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Do African Languages Come From the Same Place?
20 Prolific Cinematographer-Director Collaborations in Nollywood
Billboard-Honoured Lawyer, Akinyemi Ayinoluwa, Talks Music Law, African Excellence, and Creative Rights
Features & Essays
Is This the Age of Nollywood at Domestic Box Office?
Africanfuturism: A Literary Plane of Infinite Possibilities for Africa’s Future
Nollywood and the Evolution of the Sacred Feminine
The Power of Protest: When Challenging Bad Governance is Justified
Will Rwanda Become the New Hub for Arts and Entertainment in East Africa?
Social Entrepreneurship in Africa: A Case of the Nigerian and Kenyan Social Enterprise Ecosystem
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Interviews
The Soundtrack to Success: Music Supervisor, Unique Oliver, is Creating a Blueprint for Music Licensing in Nollywood Productions
“Winning the James Currey Prize Might Represent My Coming of Age as a Writer”: In Conversation with 2023 Prizewinner, Peter Ngila Njeri
Afropantheology and the Future of African Speculative Fiction: A Conversation with Oghenechovwe Donald Ekpeki
Portraying Familial Bonds in “A Tribe Called Judah”: In Conversation with Box Office Hit Screenwriters, Akinlabi Ishola and Collins Okoh
Filmmaker, Perivi Katjavivi, Signals a New Era with Namibia’s Oscars Debut, “Under the Hanging Tree”
“Every Day Presents Another Angle to Approach My Music”: DumomiTheJig, the Artiste in His Debut Year in the Music Scene
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Film & TV
“Mr Easy Loo” Review: The Mandla Ngcongwane-Directed Film Is a Humorous Critique of Apartheid Era South Africa
“Katangari Goes to Town” Review: Reuben Reng’s Film Is a Commendable Attempt at a Nigerian Whodunit
“Dahomey” Review: Mati Diop’s Documentary is a Powerful Commentary on Decolonisation
“Christmas in Lagos” Review: Jade Osiberu’s Latest Film Falls Short of Christmas Romcom Standards
“Seven Doors” Review: Femi Adebayo’s Directorial Debut is Impressive
10 African Movies to Watch for a Good Laugh
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Music
Afrocritik’s Weekly Music Spotlight: Something Different
“I Dream In Color” Review: Magixx’s Debut Album Offers an Unfiltered Look Into His Mind
“Best of Both Worlds” Review: Kel-P and Wande Coal’s EP Struggles to Meet Expectations
Will Arewa Music Be the Next Big Wave in Contemporary Nigerian Pop?
Afrocritik’s Weekly Music Spotlight: Buttery Smooth
“Onorato” Review: Ajebo Hustlers Flex Their Sonic Consistency with New EP
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VIDEOS
Welcome to our YouTube Channel
Books
“Winning the James Currey Prize Might Represent My Coming of Age as a Writer”: In Conversation with 2023 Prizewinner, Peter Ngila Njeri
Spotlight on African Voices as British Science Fiction Association Awards (BSFA) Unveils 2024 Longlist
Afropantheology and the Future of African Speculative Fiction: A Conversation with Oghenechovwe Donald Ekpeki
Akwaeke Emezi’s Latest Novel, “Little Rot” Set to Hit Shelves in 2024
Africa’s Most Anticipated Books of 2024
Afrocritik’s 33 Remarkable African Short Stories in 2023
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Culture
The Ikenga Deity, A Conduit For Igbo Communal Philosophy And Individual Reflection
Dambe, A Traditional Combat Sport Worthy Of Preservation
Pilfering Money In God’s Name: How Nigerian Pastors Are Making The Gospel Look Like A Ponzi Scheme
Here Are Six Ways To Pull Off A Romantic Weekend In Nigeria
How The Igbos Get Around To Naming Their Children
Obi Cubana, “Igba Boy” And Igbo Communalism
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Fashion
2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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10 African Fashion Events to Watch Out for in 2025
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Sports
Paris 2024: Four African Teams Battle for Final Football Tickets at the Women’s Olympic Football Tournament
In Review: Recounting the 2024 African Games Experience
MMA Debut at the 2023 African Games: One Step Towards Achieving GAMMA’s Olympic Games Ambitions
African Games 2023: What Impact Has Hosting African Athletes for the First Time Had on Ghana?
Anthony Joshua Knocks Out Francis Ngannou, Continues Path to Heavyweight Championship Title
Simidele Adeagbo: First-Ever African Athlete at the International Bobsleigh and Skeleton Federation World Championship
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Explainers
Fiction & Poetry
Green Zone | Jide Badmus
Two poems | Adesiyan Oluwapelumi
Praying in a Lawn | Ogah Friday David
There Is Nothing Christian about a Road | Enit’ayanfe Ayosojumi Akinsanya
Recrudescence | Ement Amaku
Self Portrait At Nineteen | Hassan Usman
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