BSFA Awards
Lady
ARMC 2026

Features & Essays

The Milkmaid
The Cuts of Speaking Truth in Nigerian Cinema
Wizkid
How Wizkid Redefined Nigeria’s Sonic Landscape With “Made In Lagos”
beef
Has Nigerian Hip-Hop Found Its Mojo Again?
NLNG Nigeria Prize for Literature
The Cuttings of 2025: Are African Literary Prizes Out of Touch?
memories
In Absence, You Find Presence: What “My Father’s Shadow” Taught Me About Remembering
Nollywood
Nollywood and Its Complicated Relationship with the Oscars

Interviews

EWA
In Conversation With Deola And Darey Art Alade: On Making EWA “Africa’s Definitive Creative Convergence”
Nomad Shadow
TIFF 2025: In Conversation With the Cast and Crew of “Nomad Shadow”
Achille Ronaimou
In Conversation: Achille Ronaimou on “Diya”, Confronting Tradition, Justice, and Forgiveness in Chad
Zamo Mkhwanazi
TIFF 2025: In Conversation With Zamo Mkhwanazi, Director Of “Laundry”
FirstKlaz
The Neo-Arewa Soundscapes of FirstKlaz
Afolabi Olalekan
“None of Us Is Immune”: In Conversation with Afolabi Olalekan and Blessing Uzzi, Director and Producer of “Freedom Way”

Film & TV

The Ants
ADIFF 2025: Yassine Fennane’s “The Ants” Undertakes a Study in Dignity and Survival Across Class
Casablanca - Dakar
TSWA Film Festival 2025: Freedom of Movement and the Cost of Survival in “Casablanca – Dakar” and “Seed Is Life”
Nana Adwoa Frimpong
ADIFF 2025: In Conversation With Nana Adwoa Frimpong, Producer of “The Eyes of Ghana”
S16 Film Festival
S16 Film Festival 2025: “About Sarah”, “My Jebba Story”, “Obi Is a Boy”, “Back to the Theatre Vox”, “Òdè!” + Other Short Film Reviews
Colour Me True
“Colour Me True” Review: Toluwani Obayan Osibe’s Debut Reaches for Truth but Settles for Surface
Nome
ADIFF 2025: Sana Na N’Hada Examines the Cost of Freedom and the Weight of Memory in “Nome”

Music

Shona
On “Psalm 23” and “Psalm 16”, Shona Raps the Shepherd’s Love into Sound [Review]
Maison Rouge
“Maison Rouge” Review: Mr Eazi’s Intimate EP Is a Love Letter to Banku Music
Wizkid
How Wizkid Redefined Nigeria’s Sonic Landscape With “Made In Lagos”
beef
Has Nigerian Hip-Hop Found Its Mojo Again?
No Excuses
“No Excuses” Review: Blaqbonez Reaffirms His Status With Swagger, Skill, and Clarity
Fuji
“Fuji” Review: Adekunle Gold’s Sixth Album Honours Fuji’s Legacy With Modern Sensibility

VIDEOS

Welcome to our YouTube Channel

Books

How to Get Rid of Ants
The Many Pleasures in Absurdity: A Review of Jesutomisin Ipinmoye’s “How to Get Rid of Ants”
Bitter Honey
“Bitter Honey” Review: Lọlá Ákínmádé Åkerström Explores Generational Trauma and Its Effect on Matrilineal Connection
A Meal Is a Meal
“A Meal Is a Meal” Review: Nnamdi Anyadu’s Collection Serves a Balanced Plate of Pleasures
The Beast of Green Manor
“The Beast of Green Manor” Review: Grace Grandi Turns Melodrama Into a Mirror for Family, Pride, and Survival
Worse Than Fire
“Worse Than Fire”: On Water, Violence, and the Fragility of Home
Everything Is Not Enough
“Everything Is Not Enough” Review: Lola Akinmade Åkerström’s Sequel Deepens Her Mirror of Black Womanhood and Survival

Culture

Skincare
Why African Men Are Finally Embracing Skincare
Marriage
To Sacrifice for Love: A Case for the Beauty of Marriage
crime reporting apps
Can Crime Reporting Apps Increase Police Responsiveness in Africa?
wife vs mom
The Misogyny of “Wife vs. Mom” Hypotheticals and Why We Must Retire Them
African languages
Do African Languages Come From the Same Place?
app
10 Must-Have Apps for University Students in Africa

Fashion

AMVCA

2025 AMVCA: How the Stars Lit up the Night With Style

Read More
AMVCA Cultural Day

10 Celebrities Who Slayed the 2025 AMVCA Cultural Day

Read More
Met Gala
What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
Read More
2025 Grammy
Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
Read More
Africa Sourcing and Fashion Week
10 African Fashion Events to Watch Out for in 2025
Read More

Sports

Kelechi Nwakali
Kelechi Nwakali: Stuck in Football’s Revolving Door
women’s football
A $100,000 Reward, No Infrastructure: Nigeria Must Rethink Women’s Football
The African Giant
Documentary Spotlight: “The African Giant”
AfroBasket
The Ultimate Guide to the 2025 Women’s AfroBasket in Côte d’Ivoire
WAFCON
WAFCON 2024 Quarterfinal Guide: Players to Watch and Our Predictions
WAFCON
WAFCON 2024: African Women’s Football Deserves Better Broadcast Coverage

Explainers

A cross-section of African album covers
The Art Behind the Music: Why Album Covers Matter
A cross-section of albums utilising an album rollout
The Power and Essence of Album Rollouts
AI Voice Cloning Scams
AI Voice Cloning Scams: How to Protect Yourself
African Basketball
African Basketball in Paris: South Sudan and Nigeria Face Formidable Olympic Hurdles
Understanding Music Marketing Beyond Publicity Stunts: A Guide for African Artistes
Enhancing Learning for African Children with Disabilities Through Assistive Technologies - Afrocritik
Enhancing Learning for African Children with Disabilities Through Assistive Technologies

Fiction & Poetry

Dearth Warning Signs
Dearth Warning Signs | Poem By Peace Ogunjemilua
three poems
Three Poems | By Olamoyegun Noah O
two poems
Two Poems | By Tukur Ridwan
The Dreamer | Short Story By Ornguze Nashima Nathaniel
“Life’s Daunting Stare” & “Home As A Symbol Of Nostalgia” | Poems By Ewurama Tawiah Welbeck
The Spaces Between Stars | Short Story By Adédoyin Àjàyí