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How Contemporary Nollywood Uses Humour to Both Expose and Excuse the Politics of Marriage
CAF’s Non-Decision on FIFA Forward Enterprise Fits a Pattern
Afrocritik Music Spotlight: Rhythm & Pulse
Features & Essays
Tolani Is Creating Music on Her Own Terms
Who Wrote This? The Crisis of Criticism in the AI Era
It’s the Eleventh Edition, and We Still Don’t Know What the AMVCA Trailblazer Award Is
Kester Kanayo Onyemaechi and His Archive of Healing
The Success of “Sinners” at the Nigerian Box Office: Five Lessons for Nollywood
Dhee Sylvester: The Designer Revolutionising Nigerian Book Covers
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Interviews
In Conversation: Minz Speaks on Debut Album, His Sound, and Defying the Odds by Any Means
In Conversation: Ogranya Talks “Freedom Way” and Nigeria’s Live Performance Culture
Yemi Alade: The Rebel Queen of Afro-Pop
Sabi Wu Is East Africa’s Best Kept Secret
In Conversation: Camillo Doregos on Managing Mr Eazi, Pheelz, and Key Industry Lessons
In Conversation: Mark Mac on Amapiano’s Evolution and the Trials of Talent Management
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Film & TV
Inside the Creative and Business Architecture of “Aníkúlápó: The Ghoul Awakens”
“Art Has the Capacity to Move the Needle”: In Conversation with Akinola Davies Jr. on “My Father’s Shadow”, Nigerian History, and Casting Choices
Sundance 2026: In Conversation with Rami Jarboui, Director of “The Bird’s Placebo”
What Trends Will Drive Africa’s Film Industry in 2026?
Sundance 2026: Praise Odigie Paige’s “Birdie” Interrogates War, Displacement, and the Frayed Edges of Memory
Why Nollywood Has Stars but No Movie Stars
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Music
25 Emerging African Artistes You Should Listen to in 2026
“Real, Vol. 1” Review: Wizkid and Asake’s Joint EP Falls Short of Its Monumental Potential
The Rise of Kenyan Oontz Music and Culture
10 Classic African Songs Turning 10 in 2026
The Myth of the Apolitical Artiste
“Caged Bird” Review: Tryve Explores Pursuit of Freedom on Lo-Fi Hip-Hop-Infused Single
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VIDEOS
Welcome to our YouTube Channel
Books
“Black Ink, White Paper” Review: The Familiar Thrills in JC Amaechi’s Contemporary Romance
8 Literary Festivals Lighting Up Africa in the Second Half of 2025
“Years of Shame” Review: Obinna Udenwe’s Ambitious New Novel Nearly Crumbles Under the Weight of Editorial Issues
“When Love Visits” Review: Comfort Omovre’s Explores Love Through Conventional Romance Archetypes
Nairobi LitFest 2025: NBO Explores The Countercurrents of Knowing
“The Parlour Wife” Review: Foluso Agbaje’s Novel Is a Vital Contribution to Historical Fiction
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Culture
Afrocritik Turns Three: What It Means to Amplify African Voices
The Cultural Renaissance of East African Theatre and Performing Arts
Mara: What to Know About the Viral Hyper-Fast and Energetic Sound
All the Fuss About Afrobeats, Its “Way-Pavers” and Frontliners
Is Controvesy the Linchpin that Keeps Portable in the Spotlight?
Will Rwanda Become the New Hub for Arts and Entertainment in East Africa?
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Fashion
AMVCA 2026: The Best Celebrity Red Carpet Looks of the Night
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Met Gala 2026: How African Celebrities Showed Up on Fashion’s Biggest Stage
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2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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Sports
Why African Athletes Need Strong Public Relations
Who Really Benefits From the International Players’ Multiple Allegiances in Football?
Ons Jabeur’s French Open Exit: So Close Yet So Far From the Grand Slam Title
Why North Africa Continues to Dominate in Continental Club Football
Highlights From the 2024 Marrakech Diamond League
Will Finidi George Usher in a New Era for Nigeria’s Super Eagles?
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Explainers
Fiction & Poetry
Rich People’s Street | Poem By Obongofon Etuk
Good Guys Finish Last | Fiction by John “Penwielder” Ebute
Refaat Alareer | Poem by Abigail George
Eternal Feast | Fiction by Iko Odoba
the gospel of a father | Poem by Azaiouris Y. Zeon
Toby Abiodun’s “Original Psalms” Is a Poet’s Lyrical Riff on Love and Self-Understanding
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