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“One Gidi Night” Review: A Thriller That Finds Its Rhythm Only to Lose It
The Will to Leave and Live: A Review of Emmanuel Eruemulor’s “Unwanted”
Lights, Camera, Africa! Returns to Lagos After Six Years With “Convivium: In Gathering”
Features & Essays
The Life and Works of Meja Mwangi, Kenya’s Great Chronicler
Sanctified Sleeplessness: Nigeria’s Addiction to Holy Hustle
Enugu Photo Festival: Architectural Ruins and the Death of Preservation
How Perliks Became Nigeria’s Most Story-Driven Music Video Director
How Should We Read? Akpata Magazine and the Reading Debate
The Cuts of Speaking Truth in Nigerian Cinema
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Interviews
Billboard-Honoured Lawyer, Akinyemi Ayinoluwa, Talks Music Law, African Excellence, and Creative Rights
Blinky Bill: East Africa’s Quiet Radical
“Fortune Favours the Bold”: In Conversation With the Cast and Crew of “Red Circle”
In Conversation: Ife Olujuyigbe Talks Storytelling, the Realities of Producing, and Navigating Nollywood
Joel Kachi Benson Just Wants to Make an Impact
Tolani Is Creating Music on Her Own Terms
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Film & TV
African Filmmaking at the Crossroads of Oscars Reform and AI Ethics
“Call of My Life” Review: Dammy Twitch’s Feature Debut Is a Cute Romcom for the Lover Girls
“The Return of Arinzo” Mistakes Nostalgia for Necessity [A Review]
“Efunroye: The Unicorn” Review: Nollywood’s Most Politically Charged Historical Epic Chooses Devotion Over Truth
Livespot360 MD, Tiwa Medubi Talks “Real Housewives of Lagos”, “LOL: Last One Laughing Naija” and the Business of Reality TV
“Trade by Bata” Review: Biodun Stephen’s Culture-Clash Comedy Has One Brilliant Idea but Doesn’t Know What To Do With It
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Music
“Oasis” Review: Brenique Offers a Soulful, Faith-Rooted Offering on Debut EP
“When Lagos Sleeps” Review: Spinall Showcases Curatorial Range on New EP
The Black Box in Music Royalties: Why African Artistes Are Missing Out on Their Money
“Free (Deluxe)” Review: Nasty C Searches for Himself on Ambitious but Uneven Album
“Agaba Romantic” Review: Wizard Chan and Joeboy Deliver a Cohesive, Emotionally Resonant Joint EP
“I Am Bigger” Review: DarkoVibes Misses The Mark with New Album
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VIDEOS
Welcome to our YouTube Channel
Books
“Ojirami: The Weeping River” Review: Immigration, Myth, and Tragedy Swirl in a Play About the Potency of a Deity
“Under the Rain” Review: Ayo Deforge Writes About Profound Loss, Duty, and Compromises
“Cursed Daughters” Review: Oyinkan Braithwaite’s Sophomore Novel Explores Superstition, Matrilineage, and Intergenerational Trauma
“Will This Be a Problem? The Anthology: Issue V” Review: Speculative Cartographies Map the New African Imagination
“Dilemma of an Outcast” Review: Anih Emeka’s Debut Novel Interrogates Bigotry but Falters in Its Attempt at Storytelling
The Many Pleasures in Absurdity: A Review of Jesutomisin Ipinmoye’s “How to Get Rid of Ants”
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Culture
BNPL Services in Nigeria: The Benefits and Risks of Flexible Repayments
Content Piracy in Nigeria: Trends, Challenges, and Pathways to Resolution
Top 8 Nightclubs in Lagos and Why You Should Visit Them
Cyberbullying: The Lasting Toll on Victims and How to Address It
The Touchstones of Kikelomo’s Maternity Photography
Macondo Literary Festival 2024: A Celebration of the History of the Indian Ocean Worlds
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Fashion
AMVCA 2026: The Best Celebrity Red Carpet Looks of the Night
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Met Gala 2026: How African Celebrities Showed Up on Fashion’s Biggest Stage
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2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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Sports
Inside the 2024 Beach Soccer Africa Cup of Nations
All the Scoop on Samson Dauda, the 2024 Mr Olympia Winner
Strengthening the NPFL: Evaluating the Impact of Seasoned Players and Managers
Why African Top-Flight Football Clubs Struggle to Sell Directly to Europe’s Elite
FASU 2024: Scholars Compete, Cultures Converge in Lagos
Addressing a Widespread Crisis: Gender-Based Violence in Kenyan Sports and Beyond
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Explainers
Fiction & Poetry
Two Poems | By Tharseo Jovita
Soliloquy At The Portico | Poem by Marvellous Mmesomachi Igwe
Reawakening | Poem by Maryam Kekere-Ekun
Two Poems | By Excel Chinagorom Michael
Three Poems | By Victor Chịmbọ
Three Poems | By Salama Wainaina
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