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Features & Essays

The Black Book_ Tech Investors - Afrocritik
Funding and Collaboration in Nollywood: What Could “The Black Book” Tech Investors Mean for Filmmakers in Nigeria?
Brooke Bruk-Jackson - Miss Universe Zimbabwe beauty pageant 2023 - Afrocritik
Understanding the Uproar About a White Miss Universe Zimbabwe: Could This Spark Fresh Dialogues on Inclusion and Diversity?
Seven Ancient Civilisations to Emerge from Africa - Afrocritik
Seven Ancient African Civilisations You Should Know About
Skin Bleaching and Colourism in Africa - Afrocritik
Is There a Parallel Between the Skin Bleaching Epidemic and Colourism That is Being Overlooked in Africa?
Film Locations Are a Tool for Storytelling in Nollywood, Beyond The Visual Aesthetics - Afrocritik
Beyond the Visual Aesthetics, Film Locations Are a Tool for Storytelling in Nollywood
Afrocritik's tribute to Pat Nebo, veteran Production Designer
Pat Nebo, Nollywood’s Veteran Production Designer, Documented Nigeria’s History Through Filmmaking

Interviews

“How I Produced Pheelz’s ‘Finesse’” — Miichkel
“African Filmmakers Need To Retain Their Original Form Of Storytelling” – Akinola Davies Jr, Director Of “Lizard”
Blackstar Film Festival: “We Wanted To Tell A Story About Nigeria” – Arie And Chuko Esiri, Directors Of “Eyimofe”
Meet Monseeka, The Former Beauty Queen Who Is Slowly Lighting Up Nigeria’s Alternative Music Scene
Funkcleff, The Former Choir Boy Who’s Overcome Health Challenges To Launch A Budding Music Career

Film & TV

Judging a Film By Its Cover: How Nollywood Film Posters Spark Audience Interest | Afrocritik
Judging a Film By Its Cover: How Nollywood Film Posters Spark Audience Interest
Kill Boro review | Courage Obayuwana| Afrocritik
“Kill Boro” Review: Courage Obayuwana’s Debut Feature Leaves A Lasting Impression
Why Copyright Protection Matters For The Future of Nollywood| Afrocritik
Why Copyright Protection Matters For The Future of Nollywood
“Funmilayo Ransome-Kuti” Review: Bolanle Austen-Peters Skillfully Conveys a Political Treatise in This Biopic | Afrocritik
“Funmilayo Ransome-Kuti” Review: Bolanle Austen-Peters Skillfully Conveys a Political Treatise in This Biopic
“UNO (The F in Family)” Review: Ebuka Njoku’s Sophomore Feature is Endearing, But Does It Triumph?
A Brief History of the Visual Language of Sex in Cinema | Afrocritik
A Brief History on the Visual Language of Sex in Cinema

Music

Adedamola
“Adedamola” Review: Fireboy DML Reinvents Himself With New Project
“Bandito”
“Bandito” Is an Unusual Offering From Dre Foryoursoul
Xblaze
Meet Xblaze, the Nigerian Producer Revolutionising the European EDM Scene
A cross-section of African album covers
The Art Behind the Music: Why Album Covers Matter
King
“King” Review: Jeriq Declares His Supremacy With New Album
Grime, Glory & Afropop
Wonu Osikoya Documents Afrobeats History From a Fresh Perspective With “Grime, Glory & Afropop”

VIDEOS

Welcome to our YouTube Channel

Books

Culture

Fashion

AMVCA

2025 AMVCA: How the Stars Lit up the Night With Style

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AMVCA Cultural Day

10 Celebrities Who Slayed the 2025 AMVCA Cultural Day

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Met Gala
What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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2025 Grammy
Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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Africa Sourcing and Fashion Week
10 African Fashion Events to Watch Out for in 2025
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Sports

Explainers

Fiction & Poetry