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“Uncle K: Lemon Chase” Review: Kizz Daniel’s EP Is Refreshingly Potent
Afrocritik Turns Four: Still Projecting Africa, One Story at a Time
The Life and Political Imaginations of Ngũgĩ wa Thiong’o
Features & Essays
African Art: Discovering the Beauty, Symbolism, and Diversity of Traditional and Contemporary Masterpieces
Nigeria’s “Peak Foolery” and Quirky Pop Culture Moments of 2023
Examining Africa’s Literary Masterpieces: African Books That Should Be Considered Modern Classics
Nollywood’s Global Impact: How Nigerian Films are Captivating Audiences Worldwide
The “Crash” of OkadaBooks is a Call for Nigeria to Reflect on the State of Its Art Communities
Six Sub-Genres Expanding the Diversity of Afrobeats
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Interviews
Interview: Celebrity Chef, Hilda Baci, Reflects On Her Record-Breaking Cooking Marathon and Culinary Career
“I am a Perfect Symbol of Limitlessness”: Ebuka Njoku in Conversation with Afrocritik
Painting a New Way of Seeing Africa: In Conversation with the Filmmakers Who Took “Mami Wata” Global
Reem Gaafar is Blurring the Lines between Science and Creativity: In Conversation with Afrocritik
On Growing Up, Music, New Single And Future Projects: Guchi in Conversation with Afrocritik
“There’s no Permanent Enemy, only Permanent Interests” — Olarotimi Fakunle, Eleniyan of “Gangs of Lagos,” in Conversation with Afrocritik
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Film & TV
Technical Excellence Saves “Farmer’s Bride” From an Uneven Script
“Lisabi: The Uprising” Review: Niyi Akinmolayan’s Dramatised Biopic Is a Deeply Contained Story
“Tejiri” Is a Timely Commentary on Justice and Governance in Africa
Highlights From the Third Edition of the Ibadan International Film Festival
IDFA 2024: Spotlight on Selected African Documentaries
Nigeria Cinema Day and the Marketing Hurdles Holding Back Nollywood
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Music
Basketmouth Displays Mastery On “A Ghetto Love Story” Soundtrack Album
What Music and Dance Trended in Francophone Africa in 2024?
“A Journey of Love” Review: Gemma Ofili’s Project Navigates Love and Healing
Opinion: We Have Taken Afrobeats to the World, and Now They Are Taking It From Us
The Resonance of Locality in Afro-Pop’s Global Rise
“Hard Guy Confessions” Review: Johnny Drille and Don Jazzy Unmask the Vulnerabilities of Love
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VIDEOS
Welcome to our YouTube Channel
Books
With Aiwanose Odafen’s “Tomorrow I Become a Woman,” The Modern Feminist Nigerian Novel Continues To Mature
Nnamdi Ehirim’s “Prince of Monkeys” Captures the Trauma of a Generation
Hell Hath No Fury Like a Poet Scorned: A Review of Dami Ajayi’s “Affection and other Accidents”
What is Yet Unsaid about Eloghosa Osunde and Her Novel, “Vagabonds!”
The Orientations of the Street in Jindu Enugbe’s “Street OT”
Jennifer Makumbi’s “A Girl is a Body of Water” is a New Height for the African Coming-of-Age Novel
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Culture
How Igbo Traditional Religion Intersects With Modern Christianity, And Why The Igbos Easily Embraced The “White Man’s Religion”
Pride Month 2021: Dangerous Myths About LGBTQ+ People In Nigeria That Should Be Left Behind
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Fashion
2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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10 African Fashion Events to Watch Out for in 2025
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Sports
Elias “Domingues” Pelembe: The Mozambican 40-Year-Old Captain, His Longevity, and Enduring Passion for Football
Ready to Play: Music Playlist for the AFCON 2023
8 Interesting Facts About Cameroonian Fighter, Francis Ngannou
AFCON 2023: The Dynamic Players, the Teams, and Their Diverse Origins
Anthony Joshua and Francis Ngannou Set for Epic Showdown in Saudi Arabia
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Explainers
Fiction & Poetry
A Journey to Gwarinpa, Abuja
Haunting
I Toil Through the Deep, & Other Poems
Dearest, & Child, Though Death be a Tyrant, not Every Dead Yielded to Tyranny
At the Squad
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