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Features & Essays

Nneoha Ann Aligwe - Africa International Horror Film Festival- Afrocritik
Nneoha Ann Aligwe is Reviving the Horror Film Genre with the Africa International Horror Film Festival (AIHFF): In Conversation with Afrocritik
Africa’s Gaming Industry Has Come a Long Way Since Its Early Stages, but Grassroot Development is Still Needed - Afrocritik
Unveiling Africa’s Gaming Boom: How Grassroot Development May Impact the Gaming Industry
femi.the.god - Afrocritik
Painting a Picture of the Future: The Social Consciousness Behind the Art of Femi.the.god
Race to the Oscars 2024: A Look at the African Stories Vying for Best International Feature Film
African Audio Chronicles 30 Must-Listen African Podcasts - Afrocritik
African Audio Chronicles: 30 Must-Listen African Podcasts
Cyprian Ekwensi - Afrocritik
Examining the Works of Cyprian Ekwensi and His Legacy in the Canon of Great Nigerian Literature

Interviews

Esther Kemi Gbadamosi on Taking Nigerian Animated Films to Berlinale: in Conversation with Afrocritik
Leading Conversations on Inclusivity, Babatunde Apalowo Takes First Nigerian Queer Film to Berlinale
Leading Conversations on Inclusivity, Babatunde Apalowo Takes First Nigerian Queer Film to Berlinale
Josh Olaoluwa - Afrocritik
From Marine Biology to Filmmaking: Josh Olaoluwa’s Unlikely Journey into Nollywood
“Why My New EP Took Me Close to a Year to Put Out,” – Rhita Nattah: In Conversation With Afrocritik
Director Diji Aderogba is Telling Conscious Stories with Film and Twitter
Philip on a mission to build a film industry in Lesotho.
Phillip Leteka is on a Mission to Build a Thriving Film Industry in Lesotho

Film & TV

Nigeria Cinema Day
Nigeria Cinema Day and the Marketing Hurdles Holding Back Nollywood
Still from The Legend of the Vagabond Queen of Lagos
“The Legend of the Vagabond Queen of Lagos” Review: The Agbajowo Collective’s Film Is a Bold Statement on Resistance
Tokunbo
“Tòkunbọ̀” Review: Ramsey Nouah’s Film Exposes Nollywood’s Storytelling Flaws
Family Vacation
“Family Vacation” Review: Voline Ogutu’s Feature Film Unpacks the Facade of Social Media Perfection
Still from With Difficulty Comes Ease
“With Difficulty Comes Ease” Review: Korede Azeez’s Film Is a Masterful Blend of Art and Heart
Losing Lerato 2
“Losing Lerato 2” Review: Zolani Phakade’s Sequel Is an Underwhelming Outing

Music

Agbalagbi
“Agbalagbi” Review: OluwaMillar Navigates Life, Faith, and Fame on Debut EP
Africa music landscape
Top Predictions for Africa’s Music Landscape in 2025
Mercy Chinwo and EeZee Conceptz
Inside the Mercy Chinwo and EeZee Conceptz Fallout
Altè in East Africa
East Africa’s Altè Movement: A New Era of Hybrid Sound
emerging African artistes
Afrocritik’s 25 Emerging African Artistes Worth Listening To in 2025
Taigwa Goma by 4Mr Frank White
“Taigwa Goma” Review: 4Mr Frank White Displays a Seamless Harmony in His Afro-Swing Rap

VIDEOS

Welcome to our YouTube Channel

Books

The Ironies of Patriarchy in Igbo Society: a Review of Cheluchi Onyemelukwe-Onuobia’s “The Son of the House”
In Abi Dare’s “The Girl with the Louding Voice,” Language Plays a Foremost Role in Storytelling
The Son of the House: Cheluchi Onyemelukwe-Onuobia’s Powerful Storytelling Builds an Edifice from an Age-worn Plot
Chibundu Onuzo’s “The Spider King’s Daughter” Fails Tragically in its Literary Bidding
The Call to Greater Understanding: A Review of Ukamaka Olisakwe’s “Ogadinma: Or Everything Will Be All Right”
Book Review: Why Chibundu Onuzo’s “Welcome to Lagos” Failed to Hit Its Mark

Culture

Fashion

AMVCA

2025 AMVCA: How the Stars Lit up the Night With Style

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AMVCA Cultural Day

10 Celebrities Who Slayed the 2025 AMVCA Cultural Day

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Met Gala
What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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2025 Grammy
Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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Africa Sourcing and Fashion Week
10 African Fashion Events to Watch Out for in 2025
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Sports

Explainers

Fiction & Poetry