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TikTok for Artistes Launches in Nigeria to Boost Artiste Growth and Fan Engagement
Noise or Attention: What Really Sells Nollywood Films?
Angolan Writer, Nituecheni Africano, Wins 2025 Sankofa Book Awards Kenya
Features & Essays
Who Wrote This? The Crisis of Criticism in the AI Era
It’s the Eleventh Edition, and We Still Don’t Know What the AMVCA Trailblazer Award Is
Kester Kanayo Onyemaechi and His Archive of Healing
The Success of “Sinners” at the Nigerian Box Office: Five Lessons for Nollywood
Dhee Sylvester: The Designer Revolutionising Nigerian Book Covers
The Obscured Realities in Shegun Oseh’s Smokescreen Images
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Interviews
In Conversation: Ife Olujuyigbe Talks Storytelling, the Realities of Producing, and Navigating Nollywood
Joel Kachi Benson Just Wants to Make an Impact
Tolani Is Creating Music on Her Own Terms
Dhee Sylvester: The Designer Revolutionising Nigerian Book Covers
In Conversation: 4Mr Frank White Talks Sound, Identity, and Evolution of East African Afro-Swing Rap
In Conversation: Victor Ugoo Njoku Talks “This Is Love”, Reclaiming Agency, and Representation in Nollywood
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Film & TV
“Sayari” Review: Omar Hamza’s Film Maps Love Across Kenya’s Social Terrain
“Freedom Way” Review: Nigeria’s Systemic Dysfunction Is on Loud Display in Afolabi Olalekan’s Debut Feature
“Unclaimed” Review: Biodun Stephen’s Psychological Drama Explores Interesting Themes but Falls Flat
In Conversation: Wingonia Ikpi Talks Making “The Lost Days”, the First Features Project, and What’s Next
Maia Lekow And Christopher King Want To Make Films About Kenyan Women With A Strong Sense Of Agency
“Matabeleland” Review: Nyasha Kadandara’s Documentary Contends With Zimbabwe’s Troubled Past
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Music
10 Rising African Alté Artistes to Watch in 2025
“Spiral” Review: Tim Lyre Charts Cycles of Love and Life on Sophomore Album
Afrocritik Weekly Music Spotlight: Detour Week
“The Summer That Saved Me” Review: Odeal Bottles Newfound Freedom and Clarity on New EP
“Victims of Madness 2.0” Review: Wakadinali Chooses Refinement Over Reinvention
“Goodgirl” Review: GoodGirl LA Reintroduces Her Vibrant Uniqueness on New EP
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VIDEOS
Welcome to our YouTube Channel
Books
“Ujana” Review: Frank Njugi’s Chapbook Is a Portrait of Youth, City, and Self
“Barter” Review: Erhu Kome’s Dystopian Vision In Her Novella Falters in Execution But Shines In Concept
“Some Stars Do Not Fall” Review: Taofeek Ayeyemi’s Chapbook Meditates on the Language of Grief
Dhee Sylvester: The Designer Revolutionising Nigerian Book Covers
“While She Slept” Review: Kumashe Yaakugh’s Novella Explores Ghosts, Memory, and Masculinity
“The Ones Before You” Review: Joba Ojelabi’s Chapbook Speaks to the Burden of Inheritance
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Culture
What’s Behind Nigeria’s Fear and Criminalisation of Dreadlocks?
JAMB: Exam Body in Crisis or Symptom of a Broken Educational System?
Can Body-Worn Cameras Build Trust In Africa’s Policing?
The Cultural and Structural Realities Behind Llona and Odumodublvck’s Grassroots Tours
10 Times Nigerian Songs Made a Surprise Comeback Online
Can African Proptech Startups Build Trust in a Skeptical Market?
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Fashion
2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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10 African Fashion Events to Watch Out for in 2025
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Sports
Basketball Africa League Season 5: Race for the Playoffs
African Excellence at the 2025 Diamond League
The Complex Relationship Between Football and Gambling
Serhou Guirassy: Against the Odds
Recap of the On-Going CAF U-17 Nations Cup
World Athletics’ DNA Testing: How New Gender Rules Impact African Athletes
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Explainers
The Art Behind the Music: Why Album Covers Matter
The Power and Essence of Album Rollouts
AI Voice Cloning Scams: How to Protect Yourself
African Basketball in Paris: South Sudan and Nigeria Face Formidable Olympic Hurdles
Understanding Music Marketing Beyond Publicity Stunts: A Guide for African Artistes
Enhancing Learning for African Children with Disabilities Through Assistive Technologies
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Fiction & Poetry
Clan | Poem by Victor Obukata
Fine Geh | Fiction by Chizitere Madeleine Nwaemesi
Untitled Poem for a Boy Who Never Knew Love | By Stephen Nwankwo
Across the Border | Fiction by Bello Taiwo Victoria
“the village’s elegy” & “A sonnet is fighting absolution” | Poems by Josiane Kouagheu
“Transit”, “Leaven”, & ”Arrive in Your Skeleton” | Poems by Abiodun Salako
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