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“SUN SHERIF” Review: Black Sherif Embraces New Horizons on EP
There Are No Gems in Ogaga Ifowodo’s “Why Does God Need A Gun?”
The Real Bottlenecks Behind Africa’s Touring Gap
Features & Essays
Dear Nollywood, Stop Using Sexual Violence as a Plot Device
Do African Languages Come From the Same Place?
How Geoblocking and Cinema Scheduling Bias Undermine Distribution in Nollywood
The Legend of Area Scatter: Enigmatic Musician or Misunderstood Individual?
The Life and Political Imaginations of Ngũgĩ wa Thiong’o
What’s Behind Nigeria’s Fear and Criminalisation of Dreadlocks?
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Interviews
In Conversation: Ogranya Talks “Freedom Way” and Nigeria’s Live Performance Culture
Yemi Alade: The Rebel Queen of Afro-Pop
Sabi Wu Is East Africa’s Best Kept Secret
In Conversation: Camillo Doregos on Managing Mr Eazi, Pheelz, and Key Industry Lessons
In Conversation: Mark Mac on Amapiano’s Evolution and the Trials of Talent Management
The Creative Pulse of Chike: An Artiste’s Narrative
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Film & TV
Joburg Film Festival 2026: Jordy Sank Reflects on Xenophobia, Social Justice, and Stylistic Choices In “Amazeze (Fleas)”
iREP Film Festival 2026: “Awon Boyz”, “No U-Turn”, “Awani”, “Double Minority”, “Afterlife” and “Isese” Reviews
BFI Flare 2026: In Conversation With Sandulela Asanda, Director of “Black Burns Fast”
Can GH¢20 Million Government Fund Transform The Ghanaian Film Industry?
Nollywood and African Spirituality: The Demonisation of a Continent’s Tradition
Joburg Film Festival 2026: Moges Ababu Belachew Talks “Mother Country” and Ethiopia’s Fragile Socio-Political Landscape
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Music
Why Have Nigerian Pop Love Songs Lost Their Emotional Depth?
The Long Retreat of East African Conscious Music
Mr Eazi & King Promise Craft A Sweet Valentine’s Day Record On “That Way”
“Peace in the Storm” Review: Min. Adeoluwa Experiments with Different Sonic Direction on New Single
25 Emerging African Artistes You Should Listen to in 2026
“Real, Vol. 1” Review: Wizkid and Asake’s Joint EP Falls Short of Its Monumental Potential
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VIDEOS
Welcome to our YouTube Channel
Books
Nikki May’s “This Motherless Land” Is a Poignant Novel of Loss, Love, and the Divisions of Living Between Two Worlds
“Sanya” Review: Oyin Olugbile’s Debut Novel Is a Creative Retelling of Sango as a Woman Warrior
“Petrichor” Review: Ayo Oyeku’s Novel Is an Attempt to Probe the Meaning of Justice
“The Middle Daughter” Review: Chika Unigwe Synthesises Form And Content Into Mesmerising Storytelling
Grief Touches the Sublime in Yewande Omotoso’s “An Unusual Grief”
“New York, My Village” Review: Uwem Akpan’s Book Is An Important Breakaway From Conventional Contemporary Setting
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Culture
All the Fuss About Afrobeats, Its “Way-Pavers” and Frontliners
Is Controvesy the Linchpin that Keeps Portable in the Spotlight?
Will Rwanda Become the New Hub for Arts and Entertainment in East Africa?
Cape Town International Jazz Festival (CTIJF): Africa’s Grandest Gathering of Jazz Aficionados and Cultural Resonance
“No Gree for Anybody”, the New Nigerian Catchphrase for Tenacity in 2024
“New Year, New Blessings”, and the Obsession With New Year Prophecies and Declarations
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Fashion
AMVCA 2026: The Best Celebrity Red Carpet Looks of the Night
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Met Gala 2026: How African Celebrities Showed Up on Fashion’s Biggest Stage
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2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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Sports
Why North Africa Continues to Dominate in Continental Club Football
Highlights From the 2024 Marrakech Diamond League
Will Finidi George Usher in a New Era for Nigeria’s Super Eagles?
How Lucrative is the Competitive E-sports Industry Today?
BAL 2024: A Definitive Guide to the Basketball Africa League Season
WAFCON 2024: Does CAF’s Failure to Set a Date Reflect Unequal Treatment of Women’s Football?
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Explainers
Fiction & Poetry
the gospel of a father | Poem by Azaiouris Y. Zeon
Toby Abiodun’s “Original Psalms” Is a Poet’s Lyrical Riff on Love and Self-Understanding
A Flicker of Light | Daniel Echezonachi Maxwell
A Sacred Song for You | Tehila Okagbue
Smile, Stranger | Daniel Echezonachi Maxwell
Three Square Meal | Obongofon Etuk
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