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African Writers Dominate 2026 BSFA Awards Longlist with Nearly 30 Nominations
Sundance 2026: Olive Nwosu’s “Lady” Weaves Dreams, Trauma, and Chaos into a Gender-Aware Debut
ARMC 2026 Announces First Headline Speakers, Strategic Partnerships, and Genre Spotlights
Features & Essays
Nollywood Needs NollyTube, But Does NollyTube Need Our Brains to Be Turned Off?
10 Young African and Black Personalities Redefining the Creative Space
The Abstract Motions in Adetutu David Collins’ Art
Chinua Achebe’s “The Trouble with Nigeria” Revisited: Is Nigeria’s Trouble Still Rooted in Poor Leadership?
A Father’s Daughter Goes Home: The Illustrious Life of Mabel Segun
Why Is There a Dearth of Protest Music in Nigeria Today?
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Interviews
In Conversation: Minz Speaks on Debut Album, His Sound, and Defying the Odds by Any Means
In Conversation: Ogranya Talks “Freedom Way” and Nigeria’s Live Performance Culture
Yemi Alade: The Rebel Queen of Afro-Pop
Sabi Wu Is East Africa’s Best Kept Secret
In Conversation: Camillo Doregos on Managing Mr Eazi, Pheelz, and Key Industry Lessons
In Conversation: Mark Mac on Amapiano’s Evolution and the Trials of Talent Management
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Film & TV
AFRIFF 2025: Nwamaka Chikezie’s “To Adaego with Love” Is a Post-War Romance of Half Measures
AIFF 2025: Enah Johnscott Illuminates the Fragility of Memory and the Fading Architecture of Care in “Lights Out”
“The Herd” Review: Daniel Etim Effiong’s Debut Feature Is Taut and Human
The Cuts of Speaking Truth in Nigerian Cinema
AFRIFF 2025: Kalu Oji Reflects on Fatherhood and the Igbo Immigrant Experience in Tender Debut Feature, “Pasa Faho”
AFRIFF 2025: “Son of the Soil” Stages a Generic and Unconvincing Revenge Tale on the Streets of Lagos
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Music
“444PLAY” Review: Minz’s New EP Explores a Breezy Expansion of His Eclectic Pop Textures
“Black Star” Review: Amaarae’s Boldness Finds Energetic Expression on New Album
The Neo-Arewa Soundscapes of FirstKlaz
Afrocritik Weekly Music Spotlight: Soul & Groove
“Ingubo Enamehlo” Review: Halo Yagami Tugs At Heartstrings Across New Album
Afrocritik Weekly Music Spotlight: Detour Week II
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VIDEOS
Welcome to our YouTube Channel
Books
The Life and Political Imaginations of Ngũgĩ wa Thiong’o
“Ujana” Review: Frank Njugi’s Chapbook Is a Portrait of Youth, City, and Self
“Barter” Review: Erhu Kome’s Dystopian Vision In Her Novella Falters in Execution But Shines In Concept
“Some Stars Do Not Fall” Review: Taofeek Ayeyemi’s Chapbook Meditates on the Language of Grief
Dhee Sylvester: The Designer Revolutionising Nigerian Book Covers
“While She Slept” Review: Kumashe Yaakugh’s Novella Explores Ghosts, Memory, and Masculinity
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Culture
Kingsley Ayogu’s “If Hives Could Dance in Colours” Is a Poetic Exploration of Life and Memory
Xenophobia Blues and the South African Complex: Is the Dangerous Politics of Nazism on the Rise Again?
Wonu Osikoya Documents Afrobeats History From a Fresh Perspective With “Grime, Glory & Afropop”
Art, Culture, and Community: The Spirit of the Second Edition of the Umuofia Arts and Books Festival
Onyeka Onwenu: An Ode to the Elegant Stallion
30 Years Later: Tai Solarin is Still an Exemplary Educator and Ferocious Social Critic
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Fashion
2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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10 African Fashion Events to Watch Out for in 2025
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Sports
Can the Black Stars Defy the Odds and Qualify for AFCON 2025?
Oliver Mbekeka: Uganda’s First Female Manager in Men’s Premier League
Inside the 2024 Beach Soccer Africa Cup of Nations
All the Scoop on Samson Dauda, the 2024 Mr Olympia Winner
Strengthening the NPFL: Evaluating the Impact of Seasoned Players and Managers
Why African Top-Flight Football Clubs Struggle to Sell Directly to Europe’s Elite
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Explainers
Fiction & Poetry
Three Poems | By Emmanuel Somtochukwu Ferdinand
Conversations With Strangers | Fiction By Lydia Mutuku Nzilani
Three Poems | By Muheez Olawale
The Wooden Shack | Fiction by Ndakotsu Abubakar
Contranormative: A Monologue | Poem by Precious Chidera Harrison
Broken Vessels and Other Poems | By Feyijimi Fayowolé
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