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Olive Nwosu’s “Lady”, Will Niava’s “Jazz Infernal” Win Jury Awards at 2026 Sundance Film Festival
“How to Save a Drowning Man” | Poem by Jean Wathugu
African Writers Dominate 2026 BSFA Awards Longlist with Nearly 30 Nominations
Features & Essays
The Legacy of Loss | Nonfiction by Damilola Olaniyi
What Is the State of Nigeria’s Natural Parks and Game Reserves?
Which African Author Will Win the 2024 Nobel Prize in Literature?
Fragmented Visages, Unbroken Light: The Art of Ruth Agbolade
Xenophobia Blues and the South African Complex: Is the Dangerous Politics of Nazism on the Rise Again?
Mapping Queer African Cinema: How Censorship Still Hinders Queer Representation in the African Mainstream Media
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Interviews
Móyòsóré Martins: Embracing Abstraction and Imperfectionism in Grunge Art
“In Bloom” Anthology Creators: In Conversation with the Changemakers Who Lend a Voice to Gender Equality
In Conversation: “I Want People to Know that Africa Has Real Filmmaking Talents”, Claire Diao, Film Critic and Founder of Sudu Connexion
Director Pink: Standing Out as a Music Video Director in a Crowded Music Industry
In Conversation: Nollywood Film Editor, Martini Akande, Dissects the Anatomy of Editing a Memorable Scene
Oscar Korbla Mawuli Awuku Uses Art to Redefine the Narrative on Indigenous Ghanaian Culture
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Film & TV
In Conversation: Achille Ronaimou on “Diya”, Confronting Tradition, Justice, and Forgiveness in Chad
TIFF 2025: In Conversation With Zamo Mkhwanazi, Director Of “Laundry”
“The Serpent’s Gift” Review: Kayode Kasum’s Film Is Undone by Shallow Cultural Detail
TIFF 2025: Eimi Imanishi’s “Nomad Shadow” Deftly Navigates the Intricacies of Exile
TIFF 2025: Achille Ronaimou’s “Diya” Confronts The Brutal Arithmetic Of Justice And Retribution
“Say Who Die?” Review: Paul Utomiʼs Film Crumbles Under the Weight of its Own Ambition
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Music
“GE3 (The Beginning)” Review: A-Q Closes His Trilogy With Precision and Purpose
Afrocritik Weekly Music Spotlight: Subtle Twists
Loud Urban Choir Is Redefining Choral Music in Afro-Pop
[Opinion] At the Risk of Talking Rubbish: Obongjayar Is Keeping up the “Talk Olympics”
Billboard-Honoured Lawyer, Akinyemi Ayinoluwa, Talks Music Law, African Excellence, and Creative Rights
Afrocritik Weekly Music Spotlight: Fresh Sounds
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VIDEOS
Welcome to our YouTube Channel
Books
“Face Me I Face You” Review: Oyindamola Shoola Uses Unconventional Poetry to Explore Nigerian Communal Life
“Tearless” Review: Ayo Deforge’s Novel Explores Self-Discovery, Trauma Resolution, and Love
Macondo Literary Festival 2024: A Celebration of the History of the Indian Ocean Worlds
“We Were Girls Once” Review: Aiwanose Odafen’s Novel Explores Human Flaws and the Enduring Strength of Friendship
The 2024 Caine Prize Shortlist Speaks on the Condition of the Times We Live In
“Water Baby” Review: Chioma Okereke’s Book Explores Resilience and the Power of Community
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Culture
Tribal Marks: Cultural Heritage, Or Plain Barbarism?
How To Cope With Traffic In A City Like Lagos
Men, Please Note That Women Do Not Dress Up For Your Attention Or Approval
Here Are Five Self-Care Tips Useful For Surviving In Africa’s Busiest Cities
The Ikenga Deity, A Conduit For Igbo Communal Philosophy And Individual Reflection
Dambe, A Traditional Combat Sport Worthy Of Preservation
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Fashion
2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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10 African Fashion Events to Watch Out for in 2025
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Sports
How Lucrative is the Competitive E-sports Industry Today?
BAL 2024: A Definitive Guide to the Basketball Africa League Season
WAFCON 2024: Does CAF’s Failure to Set a Date Reflect Unequal Treatment of Women’s Football?
2024 UCI World Tour: Louis Meintjes, Henok Mulubrhan, and Stefan De Bod Ride in the Tour de Romandie
AFCON Futsal Semi-Finals: Teams Vie for World Cup Qualification and Continental Glory
What Private Investment Could Mean for the Nigerian Premier Football League
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Explainers
Fiction & Poetry
Fresh Dope (When Hope is a Voice Trapped in Dead Air) | Dhee Sylvester
Two Poems | Olaseni Kehinde Precious
The Woman Who Broke the Wall | Ikechukwu Henry
Little Gifts Given to the Wild | Joemario Umana
It’s enough for us to sit in silence and wonder | Abigail George
Waltz Beyond the Veil | Obongofon Etuk
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