Ogah Friday David
The Translator | Karen Jennings
You Win in This Fight, Against God | Okorie Divine
Hands | Feyisayo Anjorin
Fresh Dope (When Hope is a Voice Trapped in Dead Air) | Dhee Sylvester
Two Poems | Olaseni Kehinde Precious
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