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Dika Ofoma’s “An Enugu Homecoming” to Premiere on 31st January
Olive Nwosu’s “Lady”, Will Niava’s “Jazz Infernal” Win Jury Awards at 2026 Sundance Film Festival
“How to Save a Drowning Man” | Poem by Jean Wathugu
Features & Essays
It’s 2025 and We Still Don’t Understand Intellectual Property in Kenya
Odumodublvck & the Never-Ending Fight Over What Nigerian Rap Should Be
Ogbanje or Abiku Phenomenon: An African Spirit-Child Myth or the Enigma of Modern Health Struggles?
X Is Doing Us In and We Don’t Know It
Fusion and Superimposition in Mede Akran’s Photography
What Happened to Nollywood Sitcoms?
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Interviews
The Creative Pulse of Chike: An Artiste’s Narrative
In Conversation: Kcee Talks “Mr. Versatile”, Culture, and the Art of Reinvention
In Conversation: Simbarashe Steyn Kundizeza on Crafting His Island Prize Winning Manuscript, “Freelance”
Itegboje Daniel is Effecting Societal Change Through Documentary Filmmaking
In Conversation: Konstance Talks Music, Ambition, and New Ventures
In Conversation: How Kaycee Brown Is Embracing His Identity Through Music
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Film & TV
“Osamede” Review: James Omokweʼs Film Shines in Language but Falters in Form
“Finding Optel” Review: A Tender, Uneven Portrait of Ordinary Lives and the Quiet Radicalism of Small Stories
“Gingerrr” Review: Yemi Morafa’s Film Is a More Chaotic, Less Memorable “Sugar Rush”
The Annual Film Mischief (TAFM) 2025: Film Reviews
In “Khartoum”, Five Wandering Souls Display Resilience As A Fragile Nation Unravels
“Thinline” Review: Nollywood’s Dangerous Blind Spot on Male Sexual Assault and the Illusion of Morality
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Music
“WWP” Review: Tyla Returns to Form on New EP
10 Rising African Alté Artistes to Watch in 2025
“Spiral” Review: Tim Lyre Charts Cycles of Love and Life on Sophomore Album
Afrocritik Weekly Music Spotlight: Detour Week
“The Summer That Saved Me” Review: Odeal Bottles Newfound Freedom and Clarity on New EP
“Victims of Madness 2.0” Review: Wakadinali Chooses Refinement Over Reinvention
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VIDEOS
Welcome to our YouTube Channel
Books
“The Ones Before You” Review: Joba Ojelabi’s Chapbook Speaks to the Burden of Inheritance
“A Kind of Madness” Review: Uche Okonkwo’s Collection of Short Stories Explores the Ramifications of Figurative Madness
“Five Things Mother Did Not Prepare Me For” Review: Sumaiyah Muhammad’s Story Explores Intra-Familial Chaos And The Quest For Peace
“Dream Count” Review: Chimamanda Ngozi Adichie’s Novel Psychoanalyses the Intangibility of Dreams
“Grief’s First Kiss Is an Avalanche” Review: Wendy Okeke Offers an Introspective Look At the Multifaceted Nature of Grief
“Runnin’ No More” Review: G.T. Dipe’s Novel Celebrates the Resilience of Love
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Culture
Sensational Book Titles: A New Trend in Nigerian Literature?
Afrocritik Turns Three: What It Means to Amplify African Voices
The Cultural Renaissance of East African Theatre and Performing Arts
Mara: What to Know About the Viral Hyper-Fast and Energetic Sound
All the Fuss About Afrobeats, Its “Way-Pavers” and Frontliners
Is Controvesy the Linchpin that Keeps Portable in the Spotlight?
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Fashion
2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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10 African Fashion Events to Watch Out for in 2025
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Sports
FASU 2024: Scholars Compete, Cultures Converge in Lagos
Addressing a Widespread Crisis: Gender-Based Violence in Kenyan Sports and Beyond
2024 Paralympics: How African Nations Fared at the Paris Games
Super Eagles and the Foreign Coach Conundrum: A Step Forward or Backward?
Paralympics 2024: Can Egypt Get Back to Winning Gold in Paris?
Nigeria’s Paris 2024 Olympic Failure: Who’s to Blame?
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Explainers
Fiction & Poetry
Broken Vessels and Other Poems | By Feyijimi Fayowolé
First Rain | Fiction By Chimezie Okoro
How to Blackmail God | Poem By Felix Eshiet
Rich People’s Street | Poem By Obongofon Etuk
Good Guys Finish Last | Fiction by John “Penwielder” Ebute
Refaat Alareer | Poem by Abigail George
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