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Applause Lines on Paper: Thoughts on Koleka Putuma’s “Collective Amnesia”
Who Needs the Government When You Can Tag Someone Else?
“While the World Slept” Review: A Tender, Uneven Portrait of Gay Life in Nigeria
Features & Essays
Skin Is Skinning: How Nigeria’s Skincare Culture Became a Movement and a Market
The Yoruba Traitor as Political Construction: A Response to Sam Omatseye’s “The Yoruba Traitors”
Interior Is a Country: On Nigerian Novels and the Limits of the Screen
The Poet’s Convenient Martyrdom (A Rejoinder to Ernest Jesuyemi’s “The Wrong Kind of Black Poet”)
[Opinion]: Who and What Does the “Children of Blood and Bone” Film Adaptation Really Represent?
Streaming Africa: Predicting the Growth and Adoption of Online Video Platforms Across African Markets (2026–2031)
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Interviews
In Conversation: oSHAMO Talks Fuji, Self-Discovery, and What’s Next
Berlinale 2026: In Conversation with Olive Nwosu, Writer-Director of “Lady”
In Conversation: Praise Odigie Paige Reflects on Migration, Memory and Artistic Trajectory in “Birdie”
“Art Has the Capacity to Move the Needle”: In Conversation with Akinola Davies Jr. on “My Father’s Shadow”, Nigerian History, and Casting Choices
Sundance 2026: In Conversation with Rami Jarboui, Director of “The Bird’s Placebo”
Sundance 2026: In Conversation with “Kikuyu Land” Directors, Bea Wangondu and Andrew H. Brown
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Film & TV
“Ìwé Àlà: An Ojude Oba Story” Review: Adeoluwa Owu Captures the Ojude Oba Beautifully But Surrounds It With a Story That Can’t Keep Up
In Conversation with Saïd Hamich Benlarbi on His Cannes-Selected Docu-Drama, “In Search of the Grey Bird with Green Stripes”
Tribeca Film Festival 2026: Mohamed Taher Talks Fatherhood, Vulnerability, and the Conversations We Avoid in “32B”
10 African Films About Brotherhood and Male Friendship
Tribeca Film Festival 2026: “Jail Time Records” Turns a Cameroonian Prison Into the Most Unlikely Stage in the World
“Mirrors” Review: Yemi Morafa’s Two-Hander Is Undone by Its Own Screenplay
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Music
“Small Chops” Review: Mannywellz Delivers a Sweet Treat on New EP
The Afrobeats Takeover: A Myth of Institutional Power
“A Rii Set” Review: Pheelz Expresses Artistic Duality On New Project
“Barely Legal” Review: Qing Madi Hits Full Stride on New EP
Afrocritik Music Spotlight: May on the Mind
“Map of Her Shadow” Review: Anaïs Cardot Dazzles Softly on Sophomore EP
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VIDEOS
Welcome to our YouTube Channel
Books
In Conversation: Mubanga Kalimamukwento Talks “The Shipikisha Club” and Reclaiming the Place of Zambian Languages
The Best 15 African Political Novels of the Last Decade
“Certainty Is the Prerogative of Those With the Power to Exclude and Reject”: Pede Hollist on Displacement, Diaspora, and the Stories We Carry
The Paradox of Choice in MaryAnn Ifeanacho’s “The Man With Two Heartbeats”
“The Shipikisha Club” Review: Mubanga Kalimamukwento’s Book Is a Mosaic of Motherhood and Deferred Dreams
The Year So Far in African Literature: Talking Points of the First Quarter of 2026
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Culture
Valentineʼs Day Is a Scam, But Romance Still Isnʼt
Why Do Nigerians Pray So Much?
The Beautiful Lie of “Making It”: Kenyan Youth, Hustle Culture, and the New Local Dream
Sanctified Sleeplessness: Nigeria’s Addiction to Holy Hustle
What Being Disabled Taught Me About Nigerians
Prestige vs Payoff: Do University Rankings Still Matter in Nigeria?
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Fashion
AMVCA 2026: The Best Celebrity Red Carpet Looks of the Night
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Met Gala 2026: How African Celebrities Showed Up on Fashion’s Biggest Stage
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2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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Sports
Why Are Major African Football Tournaments Always Hosted by the Same Countries?
Kelechi Nwakali: Stuck in Football’s Revolving Door
A $100,000 Reward, No Infrastructure: Nigeria Must Rethink Women’s Football
Documentary Spotlight: “The African Giant”
The Ultimate Guide to the 2025 Women’s AfroBasket in Côte d’Ivoire
WAFCON 2024 Quarterfinal Guide: Players to Watch and Our Predictions
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Explainers
Serhou Guirassy: Against the Odds
Omoni Oboli and Nollywood’s Dilemma With Copyright Infringement
Understanding Jade Osiberu’s “Gangs of Lagos” Court Ruling
Inside the Mercy Chinwo and EeZee Conceptz Fallout
Navigating the Business Side of Writing: What Every Author Needs to Know
How Budgeting Apps Empower Young Africans
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Fiction & Poetry
AT THE ALTAR | Poem By Rutendo Chichaya
Afrocritik’s 50 Remarkable African Short Stories of 2025
Three Poems | By Tobi Aluko
How to “Hide My ID” Like a Typical Northern Housewife
“Time After Time” & “Buy Her an Air Fryer” | Poems by Sheila Ngei
The Geometry of Nonsense | Poem By Obongofon Etuk
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