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Film Africa 2026: Ique Langa’s “O Profeta” Is a Slow, Searing Portrait of What Desperation Does to Faith
Film Africa 2026: Chinàzaēkpērē Chukwu’s “Her Daughters’ Mother” Confronts Patriarchal Power Imbalances in a Familiar but Poignant Tale of Mothers and Daughters
Lamenting Useless Husbands or Creating Useless Men?: A Review of Chinkemkasimma Cassidy Chukwuma’s “Husband Is Useless”
Features & Essays
The Cuttings of 2025: Are African Literary Prizes Out of Touch?
In Absence, You Find Presence: What “My Father’s Shadow” Taught Me About Remembering
Nollywood and Its Complicated Relationship with the Oscars
Animating Africa: Inside the Rise and Realities of African Animation
Whose Name Do You Bear? The Politics of Surnames and the Erasure of African Women
Macondo Literary Festival 2025: East Africa’s Literary Vanguard Holds Its Fifth Edition
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Interviews
Joel Kachi Benson Just Wants to Make an Impact
Tolani Is Creating Music on Her Own Terms
Dhee Sylvester: The Designer Revolutionising Nigerian Book Covers
In Conversation: 4Mr Frank White Talks Sound, Identity, and Evolution of East African Afro-Swing Rap
In Conversation: Victor Ugoo Njoku Talks “This Is Love”, Reclaiming Agency, and Representation in Nollywood
The Manifesto of M.anifest: New Roads, Same Genius
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Film & TV
“Ọ̀kànjúwà” Review: Inkblot and FilmOne Throw a Mediocre Party with Elementary Moral Lessons
Cannes Film Festival 2026: Marie-Clementine Dusabejambo Asks the Hard Questions About Forgiveness, Healing and Trauma in Riveting Debut Feature, “Ben’Imana”
Cannes Film Festival 2026: Arie and Chuko Esiri’s “Clarissa” Struggles to Conjure Nigerian Spirit in Reimagination of Virginia Woolf Classic
“Bride of the Year” Review: This South African Romcom Doesn’t Take Itself Seriously
African Filmmaking at the Crossroads of Oscars Reform and AI Ethics
“Call of My Life” Review: Dammy Twitch’s Feature Debut Is a Cute Romcom for the Lover Girls
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Music
Sampling, Interpolation, and What Music Copyright Requires
In Conversation: oSHAMO Talks Fuji, Self-Discovery, and What’s Next
Afrocritik Music Spotlight: Big Bang
What You Lose When You Sign Away Your Masters
“iNkanyezi NeZinkanyezi” Review: Sjava’s Emphatically Concludes Trilogy With New Album
“FLT 27” Review: Jaytegs Expands His Sonic Vision Through a Carefully Structured EP
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VIDEOS
Welcome to our YouTube Channel
Books
“Worse Than Fire”: On Water, Violence, and the Fragility of Home
“Everything Is Not Enough” Review: Lola Akinmade Åkerström’s Sequel Deepens Her Mirror of Black Womanhood and Survival
“Nairobi Is a City Where Literature Thrives”: In Conversation With Alexander Nderitu, Africa’s First Digital Novelist
“The Edge of Water” Review: Grace Olufunke Bankole’s Debut Novel Searches For Meaning In Matrilineal Ties And Liminal Spaces
“They Killed Ahmet” Review: Ikenna Okeh’s Novel Is Trope-Heavy With Flickers of Promise
“The Mind Is Not An Ally” Review: Ayo Deforge Philosophises About The Mind In Her Poetry Collection
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Culture
Onyeka Onwenu: An Ode to the Elegant Stallion
30 Years Later: Tai Solarin is Still an Exemplary Educator and Ferocious Social Critic
Sensational Book Titles: A New Trend in Nigerian Literature?
Afrocritik Turns Three: What It Means to Amplify African Voices
The Cultural Renaissance of East African Theatre and Performing Arts
Mara: What to Know About the Viral Hyper-Fast and Energetic Sound
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Fashion
AMVCA 2026: The Best Celebrity Red Carpet Looks of the Night
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Met Gala 2026: How African Celebrities Showed Up on Fashion’s Biggest Stage
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2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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Sports
African Weightlifting Contenders at the 2024 Paris Olympics: A Comprehensive Preview
African Basketball in Paris: South Sudan and Nigeria Face Formidable Olympic Hurdles
Paris 2024: Tobi Amusan and the Olympic Dream
Kaylia Nemour: Africa’s Hope for a First-Ever Olympics Gymnastics Medal
Biniam Girmay: Breaking Barriers as the First Black African Tour de France Champion
Why African Athletes Need Strong Public Relations
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Explainers
Fiction & Poetry
The Wooden Shack | Fiction by Ndakotsu Abubakar
Contranormative: A Monologue | Poem by Precious Chidera Harrison
Broken Vessels and Other Poems | By Feyijimi Fayowolé
First Rain | Fiction By Chimezie Okoro
How to Blackmail God | Poem By Felix Eshiet
Rich People’s Street | Poem By Obongofon Etuk
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