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“The Termite Colony” Review: Ike Okonta’s First Novel Bears Witness to the Making of Nations
Who Shapes Our Narratives?: Afrobeats, Billboard, and the Barometers of Success in African Music
Kunle Afolayan Signs Deal with Benin Republic to Boost West Africa’s Film Industry
Features & Essays
Afrocritik’s 50 Notable Essays from Africa in 2024
The Evolving Role of Streaming Platforms in Global Culture
Does Nollywood Have Too Many Speaking Events?
What Music and Dance Trended in Francophone Africa in 2024?
Opinion: We Have Taken Afrobeats to the World, and Now They Are Taking It From Us
Chidimma Adetshina’s Inspiring Rise to the Miss Universe Stage
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Interviews
In Conversation: How Nezsa is Soul Searching and Finding Clarity Through Music
Afrobeats Royalty: Tekno, On Growth, Abundance, and New Opportunities
Courage Obayuwana: A Versatile Talent Who is Mastering Filmmaking With His Debut Directorial Feature, “Kill Boro”
Liboi: The East African Folk Artiste Pushing the Boundaries With African Indigenous Music
In Conversation: Aisosa is Nigeria’s Newest Lover Boy and R&B Champion
In Conversation: Bowman Aremwaki, the Ugandan Artiste with a Universal Musical Language
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Film & TV
AFRIFF 2025: “Son of the Soil” Stages a Generic and Unconvincing Revenge Tale on the Streets of Lagos
“Osamede” Review: James Omokweʼs Film Shines in Language but Falters in Form
“Finding Optel” Review: A Tender, Uneven Portrait of Ordinary Lives and the Quiet Radicalism of Small Stories
“Gingerrr” Review: Yemi Morafa’s Film Is a More Chaotic, Less Memorable “Sugar Rush”
The Annual Film Mischief (TAFM) 2025: Film Reviews
In “Khartoum”, Five Wandering Souls Display Resilience As A Fragile Nation Unravels
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Music
“Victims of Madness 2.0” Review: Wakadinali Chooses Refinement Over Reinvention
“Goodgirl” Review: GoodGirl LA Reintroduces Her Vibrant Uniqueness on New EP
In Conversation: Fimí Talks Rap, Creative Confidence, and Finding Her Voice Through Music
Afrocritik Weekly Music Spotlight: Second Bridge Week
“No Sign of Weakness” Review: Burna Boy’s LP Is Technical, Polished, Yet Safely Played
“Paradise Now” Review: Obongjayar’s Sophomore Album Is a Fitting Treatise on Self
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VIDEOS
Welcome to our YouTube Channel
Books
“Death of the Author” Review: Nnedi Okorafor’s Book Addresses the Complex World of Writing and Publishing
Navigating the Business Side of Writing: What Every Author Needs to Know
“A Future in Chains” Review: Ndifreke Ukpong’s Book Expertly Tackles Faith, Tradition, and Resilience
Afrocritik’s Anticipated Books of 2025
Afrocritik’s Notable Books From Africa in 2024
Afrocritik’s 35 Remarkable African Short Stories in 2024
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Culture
Africa’s Iconic Pop Culture Moments of 2023
Exploring the Rhythms of Africa: 5 Traditional Dances From Across the Continent
In Memory of Imole: A 10-Track Mohbad Playlist You Should Listen To
Five Colourful Festivals Across West Africa
Hair Fetish Has Come a Longer Way Than We Know. It Is More Complex Than We Assumed
Here Are Six Things You Shouldn’t Discuss On A First Date
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Fashion
2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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Sports
Why African Athletes Need Strong Public Relations
Who Really Benefits From the International Players’ Multiple Allegiances in Football?
Ons Jabeur’s French Open Exit: So Close Yet So Far From the Grand Slam Title
Why North Africa Continues to Dominate in Continental Club Football
Highlights From the 2024 Marrakech Diamond League
Will Finidi George Usher in a New Era for Nigeria’s Super Eagles?
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Explainers
Fiction & Poetry
Toby Abiodun’s “Original Psalms” Is a Poet’s Lyrical Riff on Love and Self-Understanding
A Flicker of Light | Daniel Echezonachi Maxwell
A Sacred Song for You | Tehila Okagbue
Smile, Stranger | Daniel Echezonachi Maxwell
Three Square Meal | Obongofon Etuk
1929 | Chinemerem Prince Nwankwo
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