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TikTok for Artistes Launches in Nigeria to Boost Artiste Growth and Fan Engagement
Noise or Attention: What Really Sells Nollywood Films?
Angolan Writer, Nituecheni Africano, Wins 2025 Sankofa Book Awards Kenya
Features & Essays
A Father’s Daughter Goes Home: The Illustrious Life of Mabel Segun
Why Is There a Dearth of Protest Music in Nigeria Today?
It’s 2025 and We Still Don’t Understand Intellectual Property in Kenya
Odumodublvck & the Never-Ending Fight Over What Nigerian Rap Should Be
Ogbanje or Abiku Phenomenon: An African Spirit-Child Myth or the Enigma of Modern Health Struggles?
X Is Doing Us In and We Don’t Know It
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Interviews
In Conversation: Kimbassax Talks Upcoming Project, New Ventures, and More
In Conversation: Olubunmi Familoni Talks His NLNG Prize-Winning Book, Writing Process, and More
In Conversation: Minz Speaks on Debut Album, His Sound, and Defying the Odds by Any Means
In Conversation: Ogranya Talks “Freedom Way” and Nigeria’s Live Performance Culture
Yemi Alade: The Rebel Queen of Afro-Pop
Sabi Wu Is East Africa’s Best Kept Secret
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Film & TV
How Geoblocking and Cinema Scheduling Bias Undermine Distribution in Nollywood
“My Mother Is a Witch” Review: Niyi Akinmolayan Explores Intergenerational Trauma in Provocative Drama
“Red Circle” Review: Akay Mason’s Energetic Thriller Delivers on Its Ambitions
“Fortune Favours the Bold”: In Conversation With the Cast and Crew of “Red Circle”
“The Party” Review: Where’s the Sleuthing or Mystery in This Nollywood Whodunit?
“MTV Shuga Mashariki” Review: The New Shuga Iteration Has A Shiny Surface With A Hollow Core
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Music
“Sweet Songs 4 You” Review: Lasmid and Tml Vibez Combine Seamlessly on New Collaborative Album
“Captain” Review: BNXN’s Sophomore Album Is a Steady Voyage Through a Familiar Soundscape
“Lagos Lover Boy” Review: Ric Hassani Crafts a Cohesive Portrait of Urban Romance
Afrocritik Weekly Music Spotlight: Easing In
“The Prince of the Street” Review: Ayo Maff’s Strongly Themed Debut Still Needs More Range to Soar
“GE3 (The Beginning)” Review: A-Q Closes His Trilogy With Precision and Purpose
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VIDEOS
Welcome to our YouTube Channel
Books
“Death of the Author” Review: Nnedi Okorafor’s Book Addresses the Complex World of Writing and Publishing
Navigating the Business Side of Writing: What Every Author Needs to Know
“A Future in Chains” Review: Ndifreke Ukpong’s Book Expertly Tackles Faith, Tradition, and Resilience
Afrocritik’s Anticipated Books of 2025
Afrocritik’s Notable Books From Africa in 2024
Afrocritik’s 35 Remarkable African Short Stories in 2024
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Culture
Top 10 Gyms in Lagos and Abuja
BNPL Services in Nigeria: The Benefits and Risks of Flexible Repayments
Content Piracy in Nigeria: Trends, Challenges, and Pathways to Resolution
Top 8 Nightclubs in Lagos and Why You Should Visit Them
Cyberbullying: The Lasting Toll on Victims and How to Address It
The Touchstones of Kikelomo’s Maternity Photography
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Fashion
2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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10 African Fashion Events to Watch Out for in 2025
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Sports
CHAN: Is It Truly Serving African Football?
The Year Ahead in African Sports: Key Competitions in 2025
Afrocritik’s Top 20 African Athletes of 2024
Letsile Tebogo: The Rise to Men’s Athlete of the Year in 2024
AMGA 2024: Inside The Second Ever African Military Games
CAF’s Prize Money Boost: A Game Changer for African Women’s Football?
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Explainers
Ranking AFCON Host Performances in the Past Decade
8 Interesting Facts About Cameroonian Fighter, Francis Ngannou
8 Common Cyber Attacks to Know, and How to Protect Yourself
The Menace of Cyber Attacks: What to Know About Phishing and How to Protect Yourself
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Fiction & Poetry
Two Poems | By Muhammad M Ubandoma
Two Poems | By Tharseo Jovita
Soliloquy At The Portico | Poem by Marvellous Mmesomachi Igwe
Reawakening | Poem by Maryam Kekere-Ekun
Two Poems | By Excel Chinagorom Michael
Three Poems | By Victor Chịmbọ
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