Eniola Bolaji
Hybrid
Alive Till Dawn

Features & Essays

Enugu Photo Festival
Enugu Photo Festival: Architectural Ruins and the Death of Preservation
Perliks
How Perliks Became Nigeria’s Most Story-Driven Music Video Director
reading
How Should We Read? Akpata Magazine and the Reading Debate
The Milkmaid
The Cuts of Speaking Truth in Nigerian Cinema
Wizkid
How Wizkid Redefined Nigeria’s Sonic Landscape With “Made In Lagos”
beef
Has Nigerian Hip-Hop Found Its Mojo Again?

Interviews

Oyin Olugbile
“I Write Because I Have to Tell the Story”: In Conversation With Oyin Olugbile on Her Nigeria Prize for Literature Shortlist, “Sanya”
Nikki May
“It’s People You Belong To Rather Than Places”: In Conversation With Nikki May on Her Nigeria Prize for Literature Shortlist, “This Motherless Land”
Omotola Jalade Ekeinde
In Conversation With Omotola Jalade Ekeinde On Her Directorial Debut, “Mother’s Love”
EWA
In Conversation With Deola And Darey Art Alade: On Making EWA “Africa’s Definitive Creative Convergence”
Nomad Shadow
TIFF 2025: In Conversation With the Cast and Crew of “Nomad Shadow”
Achille Ronaimou
In Conversation: Achille Ronaimou on “Diya”, Confronting Tradition, Justice, and Forgiveness in Chad

Film & TV

Lady
Sundance 2026: Olive Nwosu’s “Lady” Weaves Dreams, Trauma, and Chaos into a Gender-Aware Debut
African films
25 African Films Turning 10 in 2026
Colours of Fire
“Colours of Fire” and the Anxiety of Technical Progress
Behind The Scenes
“Behind The Scenes” and the Business of Being Funke Akindele
community screenings
What Femi Adebayo’s Community Screenings Reveal About Nollywood’s Search for New Distribution Models
Mister Johnson
​Condescending Benevolence: The Colonial Paradox of “Mister Johnson”

Music

Afrocritik’s Top 100 African Songs of 2025
Afrocritik’s Top 100 African Songs of 2025
Afroculture
“Afroculture” Review: Flavour Embodies The Sounds of Africa on New Album
Love Is A Kingdom
“Love Is A Kingdom” Review: Tems’ EP Is a Soul-Deep Exploration of Love’s Many Dimensions
Fuji Moto
“Fuji Moto” Review: Seyi Vibez’s Ambitious Album Lacks Coherence
Perliks
How Perliks Became Nigeria’s Most Story-Driven Music Video Director
Sabali
“Sabali” Review: Peruzzi’s Long-Awaited Album Reasserts His Status as Afro-Pop’s Melody King

VIDEOS

Welcome to our YouTube Channel

Books

Cursed Daughters
“Cursed Daughters” Review: Oyinkan Braithwaite’s Sophomore Novel Explores Superstition, Matrilineage, and Intergenerational Trauma
Will This Be A Problem? The Anthology: Issue V
“Will This Be a Problem? The Anthology: Issue V” Review: Speculative Cartographies Map the New African Imagination
Dilemma of an Outcast
“Dilemma of an Outcast” Review: Anih Emeka’s Debut Novel Interrogates Bigotry but Falters in Its Attempt at Storytelling
How to Get Rid of Ants
The Many Pleasures in Absurdity: A Review of Jesutomisin Ipinmoye’s “How to Get Rid of Ants”
Bitter Honey
“Bitter Honey” Review: Lọlá Ákínmádé Åkerström Explores Generational Trauma and Its Effect on Matrilineal Connection
A Meal Is a Meal
“A Meal Is a Meal” Review: Nnamdi Anyadu’s Collection Serves a Balanced Plate of Pleasures

Culture

Nigeria
Nigeria’s Class Problem and the Nepotism Debate
Skincare
Why African Men Are Finally Embracing Skincare
Marriage
To Sacrifice for Love: A Case for the Beauty of Marriage
crime reporting apps
Can Crime Reporting Apps Increase Police Responsiveness in Africa?
wife vs mom
The Misogyny of “Wife vs. Mom” Hypotheticals and Why We Must Retire Them
African languages
Do African Languages Come From the Same Place?

Fashion

Grammy

2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet

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AMVCA

2025 AMVCA: How the Stars Lit up the Night With Style

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AMVCA Cultural Day
10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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Met Gala
What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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2025 Grammy
Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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Africa Magic Viewers’ Choice Awards

Sports

Kelechi Nwakali
Kelechi Nwakali: Stuck in Football’s Revolving Door
women’s football
A $100,000 Reward, No Infrastructure: Nigeria Must Rethink Women’s Football
The African Giant
Documentary Spotlight: “The African Giant”
AfroBasket
The Ultimate Guide to the 2025 Women’s AfroBasket in Côte d’Ivoire
WAFCON
WAFCON 2024 Quarterfinal Guide: Players to Watch and Our Predictions
WAFCON
WAFCON 2024: African Women’s Football Deserves Better Broadcast Coverage

Explainers

Cold chain storage technology
Examining the Role of Cold Chain Storage Facilities in Reducing Nigeria’s Post-harvest Losses
A cross-section of African album covers
The Art Behind the Music: Why Album Covers Matter
A cross-section of albums utilising an album rollout
The Power and Essence of Album Rollouts
AI Voice Cloning Scams
AI Voice Cloning Scams: How to Protect Yourself
African Basketball
African Basketball in Paris: South Sudan and Nigeria Face Formidable Olympic Hurdles
Understanding Music Marketing Beyond Publicity Stunts: A Guide for African Artistes

Fiction & Poetry

Mine Too Counts
“Mine Too Counts” Review: Agbeye Oburumu Gives Voice to the Pains of the Nigerian Masses
poems
“I Give You Softness” and Other Poems | By Olobo Ejile
Àtìpó: The Stranger I Have Become
“Àtìpó: The Stranger I Have Become” and Other Poems | by Olamoyegun Noah O
Two Poems
Two Poems | By Salama Wainaina
Dearth Warning Signs
Dearth Warning Signs | Poem By Peace Ogunjemilua
three poems
Three Poems | By Olamoyegun Noah O