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“The Almajiri” Review: Jammal Ibrahim’s Debut Asks Difficult Questions About Education, Faith, and Northern Nigeria’s Future
How Contemporary Nollywood Uses Humour to Both Expose and Excuse the Politics of Marriage
CAF’s Non-Decision on FIFA Forward Enterprise Fits a Pattern
Features & Essays
Afrocritik’s 50 Notable Essays from Africa in 2024
The Evolving Role of Streaming Platforms in Global Culture
Does Nollywood Have Too Many Speaking Events?
What Music and Dance Trended in Francophone Africa in 2024?
Opinion: We Have Taken Afrobeats to the World, and Now They Are Taking It From Us
Chidimma Adetshina’s Inspiring Rise to the Miss Universe Stage
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Interviews
Móyòsóré Martins: Embracing Abstraction and Imperfectionism in Grunge Art
“In Bloom” Anthology Creators: In Conversation with the Changemakers Who Lend a Voice to Gender Equality
In Conversation: “I Want People to Know that Africa Has Real Filmmaking Talents”, Claire Diao, Film Critic and Founder of Sudu Connexion
Director Pink: Standing Out as a Music Video Director in a Crowded Music Industry
In Conversation: Nollywood Film Editor, Martini Akande, Dissects the Anatomy of Editing a Memorable Scene
Oscar Korbla Mawuli Awuku Uses Art to Redefine the Narrative on Indigenous Ghanaian Culture
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Film & TV
TSWA Film Festival 2025: Freedom of Movement and the Cost of Survival in “Casablanca – Dakar” and “Seed Is Life”
ADIFF 2025: In Conversation With Nana Adwoa Frimpong, Producer of “The Eyes of Ghana”
S16 Film Festival 2025: “About Sarah”, “My Jebba Story”, “Obi Is a Boy”, “Back to the Theatre Vox”, “Òdè!” + Other Short Film Reviews
“Colour Me True” Review: Toluwani Obayan Osibe’s Debut Reaches for Truth but Settles for Surface
ADIFF 2025: Sana Na N’Hada Examines the Cost of Freedom and the Weight of Memory in “Nome”
“The Heart is a Muscle” Review: Imran Hamdulay’s Debut Feature Traces the Wounds We Inherit and the Ones We Try to Heal
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Music
“Peace By Piece” Review: Fireboy DML and Pheelz’s Collaborative EP Serves Up Feel-Good Afro-Pop Bliss
“Yariasu” Review: Nyashinski’s Familiarity Dulls the Spark of His Latest Album
“The Torcher” Review: Stonebwoy Proves His Pedigree on New Album
Afrocritik Weekly Music Spotlight: Mood Music
“Healers Chapel” Review: Wizard Chan’s Debut Is an Introspective and Soulful Sonic Balm
“Èkó Groove” Review: Spinall Assembles Star-Studded Cast on New Album
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VIDEOS
Welcome to our YouTube Channel
Books
“A Future in Chains” Review: Ndifreke Ukpong’s Book Expertly Tackles Faith, Tradition, and Resilience
Afrocritik’s Anticipated Books of 2025
Afrocritik’s Notable Books From Africa in 2024
Afrocritik’s 35 Remarkable African Short Stories in 2024
“And So I Roar” Review: Abi Dare’s Sequel Sends Powerful Message on Female Advocacy
“The Road to the Country” Review: Chigozie Obioma’s Book Explores the Costs of War, Guilt, and the Enduring Survival of Love
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Culture
Here Are Six Ways To Pull Off A Romantic Weekend In Nigeria
How The Igbos Get Around To Naming Their Children
Obi Cubana, “Igba Boy” And Igbo Communalism
Ọja, The Musical Instrument Which Mirrors Igbo Individuality and Spirituality
Asaba, The Nigerian City That Perfectly Illustrates The Importance Of Spending Power
Cancel Culture, The Cancer Threatening To Erode Artistic Freedom
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Fashion
AMVCA 2026: The Best Celebrity Red Carpet Looks of the Night
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Met Gala 2026: How African Celebrities Showed Up on Fashion’s Biggest Stage
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2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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Sports
AFCON 2023 Semi-Finals: Nigeria vs South Africa, History, Trade, and Rivalry Beyond the Pitch
Tobi Amusan Breaks African Women’s Indoor Record in 60-Metres Hurdles at New Balance Indoor Grand Prix
Favour Ofili Sets History at the 2024 New Balance Indoor Grand Prix in Boston
AFCON 2023: Quarter-Finals Preview
AFCON Group Stage Drama: Managerial Setbacks, Sackings, and Club Struggles
AFCON 2023: 5 Star Players Whose Absence Might Have Altered Their Teams’ Fortunes
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Explainers
Fiction & Poetry
Green Zone | Jide Badmus
Two poems | Adesiyan Oluwapelumi
Praying in a Lawn | Ogah Friday David
There Is Nothing Christian about a Road | Enit’ayanfe Ayosojumi Akinsanya
Recrudescence | Ement Amaku
Self Portrait At Nineteen | Hassan Usman
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