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Chimamanda Ngozi Adichie Honoured with Two Prestigious European Literary Awards
How Wizkid Redefined Nigeria’s Sonic Landscape With “Made In Lagos”
“Worse Than Fire”: On Water, Violence, and the Fragility of Home
Features & Essays
Nigeria’s Class Problem and the Nepotism Debate
Dear Nollywood, Stop Using Sexual Violence as a Plot Device
Do African Languages Come From the Same Place?
How Geoblocking and Cinema Scheduling Bias Undermine Distribution in Nollywood
The Legend of Area Scatter: Enigmatic Musician or Misunderstood Individual?
The Life and Political Imaginations of Ngũgĩ wa Thiong’o
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Interviews
In Conversation: Fimí Talks Rap, Creative Confidence, and Finding Her Voice Through Music
In Conversation: Wingonia Ikpi Talks Making “The Lost Days”, the First Features Project, and What’s Next
Maia Lekow And Christopher King Want To Make Films About Kenyan Women With A Strong Sense Of Agency
“Making a Film Anywhere in Africa Is a Struggle”: In Conversation With Tunisian Filmmaker, Amel Guellaty, Director of “Where the Wind Comes From”
“Readers Will Bring All Kinds of Meaning to Your Work”: Uche Okonkwo, In Conversation with Afrocritik
Idowu Odeyemi’s New Theory of Disgust: He Thinks What You Say Can Be Disgusting
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Film & TV
TIFF 2025: In Conversation With the Cast and Crew of “Nomad Shadow”
“This Is Not a Burial, It’s a Resurrection” Review: Lemohang Jeremiah Mosese Crafts a Poetic Resistance
“The Waiter” Review: Here Is More Proof That Ayo Makun Needs to Lay Akpos To Rest
In Conversation: Achille Ronaimou on “Diya”, Confronting Tradition, Justice, and Forgiveness in Chad
TIFF 2025: In Conversation With Zamo Mkhwanazi, Director Of “Laundry”
“The Serpent’s Gift” Review: Kayode Kasum’s Film Is Undone by Shallow Cultural Detail
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Music
“Èkó Groove” Review: Spinall Assembles Star-Studded Cast on New Album
“Wonderful” Review: Tay Iwar Continues To Wow With New EP
“Catharsis” Review: Fola’s Debut Album Offers an Intimate Outpouring of Desire and Affection
“Kings Will Rise” Review: The Scorpion Kings Continue Stellar Run With New Album
Afrocritik Weekly Music Spotlight: Projects Galore
“This Is Personal” Review: Tiwa Savage Deeply Explores R&B in Her Most Soul-Baring Album Yet
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VIDEOS
Welcome to our YouTube Channel
Books
“Sanya” Review: Oyin Olugbile’s Debut Novel Is a Creative Retelling of Sango as a Woman Warrior
“Petrichor” Review: Ayo Oyeku’s Novel Is an Attempt to Probe the Meaning of Justice
“The Middle Daughter” Review: Chika Unigwe Synthesises Form And Content Into Mesmerising Storytelling
Grief Touches the Sublime in Yewande Omotoso’s “An Unusual Grief”
“New York, My Village” Review: Uwem Akpan’s Book Is An Important Breakaway From Conventional Contemporary Setting
Michael Afenfia’s “Leave My Bones in Saskatoon” and the Burial of Prose Fiction
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Culture
Do African Languages Come From the Same Place?
10 Must-Have Apps for University Students in Africa
Should We Be Having Deep Conversations With AI Chatbots?
Can Satellite Imagery Spot and Solve Africa’s Poverty From The Sky?
Afrocritik Turns Four: Still Projecting Africa, One Story at a Time
What’s Behind Nigeria’s Fear and Criminalisation of Dreadlocks?
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Fashion
2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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10 African Fashion Events to Watch Out for in 2025
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Sports
WAFCON 2024: African Women’s Football Deserves Better Broadcast Coverage
Kyalami’s Renaissance: Paving the Way for F1’s Return to Africa
Africa at the 2025 FIFA Club World Cup
Has the African Football League Gone Ghost?
Unity Cup 2025: New Squads, Old Rivalries, One Cause
Why Are East Africa’s Best Athletes Competing for Other Countries?
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Explainers
The Art Behind the Music: Why Album Covers Matter
The Power and Essence of Album Rollouts
AI Voice Cloning Scams: How to Protect Yourself
African Basketball in Paris: South Sudan and Nigeria Face Formidable Olympic Hurdles
Understanding Music Marketing Beyond Publicity Stunts: A Guide for African Artistes
Enhancing Learning for African Children with Disabilities Through Assistive Technologies
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Fiction & Poetry
FLOODWATER | Poem By Al Ameen Muhammad
The Boy Who Brought Balloons | Short Story by Maryam Abdulkarim
MIDNIGHTS | Fiction by David Agyei-Yeboah
Clan | Poem by Victor Obukata
Fine Geh | Fiction by Chizitere Madeleine Nwaemesi
Untitled Poem for a Boy Who Never Knew Love | By Stephen Nwankwo
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