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In Conversation: Obase-Sam Ikoi Reflects on Writing “The Comedian’s Diary” and the Necessity of Hope
“Out of Sight – Out of Mind: Volume 1” Review: Ycee Expresses Stylistic Yin & Yang on New Album
Nine African Film Talents Invited to Join the Academy’s Class of 2026
Features & Essays
KFCB’s Notice and The Problem With The Film and Stage Plays Act
Why the Crisis in South Sudan Does Not Need Another “Peace Agreement”
Beguiling Beauty
Nollywood and African Spirituality: The Demonisation of a Continent’s Tradition
The Ethics of Knowledge and the Difficult Conversation Around Book Piracy in Africa
How Visa Denials Are Costing African Film Professionals More Than Just a Trip
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Interviews
Sundance 2026: In Conversation with “Kikuyu Land” Directors, Bea Wangondu and Andrew H. Brown
ADIFF 2025: In Conversation With Nana Adwoa Frimpong, Producer of “The Eyes of Ghana”
ADIFF 2025: In Conversation with the Filmmakers of South African Coming-of-Age Drama, “Carissa”
In Conversation: Nnamdi Kanaga Explores Liaising With The Supernatural in “Water Girl”
In Conversation: Seun Kuti Talks “Bird’s Eye View” Podcast, Pan-Africanism, and the Power of Truth
How Perliks Became Nigeria’s Most Story-Driven Music Video Director
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Film & TV
“Michael” Review: Biopic on King of Pop Overlooks Man in the Mirror
“Evi” Review: Uyoyou Adia Attempts a Do-Ever in a Music-Themed Story of Gambles and Second Chances
“Silence is Loud” Review: Abba T. Makama’s Film Finds Courage Where Society Tells Us to Be Quiet
“180” Review: Alex Yazbekʼs Revenge Thriller Is Well-Shot But Lacking In Substance
[Opinion]: Who and What Does the “Children of Blood and Bone” Film Adaptation Really Represent?
Streaming Africa: Predicting the Growth and Adoption of Online Video Platforms Across African Markets (2026–2031)
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Music
“More To Life” Review: Alex Iwobi’s Musical Persona 17 Flashes Promise on Debut Project
“See What We’ve Done” Review: Mr Eazi and King Promise Ponder Love and Life on New Joint Album
What Are Neighbouring Rights and Why African Artistes and Producers Are Missing Out on Millions
Peace Sunday Renders Affectionate Praise on “His Mercy”
The Paternity Test of Afrobeats
“Clarity of Mind” Review: Omah Lay Delivers A Magnum Opus on Sophomore Album
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VIDEOS
Welcome to our YouTube Channel
Books
“Riding the Storm” Review: What Does Africa’s Response to COVID-19 Teach Us?
Uchenna Awoke’s “A Siege of Owls” is a Masterpiece About Nigeria’s Volatility
“The Termite Colony” Review: Ike Okonta’s First Novel Bears Witness to the Making of Nations
Understanding Colonial Lagos: Seven Books to Read
Chika Unigwe’s “Grace” Exposes the Line Between Wanted and Unwanted Pregnancy
“Jollof Rice and Other Revolutions” Review: Omolola Ijeoma Ogunyemi’s Debut Is a Triumph of Voice Storytelling
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Culture
What Being Disabled Taught Me About Nigerians
Prestige vs Payoff: Do University Rankings Still Matter in Nigeria?
Why Nigeria Still Can’t Find Its Balance of Power
Neither Here nor There: The Talking Stage as Nigeria’s New Relationship Culture
Undoing the Knots Society Tied in Your Mind
Whose Name Do You Bear? The Politics of Surnames and the Erasure of African Women
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Fashion
AMVCA 2026: The Best Celebrity Red Carpet Looks of the Night
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Met Gala 2026: How African Celebrities Showed Up on Fashion’s Biggest Stage
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2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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Sports
Documentary Spotlight: “The African Giant”
The Ultimate Guide to the 2025 Women’s AfroBasket in Côte d’Ivoire
WAFCON 2024 Quarterfinal Guide: Players to Watch and Our Predictions
WAFCON 2024: African Women’s Football Deserves Better Broadcast Coverage
Kyalami’s Renaissance: Paving the Way for F1’s Return to Africa
Africa at the 2025 FIFA Club World Cup
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Explainers
Inside the Mercy Chinwo and EeZee Conceptz Fallout
Navigating the Business Side of Writing: What Every Author Needs to Know
How Budgeting Apps Empower Young Africans
How Fuji Music Influences the Modern Afro-Pop Soundscape
All the Scoop on Samson Dauda, the 2024 Mr Olympia Winner
How Gamification Can Make Technical Learning Fun for African Students
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Fiction & Poetry
Three Poems | By Tobi Aluko
How to “Hide My ID” Like a Typical Northern Housewife
“Time After Time” & “Buy Her an Air Fryer” | Poems by Sheila Ngei
The Geometry of Nonsense | Poem By Obongofon Etuk
“Mine Too Counts” Review: Agbeye Oburumu Gives Voice to the Pains of the Nigerian Masses
“I Give You Softness” and Other Poems | By Olobo Ejile
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