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AT THE ALTAR | Poem By Rutendo Chichaya
Afrocritik’s Most Anticipated Books of 2026
Documentary Spotlight: “Shine”
Features & Essays
Animating Africa: Inside the Rise and Realities of African Animation
Whose Name Do You Bear? The Politics of Surnames and the Erasure of African Women
Macondo Literary Festival 2025: East Africa’s Literary Vanguard Holds Its Fifth Edition
Are Music Videos Relevant in Afro-Pop Today?
Noise or Attention: What Really Sells Nollywood Films?
How Capitalists Are Exploiting Us Through ‘Must-Haves’
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Interviews
In Conversation With Deola And Darey Art Alade: On Making EWA “Africa’s Definitive Creative Convergence”
TIFF 2025: In Conversation With the Cast and Crew of “Nomad Shadow”
In Conversation: Achille Ronaimou on “Diya”, Confronting Tradition, Justice, and Forgiveness in Chad
TIFF 2025: In Conversation With Zamo Mkhwanazi, Director Of “Laundry”
The Neo-Arewa Soundscapes of FirstKlaz
“None of Us Is Immune”: In Conversation with Afolabi Olalekan and Blessing Uzzi, Director and Producer of “Freedom Way”
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Film & TV
“The Heart is a Muscle” Review: Imran Hamdulay’s Debut Feature Traces the Wounds We Inherit and the Ones We Try to Heal
S16 Film Festival 2025: Suzannah Mirghani Insists on Female Joy and Agency in Powerful Sudanese-Set Feature Debut, “Cotton Queen”
ADIFF 2025: Johan Nayar’s “The Banjo Boys” is a Soul-Stirring Portrait of Music, Faith, and Survival
“When Nigeria Happens” Review: Young Nigerians Dance Through Dysfunction in Ema Edosio’s Theatrical Contemporary Dance Drama
ADIFF 2025: In Conversation with the Filmmakers of South African Coming-of-Age Drama, “Carissa”
ENIFF 2025: Jessica J. Rowlands Puts Zimbabwean Cinema on the Map with “Rise”
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Music
“No Excuses” Review: Blaqbonez Reaffirms His Status With Swagger, Skill, and Clarity
“Fuji” Review: Adekunle Gold’s Sixth Album Honours Fuji’s Legacy With Modern Sensibility
Afrocritik Weekly Music Spotlight: Mega Catch-Up
“Industry Machine” Review: Odumodublvck’s Album Is Loud, Bold, and Loosely Bolted Together
“Protect Sarz At All Costs” Review: Sarz’s Star-Loaded Debut Is Brilliant in Parts, But Fails to Thrill Fully
“Peace By Piece” Review: Fireboy DML and Pheelz’s Collaborative EP Serves Up Feel-Good Afro-Pop Bliss
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VIDEOS
Welcome to our YouTube Channel
Books
“The Beast of Green Manor” Review: Grace Grandi Turns Melodrama Into a Mirror for Family, Pride, and Survival
“Worse Than Fire”: On Water, Violence, and the Fragility of Home
“Everything Is Not Enough” Review: Lola Akinmade Åkerström’s Sequel Deepens Her Mirror of Black Womanhood and Survival
“Nairobi Is a City Where Literature Thrives”: In Conversation With Alexander Nderitu, Africa’s First Digital Novelist
“The Edge of Water” Review: Grace Olufunke Bankole’s Debut Novel Searches For Meaning In Matrilineal Ties And Liminal Spaces
“They Killed Ahmet” Review: Ikenna Okeh’s Novel Is Trope-Heavy With Flickers of Promise
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Culture
To Sacrifice for Love: A Case for the Beauty of Marriage
Can Crime Reporting Apps Increase Police Responsiveness in Africa?
The Misogyny of “Wife vs. Mom” Hypotheticals and Why We Must Retire Them
Do African Languages Come From the Same Place?
10 Must-Have Apps for University Students in Africa
Should We Be Having Deep Conversations With AI Chatbots?
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Fashion
2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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10 African Fashion Events to Watch Out for in 2025
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Sports
A $100,000 Reward, No Infrastructure: Nigeria Must Rethink Women’s Football
Documentary Spotlight: “The African Giant”
The Ultimate Guide to the 2025 Women’s AfroBasket in Côte d’Ivoire
WAFCON 2024 Quarterfinal Guide: Players to Watch and Our Predictions
WAFCON 2024: African Women’s Football Deserves Better Broadcast Coverage
Kyalami’s Renaissance: Paving the Way for F1’s Return to Africa
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Explainers
The Art Behind the Music: Why Album Covers Matter
The Power and Essence of Album Rollouts
AI Voice Cloning Scams: How to Protect Yourself
African Basketball in Paris: South Sudan and Nigeria Face Formidable Olympic Hurdles
Understanding Music Marketing Beyond Publicity Stunts: A Guide for African Artistes
Enhancing Learning for African Children with Disabilities Through Assistive Technologies
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Fiction & Poetry
Two Poems | By Tukur Ridwan
The Dreamer | Short Story By Ornguze Nashima Nathaniel
“Life’s Daunting Stare” & “Home As A Symbol Of Nostalgia” | Poems By Ewurama Tawiah Welbeck
The Spaces Between Stars | Short Story By Adédoyin Àjàyí
“Knitting Grief” & “Conversations” | Poems by Pleasant Nneoma Stephen
Two Poems by Salihu Muhammad Ebba
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