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African Writers Dominate 2026 BSFA Awards Longlist with Nearly 30 Nominations
Sundance 2026: Olive Nwosu’s “Lady” Weaves Dreams, Trauma, and Chaos into a Gender-Aware Debut
ARMC 2026 Announces First Headline Speakers, Strategic Partnerships, and Genre Spotlights
Features & Essays
How Effective Are Online Petitions in Advocating for Policy Change?
The Cultural Renaissance of East African Theatre and Performing Arts
Why Copyright Protection Matters For The Future of Nollywood
Opinion: The Rising Rap Scene in the East and What the Rappers Are Getting Wrong
A Brief History on the Visual Language of Sex in Cinema
Opinion: Why Calling Don Jazzy an Influencer is an Erasure of His Impact on Afrobeats’ Global Dominance
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Interviews
Filmmaker, Gelax Bolaji’s Documentary, “Silent Tumors”, Spotlights the Silence Struggles of Women with Fibroids in Nigeria
DhannyJazz The Saxifier and The Beauty of Instrumental in Music
World Scrabble Champion, Wellington Jighere, is Putting Nigeria on the Global Sports Stage
Moussa Sène Absa and the Trilogy that Redefines African Femininity in Film
Obii Ifejika’s Multifaceted Use of Poetry in Navigating the Human Experience
Barnabas Emordi: Successive Steps Behind the Lens to Becoming Nollywood’s Highest-Grossing Cinematographer
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Film & TV
NIFS Dispatch: 5 Key Takeaways from the 2025 Nigerian International Film Summit
“Sin: First Blood” and “Sin: Blackout” Review: The Irredeemable Failure of Jim Iyke’s Big-Budget Crime Thriller Wannabe
Noise or Attention: What Really Sells Nollywood Films?
“Out in the Darkness” Review: Sarah Kwaji’s Film Feebly Explores Postpartum Health
“Devil is a Liar” Review: Moses Inwangʼs Film Lies About the Story It Is Telling
“Finding Nina” Review: Nemsia Studios Makes a Soulless Pitch for Positive Portrayals of Northern Nigeria
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Music
“Next Gen” Review: Oskido Platforms Fresh Talents on New Album
“Still The Mayor” Review: Mayorkun’s Third Album Is a Reaffirmation of His Pop Status
“CKay The Second” Review: CKay Explores Intimacy and Vulnerability on Polished EP
Blinky Bill: East Africa’s Quiet Radical
“Workaholic” Review: Xbusta Flaunts His Artistic Strengths on New EP
“Starters” Review: Ice Prince and Chopstix’s Joint EP Leans On Legacy With Mixed Results
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VIDEOS
Welcome to our YouTube Channel
Books
Pemi Aguda’s “Ghostroots” Explores Nigeria’s Everydayness and Otherworldliness
“Kibogo” Review: Scholastique Mukasonga’s Book Dives Into Rwanda’s Tumultuous History With Christianity
“The Liquid Eye of a Moon” Review: Uchenna Awoke’s Novel is an Eye-Opening Story of Belonging, Desire, and Hope
“Blessings” Review: Chukwuebuka Ibeh’s Debut Novel Explores the Epiphany of Self and Conflict of Identity
Sensational Book Titles: A New Trend in Nigerian Literature?
“Loss is an Aftertaste of Memories” Review: Michael Chiedoziem Chukwudera’s Debut Novel Explores Memory, Loss, and the Agency of Remembrance
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Culture
Pilfering Money In God’s Name: How Nigerian Pastors Are Making The Gospel Look Like A Ponzi Scheme
Here Are Six Ways To Pull Off A Romantic Weekend In Nigeria
How The Igbos Get Around To Naming Their Children
Obi Cubana, “Igba Boy” And Igbo Communalism
Ọja, The Musical Instrument Which Mirrors Igbo Individuality and Spirituality
Asaba, The Nigerian City That Perfectly Illustrates The Importance Of Spending Power
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Fashion
2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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10 African Fashion Events to Watch Out for in 2025
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Sports
Paris 2024: Four African Teams Battle for Final Football Tickets at the Women’s Olympic Football Tournament
In Review: Recounting the 2024 African Games Experience
MMA Debut at the 2023 African Games: One Step Towards Achieving GAMMA’s Olympic Games Ambitions
African Games 2023: What Impact Has Hosting African Athletes for the First Time Had on Ghana?
Anthony Joshua Knocks Out Francis Ngannou, Continues Path to Heavyweight Championship Title
Simidele Adeagbo: First-Ever African Athlete at the International Bobsleigh and Skeleton Federation World Championship
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Explainers
Fiction & Poetry
A Poem Where Goodbye(s) Means What the Hands Cannot Hold Anymore | Anderson Moses
Off River Road, a Girl Plays a Sax Solo to Truncate the Intricacies of My History | Frank Njugi
Green Zone | Jide Badmus
Two poems | Adesiyan Oluwapelumi
Praying in a Lawn | Ogah Friday David
There Is Nothing Christian about a Road | Enit’ayanfe Ayosojumi Akinsanya
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