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Nigerian Spoken Word Artist, Maryam Bukar Hassan, Named United Nations’ First Global Advocate for Peace
Tolu Ajayi’s AMVCA-Winning Psychological Thriller, “Over the Bridge”, Hits Nigerian Cinemas on 5th September
Are Music Videos Relevant in Afro-Pop Today?
Features & Essays
Why AI Misinformation is a Serious Threat to Elections and Democracy
What the African Continental Free Trade Area (AfCFTA) Could Mean for Africa’s Creative Industry
FESPACO: An Enduring Role in Promoting African Cinema
Brymo, Macabre, and Reconciling with the Art of Controversial Artists
Further Reflections on “Sóró Sóké”: In Conversation with Oyindamola Shoola
Can “The Experience” Become the Blueprint for Hosting Live Music Events in Nigeria?
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Interviews
The Ingenuity of Mr Eazi: An Exclusive Interview with a New Era Connoisseur for Art and Talent
“‘Proof of Life’ Is a Rebirth for Me”: Skales Speaks on His Latest Project with Afrocritik
“Versatility Helps, But Perseverance is Key”: Nigerian Actor, Eso Dike, on Breaking into Nollywood
“Music is One of My Filmmaking Signatures”: Nigerian Filmmaker, Kayode Kasum, in Conversation with Afrocritik
Coming of Age in Nollywood: In Conversation with the Young Actors in the Feature Film, “Ijogbon”
“The Films I Make Are About Aspects of What I’ve Seen and Experienced’’: South African Filmmaker, Ian Gabriel, on the Authenticity in Creating the Crime-Thriller, “Death of a Whistleblower”
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Film & TV
“Penance” Review: Awal Abdulfatai’s Film Fails to Deliver on Its Premise
“Something About the Briggs” Review: Bukola Ogunsola’s Film Cleverly Navigates Marital Realities
What Trends Will Drive Africa’s Film Industry in 2025?
15 Nollywood Movies Perfect for Date Night
21 Films That Shaped Major Trends in Nollywood
“Mr Easy Loo” Review: The Mandla Ngcongwane-Directed Film Is a Humorous Critique of Apartheid Era South Africa
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Music
Afrocritik’s Weekly Music Spotlight: Something Different
“The Book of Jones 1st Chapter” Review: Khaligraph Jones Employs Old Tricks for New Triumph
10 Artistes Expanding the Soundscape of Street Pop in Nigeria Today
“The Machine Is Coming” Review: Odumodublvck’s New Project Is a Statement and a Warning
“Viva Lavida” Review: Joeboy Examines Love and Life on Expressive New Album
“Blownboy Ru” Review: Ruger’s Sophomore Album Stays True to His Afro-Dancehall Roots
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VIDEOS
Welcome to our YouTube Channel
Books
Jide Badmus’ “Obaluaye” Is a Paradox of Chaos and Harmony
Sola Osofisan’s “The Simple Joys of Her Final Days” Presents Wry Portraits of Nigerian Life at Home and Abroad
Abubakar Adam Ibrahim’s “When We Were Fireflies” Examines the Primal Questions of Life and the Afterlife
”God’s Children Are Little Broken Things” Review: Arinze Ifeakandu’s Book Reveals the Silent Resilience of Queer Love in Nigeria
Emmanuel Iduma’s “I am Still With You” Contemplates War, Loss, and the Burden of Memory
Tunde Ososanya’s “Lagos, Life and Sexual Distraction” Captures Scenes of Tragedy and Sensuality
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Culture
Timi Dakolo, “Everything”, And How Nigerian Gospel Songs Have Become Anthems Of Hope
Here Are Six Ways To Properly Spend a Weekend In Africa’s Busiest Cities
Here Are The Five Most Serene Nigerian Cities To Live In
How The Baba Ijesha Case Accurately Illustrates The Attitude Of Nigerians To Rape Allegations
Has Oral Tradition In Africa Gone Extinct?
Chioma Ajunwa: Is Her 25-Year Wait A Symptom Of A Fractured System?
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Fashion
2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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10 African Fashion Events to Watch Out for in 2025
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Sports
AFCON 2023 Semi-Finals: Nigeria vs South Africa, History, Trade, and Rivalry Beyond the Pitch
Tobi Amusan Breaks African Women’s Indoor Record in 60-Metres Hurdles at New Balance Indoor Grand Prix
Favour Ofili Sets History at the 2024 New Balance Indoor Grand Prix in Boston
AFCON 2023: Quarter-Finals Preview
AFCON Group Stage Drama: Managerial Setbacks, Sackings, and Club Struggles
AFCON 2023: 5 Star Players Whose Absence Might Have Altered Their Teams’ Fortunes
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Explainers
Fiction & Poetry
Homecoming | Sunday Saheed
of memories, moments & manhood | Jaachị Anyatọnwụ
After The Giant Greenlights, Nothing Here Is Worthy Of Symphony? | Psalmuel Benjamin
Tochi Lives | Ubong Johnson
The Last Rule of Theft | Oluseye Fakinlede
Planes and Plains | Ugochukwu Anadị
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