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MultiChoice Partners with Don Julio as Headline Sponsor for the 12th Africa Magic Viewers’ Choice Awards
Prosper Light’s Short Film, “A Rainbow for Christmas”, to Premiere in Lagos on 12th December
Sanctified Sleeplessness: Nigeria’s Addiction to Holy Hustle
Features & Essays
Has Nigerian Hip-Hop Found Its Mojo Again?
The Cuttings of 2025: Are African Literary Prizes Out of Touch?
In Absence, You Find Presence: What “My Father’s Shadow” Taught Me About Remembering
Nollywood and Its Complicated Relationship with the Oscars
Animating Africa: Inside the Rise and Realities of African Animation
Whose Name Do You Bear? The Politics of Surnames and the Erasure of African Women
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Interviews
“Creators Have Been Blessed With An Opportunity To Start Conversations”: Wale Davies on Writing “My Father’s Shadow”
“I Write Because I Have to Tell the Story”: In Conversation With Oyin Olugbile on Her Nigeria Prize for Literature Shortlist, “Sanya”
“It’s People You Belong To Rather Than Places”: In Conversation With Nikki May on Her Nigeria Prize for Literature Shortlist, “This Motherless Land”
In Conversation With Omotola Jalade Ekeinde On Her Directorial Debut, “Mother’s Love”
In Conversation With Deola And Darey Art Alade: On Making EWA “Africa’s Definitive Creative Convergence”
TIFF 2025: In Conversation With the Cast and Crew of “Nomad Shadow”
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Film & TV
“Dust to Dreams” Review: Idris Elba and Mo Abudu Collaborate on a Short Film That Squanders Its Fortunes
“Milisuthando” Review: Bongela-Davis’ Film Places the Nation in the Mirror of a Single Life
“3 Cold Dishes” Review: Asurf Oluseyi’s Cold Revenge Thriller Arrives Lukewarm
AFRIFF 2025: Atlanta Bridget Johnson Has More to Give Than Kayode Kasum’s “Fractured” Has to Offer
AIFF 2025: “Together Apart”, “Jimbi”, and “I Can Smell a Rat” Navigate the Edges of Humanity
AIFF 2025: In “Radia”, Khaoula Assebab Benomar Crafts a Stark Portrait of Widowhood, Agency, and the Cost of Becoming
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Music
How Wizkid Redefined Nigeria’s Sonic Landscape With “Made In Lagos”
Has Nigerian Hip-Hop Found Its Mojo Again?
“No Excuses” Review: Blaqbonez Reaffirms His Status With Swagger, Skill, and Clarity
“Fuji” Review: Adekunle Gold’s Sixth Album Honours Fuji’s Legacy With Modern Sensibility
Afrocritik Weekly Music Spotlight: Mega Catch-Up
“Industry Machine” Review: Odumodublvck’s Album Is Loud, Bold, and Loosely Bolted Together
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VIDEOS
Welcome to our YouTube Channel
Books
“The Beast of Green Manor” Review: Grace Grandi Turns Melodrama Into a Mirror for Family, Pride, and Survival
“Worse Than Fire”: On Water, Violence, and the Fragility of Home
“Everything Is Not Enough” Review: Lola Akinmade Åkerström’s Sequel Deepens Her Mirror of Black Womanhood and Survival
“Nairobi Is a City Where Literature Thrives”: In Conversation With Alexander Nderitu, Africa’s First Digital Novelist
“The Edge of Water” Review: Grace Olufunke Bankole’s Debut Novel Searches For Meaning In Matrilineal Ties And Liminal Spaces
“They Killed Ahmet” Review: Ikenna Okeh’s Novel Is Trope-Heavy With Flickers of Promise
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Culture
Whose Name Do You Bear? The Politics of Surnames and the Erasure of African Women
How Capitalists Are Exploiting Us Through ‘Must-Haves’
To Kill a Conversation: Nollywood, Criticism, and the Culture of Silence
Nigeria’s Class Problem and the Nepotism Debate
Why African Men Are Finally Embracing Skincare
To Sacrifice for Love: A Case for the Beauty of Marriage
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Fashion
2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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10 African Fashion Events to Watch Out for in 2025
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Sports
How Malnutrition Undermines African Teams in International Football Competitions
Africa’s Medal Tally at the 2025 World Athletics Championships
The Biggest African Transfers of Summer 2025 Across Europe’s Top Leagues
Why Are Major African Football Tournaments Always Hosted by the Same Countries?
Kelechi Nwakali: Stuck in Football’s Revolving Door
A $100,000 Reward, No Infrastructure: Nigeria Must Rethink Women’s Football
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Explainers
How Fuji Music Influences the Modern Afro-Pop Soundscape
All the Scoop on Samson Dauda, the 2024 Mr Olympia Winner
How Gamification Can Make Technical Learning Fun for African Students
FASU 2024: Scholars Compete, Cultures Converge in Lagos
Bongo Flava: The Evolution of East Africa’s Soundtrack
Examining the Role of Cold Chain Storage Facilities in Reducing Nigeria’s Post-harvest Losses
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Fiction & Poetry
“Àtìpó: The Stranger I Have Become” and Other Poems | by Olamoyegun Noah O
Two Poems | By Salama Wainaina
Dearth Warning Signs | Poem By Peace Ogunjemilua
Three Poems | By Olamoyegun Noah O
Two Poems | By Tukur Ridwan
The Dreamer | Short Story By Ornguze Nashima Nathaniel
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