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Martha Ehinome’s Executive-Produced “Man of Her Dreams” Wraps Production
“Fuji: A Opera” Delivers Its Most Expansive Edition Yet With Fuji Vibrations 2025
“The Heart is a Muscle” Review: Imran Hamdulay’s Debut Feature Traces the Wounds We Inherit and the Ones We Try to Heal
Features & Essays
Ogbanje or Abiku Phenomenon: An African Spirit-Child Myth or the Enigma of Modern Health Struggles?
X Is Doing Us In and We Don’t Know It
Fusion and Superimposition in Mede Akran’s Photography
What Happened to Nollywood Sitcoms?
Opinion: Is It Time to Revamp the Judge Selection for the NLNG Nigeria Prize for Literature?
Igbobinna Eze: An Artist Staying True to His Spirit
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Interviews
In Conversation: Ogranya Talks “Freedom Way” and Nigeria’s Live Performance Culture
Yemi Alade: The Rebel Queen of Afro-Pop
Sabi Wu Is East Africa’s Best Kept Secret
In Conversation: Camillo Doregos on Managing Mr Eazi, Pheelz, and Key Industry Lessons
In Conversation: Mark Mac on Amapiano’s Evolution and the Trials of Talent Management
The Creative Pulse of Chike: An Artiste’s Narrative
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Film & TV
“My Father’s Shadow” Review: Akinola Davies Jr.’s Intimate Tribute to Fatherhood, a Nation in Distress, and Its Biggest City
30 Nollywood Films That Explore African Spirituality and Tradition
In Conversation With Omotola Jalade Ekeinde On Her Directorial Debut, “Mother’s Love”
TIFF 2025: In Conversation With the Cast and Crew of “Nomad Shadow”
“This Is Not a Burial, It’s a Resurrection” Review: Lemohang Jeremiah Mosese Crafts a Poetic Resistance
“The Waiter” Review: Here Is More Proof That Ayo Makun Needs to Lay Akpos To Rest
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Music
10 Rising African Alté Artistes to Watch in 2025
“Spiral” Review: Tim Lyre Charts Cycles of Love and Life on Sophomore Album
Afrocritik Weekly Music Spotlight: Detour Week
“The Summer That Saved Me” Review: Odeal Bottles Newfound Freedom and Clarity on New EP
“Victims of Madness 2.0” Review: Wakadinali Chooses Refinement Over Reinvention
“Goodgirl” Review: GoodGirl LA Reintroduces Her Vibrant Uniqueness on New EP
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VIDEOS
Welcome to our YouTube Channel
Books
“Dream Count” Review: Chimamanda Ngozi Adichie’s Novel Psychoanalyses the Intangibility of Dreams
“Grief’s First Kiss Is an Avalanche” Review: Wendy Okeke Offers an Introspective Look At the Multifaceted Nature of Grief
“Runnin’ No More” Review: G.T. Dipe’s Novel Celebrates the Resilience of Love
“Child of Congo” Review: Laurène Southe’s Chapbook Explores History, Identity, and the African Experience
“Death of the Author” Review: Nnedi Okorafor’s Book Addresses the Complex World of Writing and Publishing
Navigating the Business Side of Writing: What Every Author Needs to Know
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Culture
Wonu Osikoya Documents Afrobeats History From a Fresh Perspective With “Grime, Glory & Afropop”
Art, Culture, and Community: The Spirit of the Second Edition of the Umuofia Arts and Books Festival
Onyeka Onwenu: An Ode to the Elegant Stallion
30 Years Later: Tai Solarin is Still an Exemplary Educator and Ferocious Social Critic
Sensational Book Titles: A New Trend in Nigerian Literature?
Afrocritik Turns Three: What It Means to Amplify African Voices
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Fashion
2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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10 African Fashion Events to Watch Out for in 2025
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Sports
Inside the 2024 Beach Soccer Africa Cup of Nations
All the Scoop on Samson Dauda, the 2024 Mr Olympia Winner
Strengthening the NPFL: Evaluating the Impact of Seasoned Players and Managers
Why African Top-Flight Football Clubs Struggle to Sell Directly to Europe’s Elite
FASU 2024: Scholars Compete, Cultures Converge in Lagos
Addressing a Widespread Crisis: Gender-Based Violence in Kenyan Sports and Beyond
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Explainers
Fiction & Poetry
Contranormative: A Monologue | Poem by Precious Chidera Harrison
Broken Vessels and Other Poems | By Feyijimi Fayowolé
First Rain | Fiction By Chimezie Okoro
How to Blackmail God | Poem By Felix Eshiet
Rich People’s Street | Poem By Obongofon Etuk
Good Guys Finish Last | Fiction by John “Penwielder” Ebute
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