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How Should We Read? Akpata Magazine and the Reading Debate
The Many Pleasures in Absurdity: A Review of Jesutomisin Ipinmoye’s “How to Get Rid of Ants”
On “Psalm 23” and “Psalm 16”, Shona Raps the Shepherd’s Love into Sound [Review]
Features & Essays
Nollywood and Its Complicated Relationship with the Oscars
Animating Africa: Inside the Rise and Realities of African Animation
Whose Name Do You Bear? The Politics of Surnames and the Erasure of African Women
Macondo Literary Festival 2025: East Africa’s Literary Vanguard Holds Its Fifth Edition
Are Music Videos Relevant in Afro-Pop Today?
Noise or Attention: What Really Sells Nollywood Films?
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Interviews
In Conversation With Omotola Jalade Ekeinde On Her Directorial Debut, “Mother’s Love”
In Conversation With Deola And Darey Art Alade: On Making EWA “Africa’s Definitive Creative Convergence”
TIFF 2025: In Conversation With the Cast and Crew of “Nomad Shadow”
In Conversation: Achille Ronaimou on “Diya”, Confronting Tradition, Justice, and Forgiveness in Chad
TIFF 2025: In Conversation With Zamo Mkhwanazi, Director Of “Laundry”
The Neo-Arewa Soundscapes of FirstKlaz
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Film & TV
The Cuts of Speaking Truth in Nigerian Cinema
AFRIFF 2025: Kalu Oji Reflects on Fatherhood and the Igbo Immigrant Experience in Tender Debut Feature, “Pasa Faho”
AFRIFF 2025: “Son of the Soil” Stages a Generic and Unconvincing Revenge Tale on the Streets of Lagos
“Osamede” Review: James Omokweʼs Film Shines in Language but Falters in Form
“Finding Optel” Review: A Tender, Uneven Portrait of Ordinary Lives and the Quiet Radicalism of Small Stories
“Gingerrr” Review: Yemi Morafa’s Film Is a More Chaotic, Less Memorable “Sugar Rush”
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Music
Afrocritik Weekly Music Spotlight: Mega Catch-Up
“Industry Machine” Review: Odumodublvck’s Album Is Loud, Bold, and Loosely Bolted Together
“Protect Sarz At All Costs” Review: Sarz’s Star-Loaded Debut Is Brilliant in Parts, But Fails to Thrill Fully
“Peace By Piece” Review: Fireboy DML and Pheelz’s Collaborative EP Serves Up Feel-Good Afro-Pop Bliss
“Yariasu” Review: Nyashinski’s Familiarity Dulls the Spark of His Latest Album
“The Torcher” Review: Stonebwoy Proves His Pedigree on New Album
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VIDEOS
Welcome to our YouTube Channel
Books
“Nairobi Is a City Where Literature Thrives”: In Conversation With Alexander Nderitu, Africa’s First Digital Novelist
“The Edge of Water” Review: Grace Olufunke Bankole’s Debut Novel Searches For Meaning In Matrilineal Ties And Liminal Spaces
“They Killed Ahmet” Review: Ikenna Okeh’s Novel Is Trope-Heavy With Flickers of Promise
“The Mind Is Not An Ally” Review: Ayo Deforge Philosophises About The Mind In Her Poetry Collection
“Thunder and Roses” Review: Eniola Omorinkoba’s Novella Is an Apt Encapsulation of the Nuances of Love & Loving
“I Cry At The Feet of My Other Body” Review: Mustapha Enesi’s Debut Collection Confronts Patriarchy and the Loss of Agency
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Culture
How Capitalists Are Exploiting Us Through ‘Must-Haves’
To Kill a Conversation: Nollywood, Criticism, and the Culture of Silence
Nigeria’s Class Problem and the Nepotism Debate
Why African Men Are Finally Embracing Skincare
To Sacrifice for Love: A Case for the Beauty of Marriage
Can Crime Reporting Apps Increase Police Responsiveness in Africa?
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Fashion
2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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10 African Fashion Events to Watch Out for in 2025
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Sports
The Biggest African Transfers of Summer 2025 Across Europe’s Top Leagues
Why Are Major African Football Tournaments Always Hosted by the Same Countries?
Kelechi Nwakali: Stuck in Football’s Revolving Door
A $100,000 Reward, No Infrastructure: Nigeria Must Rethink Women’s Football
Documentary Spotlight: “The African Giant”
The Ultimate Guide to the 2025 Women’s AfroBasket in Côte d’Ivoire
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Explainers
How Fuji Music Influences the Modern Afro-Pop Soundscape
All the Scoop on Samson Dauda, the 2024 Mr Olympia Winner
How Gamification Can Make Technical Learning Fun for African Students
FASU 2024: Scholars Compete, Cultures Converge in Lagos
Bongo Flava: The Evolution of East Africa’s Soundtrack
Examining the Role of Cold Chain Storage Facilities in Reducing Nigeria’s Post-harvest Losses
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Fiction & Poetry
Two Poems | By Salama Wainaina
Dearth Warning Signs | Poem By Peace Ogunjemilua
Three Poems | By Olamoyegun Noah O
Two Poems | By Tukur Ridwan
The Dreamer | Short Story By Ornguze Nashima Nathaniel
“Life’s Daunting Stare” & “Home As A Symbol Of Nostalgia” | Poems By Ewurama Tawiah Welbeck
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