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The Cuttings of 2025: Are African Literary Prizes Out of Touch?
Ignoring Africa’s Sports Merchandise Market Is Costing Clubs Millions
The Annual Film Mischief (TAFM) 2025: Film Reviews
Features & Essays
Opinion: The Rising Rap Scene in the East and What the Rappers Are Getting Wrong
A Brief History on the Visual Language of Sex in Cinema
Opinion: Why Calling Don Jazzy an Influencer is an Erasure of His Impact on Afrobeats’ Global Dominance
In the Wake of Ojo Taiye’s Sneaky Poetry, How Should Plagiarism in the Nigerian Literary Community Be Addressed?
Artificial Intelligence, Neocolonialism, and the Politics of the English Language
Emeka Nwokedi: A Classical Music Conductor of International Repute
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Interviews
“In Bloom” Anthology Creators: In Conversation with the Changemakers Who Lend a Voice to Gender Equality
In Conversation: “I Want People to Know that Africa Has Real Filmmaking Talents”, Claire Diao, Film Critic and Founder of Sudu Connexion
Director Pink: Standing Out as a Music Video Director in a Crowded Music Industry
In Conversation: Nollywood Film Editor, Martini Akande, Dissects the Anatomy of Editing a Memorable Scene
Oscar Korbla Mawuli Awuku Uses Art to Redefine the Narrative on Indigenous Ghanaian Culture
Filmmaker, Gelax Bolaji’s Documentary, “Silent Tumors”, Spotlights the Silence Struggles of Women with Fibroids in Nigeria
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Film & TV
It’s the Eleventh Edition, and We Still Don’t Know What the AMVCA Trailblazer Award Is
2025 AMVCA: How the Stars Lit up the Night With Style
AMVCA 2025: What Are We Really Celebrating?
14 Prolific Writer-Director Collaborations in Nollywood
10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
“Owambe Thieves” Review: Zubby Michael Is the Only Upside to This Pandemonium of a Movie
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Music
“Workaholic” Review: Xbusta Flaunts His Artistic Strengths on New EP
“Starters” Review: Ice Prince and Chopstix’s Joint EP Leans On Legacy With Mixed Results
Afrocritik’s Weekly Music Spotlight: Amapiano Party
“This Feels Like An Interlude” Review: Lady Donli Explores Fragile Love on Inventive EP
Top 10 African Festivals to Attend This Summer
Afrocritik’s Weekly Music Spotlight: Afrobeats Summer
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VIDEOS
Welcome to our YouTube Channel
Books
Amaka Obioji’s Poetry Collection, “Mother, Did You Call My Name?” Explores the Transience of Human Emotions
In “Like Water Like Sea”, Olumide Popoola Offers an Exploration of Contemporary Human Experiences
Ike Anya’s “Small by Small” is a Medical, Personal, and Artistic Triumph
Tolu’ A. Akinyemi’s “Black Does Not Equal Inferior” Invokes the Spirit of the Harlem Renaissance
Onyeka Nwelue Set to Release a New Book, “The Nigerian Mafia: Johannesburg”
“On the Train to Hell” Review: Throes and Consciousness Helm Tolu A Akinyemi’s Poetry Collection
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Culture
DishAfrik, A Culinary App That Seeks To Curate African Cuisine On A Global Scale, Set To Launch In Style
Has The Concept Of Tolerance In Marriage Become Old-Fashioned?
Tribal Marks: Cultural Heritage, Or Plain Barbarism?
How To Cope With Traffic In A City Like Lagos
Men, Please Note That Women Do Not Dress Up For Your Attention Or Approval
Here Are Five Self-Care Tips Useful For Surviving In Africa’s Busiest Cities
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Fashion
2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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10 African Fashion Events to Watch Out for in 2025
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Sports
Will Finidi George Usher in a New Era for Nigeria’s Super Eagles?
How Lucrative is the Competitive E-sports Industry Today?
BAL 2024: A Definitive Guide to the Basketball Africa League Season
WAFCON 2024: Does CAF’s Failure to Set a Date Reflect Unequal Treatment of Women’s Football?
2024 UCI World Tour: Louis Meintjes, Henok Mulubrhan, and Stefan De Bod Ride in the Tour de Romandie
AFCON Futsal Semi-Finals: Teams Vie for World Cup Qualification and Continental Glory
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Explainers
Fiction & Poetry
Little Gifts Given to the Wild | Joemario Umana
It’s enough for us to sit in silence and wonder | Abigail George
Waltz Beyond the Veil | Obongofon Etuk
i’d like to own an elephant — that’s no bigger than a peanut | temidayo okun
A Poem Where Goodbye(s) Means What the Hands Cannot Hold Anymore | Anderson Moses
Off River Road, a Girl Plays a Sax Solo to Truncate the Intricacies of My History | Frank Njugi
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