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Variations on the Subject of Family: A Review of the 2026 Caine Prize Shortlist
“Salt in the Snow” Review: Displacements and Shifting Identities Come Together in Sahra Noor’s Debut Memoir
Somalia National Pavilion to Spotlight Contemporary Somali Cinema During Venice Biennale
Features & Essays
Noise or Attention: What Really Sells Nollywood Films?
How Capitalists Are Exploiting Us Through ‘Must-Haves’
To Kill a Conversation: Nollywood, Criticism, and the Culture of Silence
Nigeria’s Class Problem and the Nepotism Debate
Dear Nollywood, Stop Using Sexual Violence as a Plot Device
Do African Languages Come From the Same Place?
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Interviews
Tramaine Suubi Talks Debut Collection, the Craft of Poetry, and the Art of Literary Stewardship
In Conversation: Kimbassax Talks Upcoming Project, New Ventures, and More
In Conversation: Olubunmi Familoni Talks His NLNG Prize-Winning Book, Writing Process, and More
In Conversation: Minz Speaks on Debut Album, His Sound, and Defying the Odds by Any Means
In Conversation: Ogranya Talks “Freedom Way” and Nigeria’s Live Performance Culture
Yemi Alade: The Rebel Queen of Afro-Pop
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Film & TV
Joburg Film Festival 2026: Jordy Sank Reflects on Xenophobia, Social Justice, and Stylistic Choices In “Amazeze (Fleas)”
iREP Film Festival 2026: “Awon Boyz”, “No U-Turn”, “Awani”, “Double Minority”, “Afterlife” and “Isese” Reviews
BFI Flare 2026: In Conversation With Sandulela Asanda, Director of “Black Burns Fast”
Can GH¢20 Million Government Fund Transform The Ghanaian Film Industry?
Nollywood and African Spirituality: The Demonisation of a Continent’s Tradition
Joburg Film Festival 2026: Moges Ababu Belachew Talks “Mother Country” and Ethiopia’s Fragile Socio-Political Landscape
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Music
What You Lose When You Sign Away Your Masters
“iNkanyezi NeZinkanyezi” Review: Sjava’s Emphatically Concludes Trilogy With New Album
“FLT 27” Review: Jaytegs Expands His Sonic Vision Through a Carefully Structured EP
Who Shapes Our Narratives?: Afrobeats, Billboard, and the Barometers of Success in African Music
“Hybrid” Review: Shoday’s Artistry Solidifies on Debut Album
Why Have Nigerian Pop Love Songs Lost Their Emotional Depth?
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VIDEOS
Welcome to our YouTube Channel
Books
“Thunder and Roses” Review: Eniola Omorinkoba’s Novella Is an Apt Encapsulation of the Nuances of Love & Loving
“I Cry At The Feet of My Other Body” Review: Mustapha Enesi’s Debut Collection Confronts Patriarchy and the Loss of Agency
“I Write Because I Have to Tell the Story”: In Conversation With Oyin Olugbile on Her Nigeria Prize for Literature Shortlist, “Sanya”
Macondo Literary Festival 2025: East Africa’s Literary Vanguard Holds Its Fifth Edition
“It’s People You Belong To Rather Than Places”: In Conversation With Nikki May on Her Nigeria Prize for Literature Shortlist, “This Motherless Land”
Nikki May’s “This Motherless Land” Is a Poignant Novel of Loss, Love, and the Divisions of Living Between Two Worlds
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Culture
30 Years Later: Tai Solarin is Still an Exemplary Educator and Ferocious Social Critic
Sensational Book Titles: A New Trend in Nigerian Literature?
Afrocritik Turns Three: What It Means to Amplify African Voices
The Cultural Renaissance of East African Theatre and Performing Arts
Mara: What to Know About the Viral Hyper-Fast and Energetic Sound
All the Fuss About Afrobeats, Its “Way-Pavers” and Frontliners
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Fashion
AMVCA 2026: The Best Celebrity Red Carpet Looks of the Night
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Met Gala 2026: How African Celebrities Showed Up on Fashion’s Biggest Stage
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2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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Sports
Paris 2024: Tobi Amusan and the Olympic Dream
Kaylia Nemour: Africa’s Hope for a First-Ever Olympics Gymnastics Medal
Biniam Girmay: Breaking Barriers as the First Black African Tour de France Champion
Why African Athletes Need Strong Public Relations
Who Really Benefits From the International Players’ Multiple Allegiances in Football?
Ons Jabeur’s French Open Exit: So Close Yet So Far From the Grand Slam Title
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Explainers
Fiction & Poetry
Rich People’s Street | Poem By Obongofon Etuk
Good Guys Finish Last | Fiction by John “Penwielder” Ebute
Refaat Alareer | Poem by Abigail George
Eternal Feast | Fiction by Iko Odoba
the gospel of a father | Poem by Azaiouris Y. Zeon
Toby Abiodun’s “Original Psalms” Is a Poet’s Lyrical Riff on Love and Self-Understanding
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