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“The Termite Colony” Review: Ike Okonta’s First Novel Bears Witness to the Making of Nations
Who Shapes Our Narratives?: Afrobeats, Billboard, and the Barometers of Success in African Music
Kunle Afolayan Signs Deal with Benin Republic to Boost West Africa’s Film Industry
Features & Essays
The Obscured Realities in Shegun Oseh’s Smokescreen Images
The Complex Relationship Between Football and Gambling
NYrobi BookFest 2025: Exploring the Shifting Currents of Kenyan Literature
Nollywood Needs NollyTube, But Does NollyTube Need Our Brains to Be Turned Off?
10 Young African and Black Personalities Redefining the Creative Space
The Abstract Motions in Adetutu David Collins’ Art
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Interviews
In Conversation: Laurène Southe Speaks on Poetry, Creative Expression, and Diasporan Experience in Debut Chapbook
Tramaine Suubi Talks Debut Collection, the Craft of Poetry, and the Art of Literary Stewardship
In Conversation: Kimbassax Talks Upcoming Project, New Ventures, and More
In Conversation: Olubunmi Familoni Talks His NLNG Prize-Winning Book, Writing Process, and More
In Conversation: Minz Speaks on Debut Album, His Sound, and Defying the Odds by Any Means
In Conversation: Ogranya Talks “Freedom Way” and Nigeria’s Live Performance Culture
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Film & TV
ENIFF 2025: Nnamdi Kanagaʼs “Water Girl” Reclaims Ogbanje Narratives With Intimacy and Precision
“Bad Influencer” Review: Netflix’s South African Series Is a Stylish, Chaotic Tale of Clout and Consequences
“Dust to Dreams” Review: Idris Elba and Mo Abudu Collaborate on a Short Film That Squanders Its Fortunes
“Milisuthando” Review: Bongela-Davis’ Film Places the Nation in the Mirror of a Single Life
“3 Cold Dishes” Review: Asurf Oluseyi’s Cold Revenge Thriller Arrives Lukewarm
AFRIFF 2025: Atlanta Bridget Johnson Has More to Give Than Kayode Kasum’s “Fractured” Has to Offer
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Music
Afrocritik Weekly Music Spotlight: BIG JOL!
Are Music Videos Relevant in Afro-Pop Today?
“Emadlelweni Aluhlaza” Review: Blue Pappi Charts Introspective Journey Across Sprawling Album
“Lifestyle” Review: Balloranking Brings His Street-Pop Sound to an Amapiano-Driven EP
Afrocritik Weekly Music Spotlight: Potential Showcase
“Not Guilty” Review: Terry Apala Celebrates Freedom on Compact EP
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VIDEOS
Welcome to our YouTube Channel
Books
Nairobi LitFest 2025: NBO Explores The Countercurrents of Knowing
“The Parlour Wife” Review: Foluso Agbaje’s Novel Is a Vital Contribution to Historical Fiction
“Readers Will Bring All Kinds of Meaning to Your Work”: Uche Okonkwo, In Conversation with Afrocritik
“Little Rot” Review: Akwaeke Emezi’s Novel Confronts The Performance of Morality
“Only Big Bumbum Matters Tomorrow” Review: Damilare Kuku’s Novel Addresses Body Politics, Biases, and Femininity
The Life and Political Imaginations of Ngũgĩ wa Thiong’o
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Culture
Nigeria Cinema Day and the Marketing Hurdles Holding Back Nollywood
Addressing a Widespread Crisis: Gender-Based Violence in Kenyan Sports and Beyond
Kingsley Ayogu’s “If Hives Could Dance in Colours” Is a Poetic Exploration of Life and Memory
Xenophobia Blues and the South African Complex: Is the Dangerous Politics of Nazism on the Rise Again?
Wonu Osikoya Documents Afrobeats History From a Fresh Perspective With “Grime, Glory & Afropop”
Art, Culture, and Community: The Spirit of the Second Edition of the Umuofia Arts and Books Festival
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Fashion
2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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Sports
Can the Black Stars Defy the Odds and Qualify for AFCON 2025?
Oliver Mbekeka: Uganda’s First Female Manager in Men’s Premier League
Inside the 2024 Beach Soccer Africa Cup of Nations
All the Scoop on Samson Dauda, the 2024 Mr Olympia Winner
Strengthening the NPFL: Evaluating the Impact of Seasoned Players and Managers
Why African Top-Flight Football Clubs Struggle to Sell Directly to Europe’s Elite
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Explainers
Fiction & Poetry
Soliloquy At The Portico | Poem by Marvellous Mmesomachi Igwe
Reawakening | Poem by Maryam Kekere-Ekun
Two Poems | By Excel Chinagorom Michael
Three Poems | By Victor Chịmbọ
Three Poems | By Salama Wainaina
Three Poems | By Emmanuel Somtochukwu Ferdinand
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