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African Artists’ Foundation Announces Inaugural LagosPhoto Biennial, Set for October 2025
Neither Here nor There: The Talking Stage as Nigeria’s New Relationship Culture
2026 Oscars: UK Submits Akinola Davies Jr.’s “My Father’s Shadow” for Best International Feature Film
Features & Essays
Opinion: We Have Taken Afrobeats to the World, and Now They Are Taking It From Us
Chidimma Adetshina’s Inspiring Rise to the Miss Universe Stage
BBL Comedy Box: Showcasing South-Eastern Nigeria’s Comic Brilliance
What Has Happened to Igbo Language Novels?
Too Early for Birds Chronicles Tom Mboya’s Legacy with Wit and Heart
The Legacy of Loss | Nonfiction by Damilola Olaniyi
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Interviews
Itegboje Daniel is Effecting Societal Change Through Documentary Filmmaking
In Conversation: Konstance Talks Music, Ambition, and New Ventures
In Conversation: How Kaycee Brown Is Embracing His Identity Through Music
Navigating Heartbreak and Closure: Inside MTV Base’s Nigerian Adaptation of the “Ghosted” Reality Show
“We Are Trying to Make History Accessible”: Archivi.ng, the Startup On a Journey to Digitise Nigerian History
In Conversation: How Nezsa is Soul Searching and Finding Clarity Through Music
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Film & TV
“Red Circle” Review: Akay Mason’s Energetic Thriller Delivers on Its Ambitions
“Fortune Favours the Bold”: In Conversation With the Cast and Crew of “Red Circle”
“The Party” Review: Where’s the Sleuthing or Mystery in This Nollywood Whodunit?
“MTV Shuga Mashariki” Review: The New Shuga Iteration Has A Shiny Surface With A Hollow Core
In Conversation: Ife Olujuyigbe Talks Storytelling, the Realities of Producing, and Navigating Nollywood
20 Prolific Producer-Director Collaborations in Nollywood
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Music
Afrocritik Weekly Music Spotlight: Bridge Week
“Sweet Songs 4 You” Review: Lasmid and Tml Vibez Combine Seamlessly on New Collaborative Album
“Captain” Review: BNXN’s Sophomore Album Is a Steady Voyage Through a Familiar Soundscape
“Lagos Lover Boy” Review: Ric Hassani Crafts a Cohesive Portrait of Urban Romance
Afrocritik Weekly Music Spotlight: Easing In
“The Prince of the Street” Review: Ayo Maff’s Strongly Themed Debut Still Needs More Range to Soar
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VIDEOS
Welcome to our YouTube Channel
Books
“The Road to the Country” Review: Chigozie Obioma’s Book Explores the Costs of War, Guilt, and the Enduring Survival of Love
Finding Freedom: Aké Arts and Book Festival Returns with a Focus on Diverse Voices
“The Most Secret Memory of Men” Review: Mohamed Mbougar Sarr’s Book Engages with the Complexities of Literary Critique
“After the End” Review: Olukorede Yishau’s Book Explores Betrayal and Trauma in Fine Detail
“Face Me I Face You” Review: Oyindamola Shoola Uses Unconventional Poetry to Explore Nigerian Communal Life
“Tearless” Review: Ayo Deforge’s Novel Explores Self-Discovery, Trauma Resolution, and Love
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Culture
Sensational Book Titles: A New Trend in Nigerian Literature?
Afrocritik Turns Three: What It Means to Amplify African Voices
The Cultural Renaissance of East African Theatre and Performing Arts
Mara: What to Know About the Viral Hyper-Fast and Energetic Sound
All the Fuss About Afrobeats, Its “Way-Pavers” and Frontliners
Is Controvesy the Linchpin that Keeps Portable in the Spotlight?
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Fashion
2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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10 African Fashion Events to Watch Out for in 2025
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Sports
Addressing a Widespread Crisis: Gender-Based Violence in Kenyan Sports and Beyond
2024 Paralympics: How African Nations Fared at the Paris Games
Super Eagles and the Foreign Coach Conundrum: A Step Forward or Backward?
Paralympics 2024: Can Egypt Get Back to Winning Gold in Paris?
Nigeria’s Paris 2024 Olympic Failure: Who’s to Blame?
Egypt vs. Morocco Preview: North African Rivals Face off for 2024 Paris Olympic Football Bronze
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Explainers
Fiction & Poetry
Good Guys Finish Last | Fiction by John “Penwielder” Ebute
Refaat Alareer | Poem by Abigail George
Eternal Feast | Fiction by Iko Odoba
the gospel of a father | Poem by Azaiouris Y. Zeon
Toby Abiodun’s “Original Psalms” Is a Poet’s Lyrical Riff on Love and Self-Understanding
A Flicker of Light | Daniel Echezonachi Maxwell
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