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“Ọ̀kànjúwà” Review: Inkblot and FilmOne Throw a Mediocre Party with Elementary Moral Lessons
“Map of Her Shadow” Review: Anaïs Cardot Dazzles Softly on Sophomore EP
“Before The Morning Light” Review: Johnny Drille Expands His Prowess on New Album
Features & Essays
The Life and Political Imaginations of Ngũgĩ wa Thiong’o
What’s Behind Nigeria’s Fear and Criminalisation of Dreadlocks?
JAMB: Exam Body in Crisis or Symptom of a Broken Educational System?
Tolani Is Creating Music on Her Own Terms
Who Wrote This? The Crisis of Criticism in the AI Era
It’s the Eleventh Edition, and We Still Don’t Know What the AMVCA Trailblazer Award Is
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Interviews
In Conversation: Laurène Southe Speaks on Poetry, Creative Expression, and Diasporan Experience in Debut Chapbook
Tramaine Suubi Talks Debut Collection, the Craft of Poetry, and the Art of Literary Stewardship
In Conversation: Kimbassax Talks Upcoming Project, New Ventures, and More
In Conversation: Olubunmi Familoni Talks His NLNG Prize-Winning Book, Writing Process, and More
In Conversation: Minz Speaks on Debut Album, His Sound, and Defying the Odds by Any Means
In Conversation: Ogranya Talks “Freedom Way” and Nigeria’s Live Performance Culture
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Film & TV
Sundance 2026: Olive Nwosu’s “Lady” Weaves Dreams, Trauma, and Chaos into a Gender-Aware Debut
25 African Films Turning 10 in 2026
“Colours of Fire” and the Anxiety of Technical Progress
“Behind The Scenes” and the Business of Being Funke Akindele
What Femi Adebayo’s Community Screenings Reveal About Nollywood’s Search for New Distribution Models
Condescending Benevolence: The Colonial Paradox of “Mister Johnson”
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Music
“Love Is A Kingdom” Review: Tems’ EP Is a Soul-Deep Exploration of Love’s Many Dimensions
“Fuji Moto” Review: Seyi Vibez’s Ambitious Album Lacks Coherence
How Perliks Became Nigeria’s Most Story-Driven Music Video Director
“Sabali” Review: Peruzzi’s Long-Awaited Album Reasserts His Status as Afro-Pop’s Melody King
On “Psalm 23” and “Psalm 16”, Shona Raps the Shepherd’s Love into Sound [Review]
“See Me Cry” Review: Iseay Tugs at Heartstrings on Emotionally Effective Single
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VIDEOS
Welcome to our YouTube Channel
Books
“New York, My Village” Review: Uwem Akpan’s Book Is An Important Breakaway From Conventional Contemporary Setting
Michael Afenfia’s “Leave My Bones in Saskatoon” and the Burial of Prose Fiction
“Black Ink, White Paper” Review: The Familiar Thrills in JC Amaechi’s Contemporary Romance
8 Literary Festivals Lighting Up Africa in the Second Half of 2025
“Years of Shame” Review: Obinna Udenwe’s Ambitious New Novel Nearly Crumbles Under the Weight of Editorial Issues
“When Love Visits” Review: Comfort Omovre’s Explores Love Through Conventional Romance Archetypes
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Culture
Art, Culture, and Community: The Spirit of the Second Edition of the Umuofia Arts and Books Festival
Onyeka Onwenu: An Ode to the Elegant Stallion
30 Years Later: Tai Solarin is Still an Exemplary Educator and Ferocious Social Critic
Sensational Book Titles: A New Trend in Nigerian Literature?
Afrocritik Turns Three: What It Means to Amplify African Voices
The Cultural Renaissance of East African Theatre and Performing Arts
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Fashion
AMVCA 2026: The Best Celebrity Red Carpet Looks of the Night
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Met Gala 2026: How African Celebrities Showed Up on Fashion’s Biggest Stage
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2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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Sports
Super Eagles and the Foreign Coach Conundrum: A Step Forward or Backward?
Paralympics 2024: Can Egypt Get Back to Winning Gold in Paris?
Nigeria’s Paris 2024 Olympic Failure: Who’s to Blame?
Egypt vs. Morocco Preview: North African Rivals Face off for 2024 Paris Olympic Football Bronze
African Weightlifting Contenders at the 2024 Paris Olympics: A Comprehensive Preview
African Basketball in Paris: South Sudan and Nigeria Face Formidable Olympic Hurdles
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Explainers
Fiction & Poetry
Three Poems | By Victor Chịmbọ
Three Poems | By Salama Wainaina
Three Poems | By Emmanuel Somtochukwu Ferdinand
Conversations With Strangers | Fiction By Lydia Mutuku Nzilani
Three Poems | By Muheez Olawale
The Wooden Shack | Fiction by Ndakotsu Abubakar
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