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It’s the Eleventh Edition, and We Still Don’t Know What the AMVCA Trailblazer Award Is
2025 AMVCA: How the Stars Lit up the Night With Style
“Addiction” Review: Jay Melody Stakes His Claim in Bongo Flava’s Hall of Fame
Features & Essays
Six Sub-Genres Expanding the Diversity of Afrobeats
Electric Vehicles (EVs): A Green Solution for Africa or More Environmental and Economic Quandaries?
Searching for New Philosophers at the Umuofia Arts and Books Festival 2023 (UmuofiaFest)
New Generation Connectivity: Africa’s Journey to 5G and the Wealth of Opportunities It Brings
African Fashion on Display: Embracing Traditional Attires With a Modern Twist
African Folklore and Lessons: Exploring the Rich Heritage of Traditional Tales from the Continent
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Interviews
On Growing Up, Music, New Single And Future Projects: Guchi in Conversation with Afrocritik
“There’s no Permanent Enemy, only Permanent Interests” — Olarotimi Fakunle, Eleniyan of “Gangs of Lagos,” in Conversation with Afrocritik
Michael Omonua is Telling African Stories in the Language He Wants
On Writing a Prescient Film: Kayode Jegede, Co-writer of “Gangs of Lagos” in Conversation with Afrocritik
“‘Kaleidoscope’ was written differently from the way I had done other projects,” – Lindsey Abudei: In Conversation with Afrocritik
Esther Kemi Gbadamosi on Taking Nigerian Animated Films to Berlinale: in Conversation with Afrocritik
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Film & TV
“Losing Lerato 2” Review: Zolani Phakade’s Sequel Is an Underwhelming Outing
“What About Us?” Review: Kayode Kasum’s Family Drama Drastically Fumbles its Third Act
“My Father’s Fable” Review: Faith Omole’s Theatre Show Is an Emotional Exploration Into Family Trauma and Nigerian Identity
“Onye Egwu” Review: The Uche Jombo-Directed Film is a Near Miss
“Lobola Man” Review: Thabang Moleya’s Romcom is a Breeding Ground of Cliches
Filmjoint: The Platform Promoting and Distributing Nigerian and International Short Films
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Music
“Swangz All Star, Vol. 1” Review: Swangz Avenue’s Album Redefines Uganda and East Africa’s Place in Global Music
“Dutty Love” Review: Fave Captures the Paradoxes of Love In Sophomore EP
African Artistes at the 2025 Grammys: Top Contenders, Surprising Snubs, and Key Takeaways
Juliana Ehada Showcases Sonic Dynamism On “Smile Until The Devil Cries”
How Fuji Music Influences the Modern Afro-Pop Soundscape
The Best Nigerian Music Videos Released So Far in 2024
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VIDEOS
Welcome to our YouTube Channel
Books
The Orientations of the Street in Jindu Enugbe’s “Street OT”
Jennifer Makumbi’s “A Girl is a Body of Water” is a New Height for the African Coming-of-Age Novel
Caleb Nelson’s Open Water: Literature melds Music and Photography
Afrocritik’s 20 Remarkable African Essays of 2021
Afrocritik’s 25 Notable African Books of 2021
“Rummaging for Omens”: A Review of Nneoma Otuegbe’s book of poetry
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Culture
Fashion
2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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10 African Fashion Events to Watch Out for in 2025
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Sports
AFCON 2023: The Dynamic Players, the Teams, and Their Diverse Origins
Anthony Joshua and Francis Ngannou Set for Epic Showdown in Saudi Arabia
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Explainers
Fiction & Poetry
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