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“When Love Visits” Review: Comfort Omovre’s Explores Love Through Conventional Romance Archetypes
10 Artistes Leading the Afro-Gospel Sound in 2025
Maia Lekow And Christopher King Want To Make Films About Kenyan Women With A Strong Sense Of Agency
Features & Essays
JAMB: Exam Body in Crisis or Symptom of a Broken Educational System?
Tolani Is Creating Music on Her Own Terms
Who Wrote This? The Crisis of Criticism in the AI Era
It’s the Eleventh Edition, and We Still Don’t Know What the AMVCA Trailblazer Award Is
Kester Kanayo Onyemaechi and His Archive of Healing
The Success of “Sinners” at the Nigerian Box Office: Five Lessons for Nollywood
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Interviews
Blinky Bill: East Africa’s Quiet Radical
“Fortune Favours the Bold”: In Conversation With the Cast and Crew of “Red Circle”
In Conversation: Ife Olujuyigbe Talks Storytelling, the Realities of Producing, and Navigating Nollywood
Joel Kachi Benson Just Wants to Make an Impact
Tolani Is Creating Music on Her Own Terms
Dhee Sylvester: The Designer Revolutionising Nigerian Book Covers
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18
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Film & TV
20 Prolific Cinematographer-Director Collaborations in Nollywood
“Inside Job” Review: Jacky Vike and Mammito Eunice Find Kenya’s Laugh Lines and Its Pain Points
How Geoblocking and Cinema Scheduling Bias Undermine Distribution in Nollywood
“My Mother Is a Witch” Review: Niyi Akinmolayan Explores Intergenerational Trauma in Provocative Drama
“Red Circle” Review: Akay Mason’s Energetic Thriller Delivers on Its Ambitions
“Fortune Favours the Bold”: In Conversation With the Cast and Crew of “Red Circle”
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Music
“The Prince of the Street” Review: Ayo Maff’s Strongly Themed Debut Still Needs More Range to Soar
“GE3 (The Beginning)” Review: A-Q Closes His Trilogy With Precision and Purpose
Afrocritik Weekly Music Spotlight: Subtle Twists
Loud Urban Choir Is Redefining Choral Music in Afro-Pop
[Opinion] At the Risk of Talking Rubbish: Obongjayar Is Keeping up the “Talk Olympics”
Billboard-Honoured Lawyer, Akinyemi Ayinoluwa, Talks Music Law, African Excellence, and Creative Rights
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VIDEOS
Welcome to our YouTube Channel
Books
The Life and Political Imaginations of Ngũgĩ wa Thiong’o
“Ujana” Review: Frank Njugi’s Chapbook Is a Portrait of Youth, City, and Self
“Barter” Review: Erhu Kome’s Dystopian Vision In Her Novella Falters in Execution But Shines In Concept
“Some Stars Do Not Fall” Review: Taofeek Ayeyemi’s Chapbook Meditates on the Language of Grief
Dhee Sylvester: The Designer Revolutionising Nigerian Book Covers
“While She Slept” Review: Kumashe Yaakugh’s Novella Explores Ghosts, Memory, and Masculinity
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Culture
Afrocritik Turns Four: Still Projecting Africa, One Story at a Time
What’s Behind Nigeria’s Fear and Criminalisation of Dreadlocks?
JAMB: Exam Body in Crisis or Symptom of a Broken Educational System?
Can Body-Worn Cameras Build Trust In Africa’s Policing?
The Cultural and Structural Realities Behind Llona and Odumodublvck’s Grassroots Tours
10 Times Nigerian Songs Made a Surprise Comeback Online
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Fashion
2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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10 African Fashion Events to Watch Out for in 2025
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Sports
The 2025 CAF U-20 Africa Cup of Nations: Competition Review, Standout Players, and Finals Preview
Basketball Africa League Season 5: Race for the Playoffs
African Excellence at the 2025 Diamond League
The Complex Relationship Between Football and Gambling
Serhou Guirassy: Against the Odds
Recap of the On-Going CAF U-17 Nations Cup
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14
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Explainers
How Fuji Music Influences the Modern Afro-Pop Soundscape
All the Scoop on Samson Dauda, the 2024 Mr Olympia Winner
How Gamification Can Make Technical Learning Fun for African Students
FASU 2024: Scholars Compete, Cultures Converge in Lagos
Bongo Flava: The Evolution of East Africa’s Soundtrack
Examining the Role of Cold Chain Storage Facilities in Reducing Nigeria’s Post-harvest Losses
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Fiction & Poetry
Untitled Poem for a Boy Who Never Knew Love | By Stephen Nwankwo
Across the Border | Fiction by Bello Taiwo Victoria
“the village’s elegy” & “A sonnet is fighting absolution” | Poems by Josiane Kouagheu
“Transit”, “Leaven”, & ”Arrive in Your Skeleton” | Poems by Abiodun Salako
HOMECOMING | Fiction by Chukwuebuka Obiakaeze
“Ancestry” & “The Cathedral” | Poems by Chimezie Umeoka
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