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“Ben’Imana”, “The Woman Who Poked The Leopard”, “Carissa”, Others Set For Screening at the 2026 NBO Film Festival
Four African Screenwriters Selected For 5th Edition of AuthenticA Series Lab
Justice Faruck’s “The Loud Silence Between Us” Is A Novel of Noble Ideas and Faulty Execution
Features & Essays
Whose Name Do You Bear? The Politics of Surnames and the Erasure of African Women
Macondo Literary Festival 2025: East Africa’s Literary Vanguard Holds Its Fifth Edition
Are Music Videos Relevant in Afro-Pop Today?
Noise or Attention: What Really Sells Nollywood Films?
How Capitalists Are Exploiting Us Through ‘Must-Haves’
To Kill a Conversation: Nollywood, Criticism, and the Culture of Silence
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Interviews
In Conversation: OluwaMillar Talks “Agbalagbi”, Creativity, and Breaking Barriers
In Conversation: Laurène Southe Speaks on Poetry, Creative Expression, and Diasporan Experience in Debut Chapbook
Tramaine Suubi Talks Debut Collection, the Craft of Poetry, and the Art of Literary Stewardship
In Conversation: Kimbassax Talks Upcoming Project, New Ventures, and More
In Conversation: Olubunmi Familoni Talks His NLNG Prize-Winning Book, Writing Process, and More
In Conversation: Minz Speaks on Debut Album, His Sound, and Defying the Odds by Any Means
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Film & TV
Kagiso Samuel Leburu on Telling a Story of Silence, Power, and Female Oppression in “Balaclava”
“Aba Blues” Review: Jack’enneth Opukeme’s Unconventional Style Can’t Fix Conventional Nollywood Storytelling
“Headless” Review: Michael Ndiomu’s Debut Feature Diagnoses Nollywood’s Rot Without Fully Escaping It
15 Women Who Have Shaped Nigerian Film Journalism
AMVCA 2026: The Shocks, Surprises and Frauds of the AMVCA12 Nominations
KFCB’s Notice and The Problem With The Film and Stage Plays Act
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Music
Afrocritik Music Spotlight: Big Bang
What You Lose When You Sign Away Your Masters
“iNkanyezi NeZinkanyezi” Review: Sjava’s Emphatically Concludes Trilogy With New Album
“FLT 27” Review: Jaytegs Expands His Sonic Vision Through a Carefully Structured EP
Who Shapes Our Narratives?: Afrobeats, Billboard, and the Barometers of Success in African Music
“Hybrid” Review: Shoday’s Artistry Solidifies on Debut Album
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VIDEOS
Welcome to our YouTube Channel
Books
“They Killed Ahmet” Review: Ikenna Okeh’s Novel Is Trope-Heavy With Flickers of Promise
“The Mind Is Not An Ally” Review: Ayo Deforge Philosophises About The Mind In Her Poetry Collection
“Thunder and Roses” Review: Eniola Omorinkoba’s Novella Is an Apt Encapsulation of the Nuances of Love & Loving
“I Cry At The Feet of My Other Body” Review: Mustapha Enesi’s Debut Collection Confronts Patriarchy and the Loss of Agency
“I Write Because I Have to Tell the Story”: In Conversation With Oyin Olugbile on Her Nigeria Prize for Literature Shortlist, “Sanya”
Macondo Literary Festival 2025: East Africa’s Literary Vanguard Holds Its Fifth Edition
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Culture
Onyeka Onwenu: An Ode to the Elegant Stallion
30 Years Later: Tai Solarin is Still an Exemplary Educator and Ferocious Social Critic
Sensational Book Titles: A New Trend in Nigerian Literature?
Afrocritik Turns Three: What It Means to Amplify African Voices
The Cultural Renaissance of East African Theatre and Performing Arts
Mara: What to Know About the Viral Hyper-Fast and Energetic Sound
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Fashion
AMVCA 2026: The Best Celebrity Red Carpet Looks of the Night
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Met Gala 2026: How African Celebrities Showed Up on Fashion’s Biggest Stage
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2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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Sports
Paris 2024: Tobi Amusan and the Olympic Dream
Kaylia Nemour: Africa’s Hope for a First-Ever Olympics Gymnastics Medal
Biniam Girmay: Breaking Barriers as the First Black African Tour de France Champion
Why African Athletes Need Strong Public Relations
Who Really Benefits From the International Players’ Multiple Allegiances in Football?
Ons Jabeur’s French Open Exit: So Close Yet So Far From the Grand Slam Title
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Explainers
Fiction & Poetry
First Rain | Fiction By Chimezie Okoro
How to Blackmail God | Poem By Felix Eshiet
Rich People’s Street | Poem By Obongofon Etuk
Good Guys Finish Last | Fiction by John “Penwielder” Ebute
Refaat Alareer | Poem by Abigail George
Eternal Feast | Fiction by Iko Odoba
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