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“Making a Film Anywhere in Africa Is a Struggle”: In Conversation With Tunisian Filmmaker, Amel Guellaty, Director of “Where the Wind Comes From”
WAFCON 2024: African Women’s Football Deserves Better Broadcast Coverage
“Sweet Songs 4 You” Review: Lasmid and Tml Vibez Combine Seamlessly on New Collaborative Album
Features & Essays
The Politics of Cooking and Traditional Roles in the Nigerian Family
Why AI Misinformation is a Serious Threat to Elections and Democracy
What the African Continental Free Trade Area (AfCFTA) Could Mean for Africa’s Creative Industry
FESPACO: An Enduring Role in Promoting African Cinema
Brymo, Macabre, and Reconciling with the Art of Controversial Artists
Further Reflections on “Sóró Sóké”: In Conversation with Oyindamola Shoola
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Interviews
Tomilola Coco Adeyemo is Rekindling the Romance Genre in African Literature
The Ingenuity of Mr Eazi: An Exclusive Interview with a New Era Connoisseur for Art and Talent
“‘Proof of Life’ Is a Rebirth for Me”: Skales Speaks on His Latest Project with Afrocritik
“Versatility Helps, But Perseverance is Key”: Nigerian Actor, Eso Dike, on Breaking into Nollywood
“Music is One of My Filmmaking Signatures”: Nigerian Filmmaker, Kayode Kasum, in Conversation with Afrocritik
Coming of Age in Nollywood: In Conversation with the Young Actors in the Feature Film, “Ijogbon”
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Film & TV
“Everybody Loves Jenifa” Review: Funke Akindele’s Latest Film Is a Worthy Addition to the ‘Jenifa’ Franchise
Afrocritik’s 25 Remarkable African Films of 2024
“Suspicion” Review: Tosin Igho Explores African Spirituality from an Intriguing Perspective
10 African Movies You Can’t Miss This Holiday Season
All You Need to Know about “77: The FESTAC Conspiracy”
“A Ghetto Love Story” Review: Basketmouth’s First Foray Into Film Production Is Impressive
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Music
Will Arewa Music Be the Next Big Wave in Contemporary Nigerian Pop?
Afrocritik’s Weekly Music Spotlight: Buttery Smooth
“Onorato” Review: Ajebo Hustlers Flex Their Sonic Consistency with New EP
“Children of Africa” Review: Seyi Vibez’s EP Is an Unorthodox Comeback That Works
Afrocritik’s Weekly Music Spotlight: Zouk Party
“Just When You Thought It Was Over” Review: Toye Aru and Derrick UGC Combine Magnificently on Joint Album
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VIDEOS
Welcome to our YouTube Channel
Books
Sola Osofisan’s “The Simple Joys of Her Final Days” Presents Wry Portraits of Nigerian Life at Home and Abroad
Abubakar Adam Ibrahim’s “When We Were Fireflies” Examines the Primal Questions of Life and the Afterlife
”God’s Children Are Little Broken Things” Review: Arinze Ifeakandu’s Book Reveals the Silent Resilience of Queer Love in Nigeria
Emmanuel Iduma’s “I am Still With You” Contemplates War, Loss, and the Burden of Memory
Tunde Ososanya’s “Lagos, Life and Sexual Distraction” Captures Scenes of Tragedy and Sensuality
Chidiebube onye Okohia’s “Of Dark Tides and Darkling Times” is a Philosophical Exploration of Life
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Culture
Timi Dakolo, “Everything”, And How Nigerian Gospel Songs Have Become Anthems Of Hope
Here Are Six Ways To Properly Spend a Weekend In Africa’s Busiest Cities
Here Are The Five Most Serene Nigerian Cities To Live In
How The Baba Ijesha Case Accurately Illustrates The Attitude Of Nigerians To Rape Allegations
Has Oral Tradition In Africa Gone Extinct?
Chioma Ajunwa: Is Her 25-Year Wait A Symptom Of A Fractured System?
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Fashion
2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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10 African Fashion Events to Watch Out for in 2025
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Sports
AFCON 2023: The Differential Teams That Made History
AFCON 2023 Semi-Finals: Nigeria vs South Africa, History, Trade, and Rivalry Beyond the Pitch
Tobi Amusan Breaks African Women’s Indoor Record in 60-Metres Hurdles at New Balance Indoor Grand Prix
Favour Ofili Sets History at the 2024 New Balance Indoor Grand Prix in Boston
AFCON 2023: Quarter-Finals Preview
AFCON Group Stage Drama: Managerial Setbacks, Sackings, and Club Struggles
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Explainers
Fiction & Poetry
After The Giant Greenlights, Nothing Here Is Worthy Of Symphony? | Psalmuel Benjamin
Tochi Lives | Ubong Johnson
The Last Rule of Theft | Oluseye Fakinlede
Planes and Plains | Ugochukwu Anadị
Burning Bodies | Chourouq Nasri
Open City & Other Poems
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