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“MKO” Documentary Review: An Admissible Portrait of A Democratic Hero
“Agbara Nla: The Return” Is A Remake Driven by Faith and Nostalgia
In Conversation with Keith Shiri on Curating Film Africa 2026 and the Festival’s Women-Centred Programming
Features & Essays
Variations on the Subject of Family: A Review of the 2026 Caine Prize Shortlist
Ask Your Brothers. Ask Them Their Stories, the Stories of Other Boys. Ask.
Filmmaking Within the Frame of Neglect
What the Headies Awards Keep Getting Wrong: A Cursory Look at the 18th Edition Nominees List
Matt B: The Water Remembered Him First
Nollywood’s Political Unconsciousness and the Critic’s Quagmire
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Interviews
Venice 2026: In Conversation with Kamel Laaridhi on “The H@llow Man” and the Dystopian Character of Our Times
Venice 2026: In Conversation with Ashgan El-Hamus on Making the Case for Small, Collective Living in Debut Feature, “Al Baraneya”
TIFF 2026: In Conversation With Kaelo Iyizoba, Director Of “The Spectacular Death of Prisca”
“Writing Is an Educational Tool to Showcase Complex, Unspoken Experiences”: An Interview With Merit Gogo-fyneface
Matt B: The Water Remembered Him First
“Hope is a Tool of Resistance”: In Conversation with Andy Mundy-Castle on “Shoot the People” and the Ethics of Bearing Witness
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Film & TV
BFI London 2026: In Conversation with Jason Jacobs and Devon Delmar on Community, Memory, and Telling Unseen Stories in “Variations on a Theme”
“Our Priority Was To Represent These Women Authentically”: In Conversation With Christine Boateng and Hajara Musah Chambas, Directors Of “Zjili”
“The Autograph of Nothingness” Review: Moses Ipadeola Crafts a Portrait of Loneliness That Feels Distant
LCA! Film Festival 2026 Dispatch: The Return and Reintroduction of a Trailblazing Nigerian Film Festival
In Conversation with Nora Awolowo and Damilola Osikoya on Setting a Guinness World Record with “Black Market” Screening
“One Gidi Night” Review: A Thriller That Finds Its Rhythm Only to Lose It
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Music
What the Headies Awards Keep Getting Wrong: A Cursory Look at the 18th Edition Nominees List
Matt B: The Water Remembered Him First
“ALKEBULAN III: The Water Remembers” Review: Matt B Rounds Out Album Trilogy With Orchestral Flourish
“Starrgirl” Review: Ayra Starr Cements Star Girl Status with New Album
“Oriadé” Review: Davido Showcases Hitmaking Mastery on New Album
“Yorùbá Healer” Review: Moelogo Bares His Heart on Emotive Debut Album
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VIDEOS
Welcome to our YouTube Channel
Books
An Odyssey of Small Lives: A Review of Famous Chukwuemeka’s “Many Ways to Die”
In Search of the Artist and His Craft: A Review of John Chinaka Onyeche’s “Fragments of Peace”
Small Change: Intimacy and Economy on the 2026 Caine Prize Shortlist
The Ordinary Affair of Being Nigerian: A Review of Jide Badmus’ “Dawn is an Open Wound”
“Writing Is an Educational Tool to Showcase Complex, Unspoken Experiences”: An Interview With Merit Gogo-fyneface
Where Are Nigeria’s Established Bestseller Lists?
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Culture
Can Democracy Work With a Hungry Voter?
Why Nigeria’s Joke Culture Has Become Its Biggest Handicap
Why Nigerian Politics Keeps Producing the Same Kind of Leaders
Should We Actually Celebrate June 12 As Nigeria’s Democracy Day?
Afrocritik Turns Five: From Platform to Institution
Nigeria’s Creative Industries: Why Money Cannot Fix Culture
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Fashion
AMVCA 2026: The Best Celebrity Red Carpet Looks of the Night
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Met Gala 2026: How African Celebrities Showed Up on Fashion’s Biggest Stage
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2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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Sports
Analysis: The 2026 World Cup and Africa’s Ten-Minute Collapse
2026 FIFA World Cup: How Africa’s Representatives Shape Up
AI and the Future of African Football Media
Can African Fans Actually Get to the FIFA 2026 World Cup?
No East African Nation Has Ever Qualified for a FIFA World Cup. Here’s Why
AFCON 2025: How Drama and Passion Shaped the Tournament
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Explainers
Why Nigerians Call Every Festival Film Arthouse
What Makes a Film Arthouse?
Why African Artistes Need to Think About Their Name, Image, and Likeness as Legal Assets
The Catalogue Lives On: What Happens to an Artiste’s Music After Death?
Before You Sign: The Contract Clauses African Artistes Keep Glossing Over
Beat Licences, Publishing Rights, and What African Artistes Keep Getting Wrong
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Fiction & Poetry
Mercury in Retrograde | Poem by Obongofon Etuk
“Roll Call at the Crumbling Girl’s High School” and Other Poems | By Tushar Sen
The Sufferer | Poem By Obongofon Etuk
“How Bodies Are Used as Storage Units in Sudan” and Other Poems | By Abigail George
Light Streams In | Short Story by Phodiso Modirwa
Confession and Other Poems | By Rasheed Ayinla Shehu
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