Bad Influencer
Will This Be A Problem? The Anthology: Issue V
Chimamanda Ngozi Adichie

Features & Essays

Ruth Agbolade
Fragmented Visages, Unbroken Light: The Art of Ruth Agbolade
Chidimma Adetshina
Xenophobia Blues and the South African Complex: Is the Dangerous Politics of Nazism on the Rise Again?
Mapping Queer African Cinema: How Censorship Still Hinders Queer Representation in African Mainstream Media| Afrocritik
Mapping Queer African Cinema: How Censorship Still Hinders Queer Representation in the African Mainstream Media
How Effective Are Online Petitions in Advocating for Policy Change?| Afrocritik
How Effective Are Online Petitions in Advocating for Policy Change?
The Cultural Renaissance of East African Theatre and Performing Arts| Afrocritik
The Cultural Renaissance of East African Theatre and Performing Arts
Why Copyright Protection Matters For The Future of Nollywood| Afrocritik
Why Copyright Protection Matters For The Future of Nollywood

Interviews

“In Poetry I Found My Voice, and in Poetry I Keep It Loud”: Dorphanage, Kenyan Spoken Word Artist, In Conversation
In Conversation: Obi Maduegbuna on Voice Acting, “Iwájú”, and Future Plans in Filmmaking
David Olatoye - In Conversation with Afrocritik
David Olatoye: A Visual Artist Forging His Identity Through Pen and Canvas
Móyòsóré Martins: Embracing Abstraction and Imperfectionism in Grunge Art
In Bloom interview with Folu Storms, Wame Jallow, and Voline Ogutu - Afrocritik
“In Bloom” Anthology Creators: In Conversation with the Changemakers Who Lend a Voice to Gender Equality
Claire Diao - Afrocritik
In Conversation: “I Want People to Know that Africa Has Real Filmmaking Talents”, Claire Diao, Film Critic and Founder of Sudu Connexion

Film & TV

Maia Lekow
Maia Lekow And Christopher King Want To Make Films About Kenyan Women With A Strong Sense Of Agency
Matabeleland
“Matabeleland” Review: Nyasha Kadandara’s Documentary Contends With Zimbabwe’s Troubled Past
Amel Guellaty
“Making a Film Anywhere in Africa Is a Struggle”: In Conversation With Tunisian Filmmaker, Amel Guellaty, Director of “Where the Wind Comes From”
Ms. Kanyin
“Ms. Kanyin” Review: Jerry Ossaiʼs Wannabe Horror Flick is Forgettable
sexual violence
Dear Nollywood, Stop Using Sexual Violence as a Plot Device
The Moral High Court
“The Moral High Court” Review: Chisom Ifeakandu’s Film Puts Patriarchy on Trial

Music

Talk Olympics
[Opinion] At the Risk of Talking Rubbish: Obongjayar Is Keeping up the “Talk Olympics”
Amelia Songs
Billboard-Honoured Lawyer, Akinyemi Ayinoluwa, Talks Music Law, African Excellence, and Creative Rights
Spotlight
Afrocritik Weekly Music Spotlight: Fresh Sounds
Next Gen
“Next Gen” Review: Oskido Platforms Fresh Talents on New Album
Still The Mayor
“Still The Mayor” Review: Mayorkun’s Third Album Is a Reaffirmation of His Pop Status
CKay The Second
“CKay The Second” Review: CKay Explores Intimacy and Vulnerability on Polished EP

VIDEOS

Welcome to our YouTube Channel

Books

The 2024 Caine Prize shortlist
The 2024 Caine Prize Shortlist Speaks on the Condition of the Times We Live In
Water Baby
“Water Baby” Review: Chioma Okereke’s Book Explores Resilience and the Power of Community
Ghostroots
Pemi Aguda’s “Ghostroots” Explores Nigeria’s Everydayness and Otherworldliness
Kibogo
“Kibogo” Review: Scholastique Mukasonga’s Book Dives Into Rwanda’s Tumultuous History With Christianity
“The Liquid Eye of a Moon” Review: Uchenna Awoke’s Novel is an Eye-Opening Story of Belonging, Desire, and Hope
Blessings
“Blessings” Review: Chukwuebuka Ibeh’s Debut Novel Explores the Epiphany of Self and Conflict of Identity

Culture

Here Are Six Things You Shouldn’t Discuss On A First Date
DishAfrik, A Culinary App That Seeks To Curate African Cuisine On A Global Scale, Set To Launch In Style
Has The Concept Of Tolerance In Marriage Become Old-Fashioned?
Tribal Marks: Cultural Heritage, Or Plain Barbarism?
How To Cope With Traffic In A City Like Lagos
Men, Please Note That Women Do Not Dress Up For Your Attention Or Approval

Fashion

AMVCA

2025 AMVCA: How the Stars Lit up the Night With Style

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AMVCA Cultural Day

10 Celebrities Who Slayed the 2025 AMVCA Cultural Day

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Met Gala
What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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2025 Grammy
Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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Africa Sourcing and Fashion Week
10 African Fashion Events to Watch Out for in 2025
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Sports

Why North Africa Continues to Dominate in Continental Club Football
Highlights From the 2024 Marrakech Diamond League | Afrocritik
Highlights From the 2024 Marrakech Diamond League
Will Finidi George Usher in a New Era for Nigeria’s Super Eagles? | Afrocritik
Will Finidi George Usher in a New Era for Nigeria’s Super Eagles?
How Lucrative is the Competitive E-sports Industry Today?
BAL 2024: A Definitive Guide to the Basketball Africa League Season
WAFCON 2024: Does CAF’s Failure to Set a Date Reflect Unequal Treatment of Women’s Football?| Afrocritik
WAFCON 2024: Does CAF’s Failure to Set a Date Reflect Unequal Treatment of Women’s Football?

Explainers

Fiction & Poetry

Hands by Feyisayo Anjorin - Afrocritik
Hands | Feyisayo Anjorin
Fresh Dope (When Hope is a Voice Trapped in Dead Air) | Dhee Sylvester - Afrocritik
Fresh Dope (When Hope is a Voice Trapped in Dead Air) | Dhee Sylvester
Two Poems - Olaseni Kehinde Precious - Afrocritik
Two Poems | Olaseni Kehinde Precious
Ikechukwu Henry - The Woman who broke the wall -fiction - Afrocritik
The Woman Who Broke the Wall | Ikechukwu Henry
Little Gifts Given to the Wild by Joemario Umana on Afrocritik
Little Gifts Given to the Wild | Joemario Umana
"It’s enough for us to sit in silence and wonder" by Abigail George on Afrocritik
It’s enough for us to sit in silence and wonder | Abigail George