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16 African Films to Screen In “African Horizons” at 43rd Tehran International Short Film Festival
Venice 2026: Ashgan El-Hamus’ “Al Baraneya” Captures the Tensions Between Simple Living and Urban Aspirations as a Young Woman Comes of Age
Variations on the Subject of Family: A Review of the 2026 Caine Prize Shortlist
Features & Essays
Who Needs the Government When You Can Tag Someone Else?
For How Long Can We Sustain This Thing of Ours?: On Bootstrapping and the Current Iteration of Nollywood
Justice Needs an Audience: How Nigeria Turned Punishment Into Content
The Workshop and the Invention of the Contemporary Reader
African Cinema’s Long Road to Freedom
How Contemporary Nollywood Uses Humour to Both Expose and Excuse the Politics of Marriage
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Interviews
In Conversation: Jude Dibia Talks “The Quiet That Remains”, Love, and the Lives Literature Refuses to Overlook
Tribeca Festival 2026: In Conversation with Dian Weys on “Vultures”, Capitalism, and Moral Responsibility in the Aftermath of Violence
In Conversation: Obase-Sam Ikoi Reflects on Writing “The Comedian’s Diary” and the Necessity of Hope
In Conversation with Saïd Hamich Benlarbi on His Cannes-Selected Docu-Drama, “In Search of the Grey Bird with Green Stripes”
Tribeca Film Festival 2026: Mohamed Taher Talks Fatherhood, Vulnerability, and the Conversations We Avoid in “32B”
Livespot360 MD, Tiwa Medubi Talks “Real Housewives of Lagos”, “LOL: Last One Laughing Naija” and the Business of Reality TV
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Film & TV
HollyShorts Film Festival 2026: “Lift Me Up”, “Mon Taxi” and “White Agbada” Express Different Shades of Identity, Spirituality, Memory and the Human Condition
“Love and Life” Review: Reuben Reng’s Debut Has Three of Nollywood’s Best and Doesn’t Know What to Do With Them
Filmmaking Within the Frame of Neglect
Nollywood’s Political Unconsciousness and the Critic’s Quagmire
MIFF 2026: “Variations on a Theme” Is a Masterpiece That Occasionally Forgets to Trust Itself
MIFF 2026: “Chronicles From the Siege” Is the Film That Says What Politics Has Failed To
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Music
“Starrgirl” Review: Ayra Starr Cements Star Girl Status with New Album
“Oriadé” Review: Davido Showcases Hitmaking Mastery on New Album
“Yorùbá Healer” Review: Moelogo Bares His Heart on Emotive Debut Album
Afrocritik Music Spotlight: Rhythm & Pulse
“A*POP” Review: Tyla Flaunts Global Pop Flair on Sophomore Album
“Deepla Sauce” Review: Sam Deep Cooks Up Tasty New Project
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VIDEOS
Welcome to our YouTube Channel
Books
Where Are Nigeria’s Established Bestseller Lists?
Immigration is the Trafficking of Souls: A Review of Jide Salawu’s “Contraband Bodies”
Merit Gogo-fyneface’s “Deliverance” Studies the Familiar Traumas of Misrepresenting Christian Exorcism
Maternal Disciple and Abandonment: A Review of “Rootless” by Krystle Zara Appiah
Applause Lines on Paper: Thoughts on Koleka Putuma’s “Collective Amnesia”
“While the World Slept” Review: A Tender, Uneven Portrait of Gay Life in Nigeria
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Culture
Why Nigeria’s Joke Culture Has Become Its Biggest Handicap
Why Nigerian Politics Keeps Producing the Same Kind of Leaders
Should We Actually Celebrate June 12 As Nigeria’s Democracy Day?
Afrocritik Turns Five: From Platform to Institution
Nigeria’s Creative Industries: Why Money Cannot Fix Culture
Traditional Leadership and Its Mirroring: What the Igbo Unlanded Kingship Means
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Fashion
AMVCA 2026: The Best Celebrity Red Carpet Looks of the Night
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Met Gala 2026: How African Celebrities Showed Up on Fashion’s Biggest Stage
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2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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Sports
AI and the Future of African Football Media
Can African Fans Actually Get to the FIFA 2026 World Cup?
No East African Nation Has Ever Qualified for a FIFA World Cup. Here’s Why
AFCON 2025: How Drama and Passion Shaped the Tournament
Afrocritik’s Top 25 Sports Personalities of 2025
NFF Presidency: Can John Obi Mikel Effectively Lead Nigerian Football?
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Explainers
Before You Sign: The Contract Clauses African Artistes Keep Glossing Over
Beat Licences, Publishing Rights, and What African Artistes Keep Getting Wrong
Sync or Sink: Music Licensing and the African Creator Economy
What Are Neighbouring Rights and Why African Artistes and Producers Are Missing Out on Millions
No East African Nation Has Ever Qualified for a FIFA World Cup. Here’s Why
What Buy-Out Fees Really Mean and Why They Matter for Producers
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Fiction & Poetry
Confession and Other Poems | By Rasheed Ayinla Shehu
“A Hunger That Has Forgotten How To Eat” | Short Story By Bello Taiwo Victoria
“Beast of No Nation” and “Almajiri Girl” | Poems By Paul Chibuike Emenike
Lyrical Ceremonies: On Poems by Agbaakin, Okigbo, and Umukoro
“Fisherboy: An Abecedarian” | By Felix Eshiet
“At the World’s Edge” and Other Poems | By John Chinaka Onyeche
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