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Olaolu Slawn Opens Landmark Homecoming Exhibition, BOBO, in Lagos
Afrocritik’s 50 Remarkable African Short Stories of 2025
Afrocritik’s 20 Remarkable African Short Films of 2025
Features & Essays
How Effective Are Online Petitions in Advocating for Policy Change?
The Cultural Renaissance of East African Theatre and Performing Arts
Why Copyright Protection Matters For The Future of Nollywood
Opinion: The Rising Rap Scene in the East and What the Rappers Are Getting Wrong
A Brief History on the Visual Language of Sex in Cinema
Opinion: Why Calling Don Jazzy an Influencer is an Erasure of His Impact on Afrobeats’ Global Dominance
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Interviews
Móyòsóré Martins: Embracing Abstraction and Imperfectionism in Grunge Art
“In Bloom” Anthology Creators: In Conversation with the Changemakers Who Lend a Voice to Gender Equality
In Conversation: “I Want People to Know that Africa Has Real Filmmaking Talents”, Claire Diao, Film Critic and Founder of Sudu Connexion
Director Pink: Standing Out as a Music Video Director in a Crowded Music Industry
In Conversation: Nollywood Film Editor, Martini Akande, Dissects the Anatomy of Editing a Memorable Scene
Oscar Korbla Mawuli Awuku Uses Art to Redefine the Narrative on Indigenous Ghanaian Culture
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Film & TV
“Sin: First Blood” and “Sin: Blackout” Review: The Irredeemable Failure of Jim Iyke’s Big-Budget Crime Thriller Wannabe
Noise or Attention: What Really Sells Nollywood Films?
“Out in the Darkness” Review: Sarah Kwaji’s Film Feebly Explores Postpartum Health
“Devil is a Liar” Review: Moses Inwangʼs Film Lies About the Story It Is Telling
“Finding Nina” Review: Nemsia Studios Makes a Soulless Pitch for Positive Portrayals of Northern Nigeria
“Cordelia” Review: Tunde Kelani’s Return to Cinemas is an Ambitious but Inconsistent Adaptation
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Music
“Next Gen” Review: Oskido Platforms Fresh Talents on New Album
“Still The Mayor” Review: Mayorkun’s Third Album Is a Reaffirmation of His Pop Status
“CKay The Second” Review: CKay Explores Intimacy and Vulnerability on Polished EP
Blinky Bill: East Africa’s Quiet Radical
“Workaholic” Review: Xbusta Flaunts His Artistic Strengths on New EP
“Starters” Review: Ice Prince and Chopstix’s Joint EP Leans On Legacy With Mixed Results
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VIDEOS
Welcome to our YouTube Channel
Books
“Water Baby” Review: Chioma Okereke’s Book Explores Resilience and the Power of Community
Pemi Aguda’s “Ghostroots” Explores Nigeria’s Everydayness and Otherworldliness
“Kibogo” Review: Scholastique Mukasonga’s Book Dives Into Rwanda’s Tumultuous History With Christianity
“The Liquid Eye of a Moon” Review: Uchenna Awoke’s Novel is an Eye-Opening Story of Belonging, Desire, and Hope
“Blessings” Review: Chukwuebuka Ibeh’s Debut Novel Explores the Epiphany of Self and Conflict of Identity
Sensational Book Titles: A New Trend in Nigerian Literature?
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Culture
How To Cope With Traffic In A City Like Lagos
Men, Please Note That Women Do Not Dress Up For Your Attention Or Approval
Here Are Five Self-Care Tips Useful For Surviving In Africa’s Busiest Cities
The Ikenga Deity, A Conduit For Igbo Communal Philosophy And Individual Reflection
Dambe, A Traditional Combat Sport Worthy Of Preservation
Pilfering Money In God’s Name: How Nigerian Pastors Are Making The Gospel Look Like A Ponzi Scheme
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Fashion
2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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10 African Fashion Events to Watch Out for in 2025
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Sports
BAL 2024: A Definitive Guide to the Basketball Africa League Season
WAFCON 2024: Does CAF’s Failure to Set a Date Reflect Unequal Treatment of Women’s Football?
2024 UCI World Tour: Louis Meintjes, Henok Mulubrhan, and Stefan De Bod Ride in the Tour de Romandie
AFCON Futsal Semi-Finals: Teams Vie for World Cup Qualification and Continental Glory
What Private Investment Could Mean for the Nigerian Premier Football League
Paris 2024: Four African Teams Battle for Final Football Tickets at the Women’s Olympic Football Tournament
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Explainers
Fiction & Poetry
It’s enough for us to sit in silence and wonder | Abigail George
Waltz Beyond the Veil | Obongofon Etuk
i’d like to own an elephant — that’s no bigger than a peanut | temidayo okun
A Poem Where Goodbye(s) Means What the Hands Cannot Hold Anymore | Anderson Moses
Off River Road, a Girl Plays a Sax Solo to Truncate the Intricacies of My History | Frank Njugi
Green Zone | Jide Badmus
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