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Film Africa Returns for 13th Edition, Celebrates the Royal African Society Anniversary with Afrocentric Lineup
“When the Sky was Blue” | Short Story By Uchechukwu Onyinyechukwu Onowu
BFI London 2026: In Conversation with Jason Jacobs and Devon Delmar on Community, Memory, and Telling Unseen Stories in “Variations on a Theme”
Features & Essays
African Filmmaking at the Crossroads of Oscars Reform and AI Ethics
The Comment Section Republic: Where Does the Nigerian Anger Go?
A Voyage and An Exploration: What An Essay Is
Skin Is Skinning: How Nigeria’s Skincare Culture Became a Movement and a Market
The Yoruba Traitor as Political Construction: A Response to Sam Omatseye’s “The Yoruba Traitors”
Interior Is a Country: On Nigerian Novels and the Limits of the Screen
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Interviews
“The Situation in Africa Today Is So Urgent”: Ike Okonta on Fiction, Journalism, and Diagnosing the Nigerian Condition
Jubed Is Expanding the Sound and Vision of Ghanaian Pop
In Conversation: oSHAMO Talks Fuji, Self-Discovery, and What’s Next
Berlinale 2026: In Conversation with Olive Nwosu, Writer-Director of “Lady”
In Conversation: Praise Odigie Paige Reflects on Migration, Memory and Artistic Trajectory in “Birdie”
“Art Has the Capacity to Move the Needle”: In Conversation with Akinola Davies Jr. on “My Father’s Shadow”, Nigerian History, and Casting Choices
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Film & TV
MIFF 2026: “Chronicles From the Siege” Is the Film That Says What Politics Has Failed To
MIFF 2026: Alain Gomis’ “Dao” Is a Three-Hour Act of Cultural Memory That Earns Every Minute It Asks For
“Zikoko Life” Review: Big Cabal’s Anthology Mostly Finds Its Rhythm in Its Second Edition
“Alechenu” Review: A Potent Social Commentary Undone by Its Untapped Narrative Potential
MIFF 2026: “What Do the Maknines Dream Of”, “Obi Is a Boy”, and “Whispers of a Burning Scent” Find Beauty in the Difficult Act of Letting Go
For How Long Can We Sustain This Thing of Ours?: On Bootstrapping and the Current Iteration of Nollywood
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Music
“Out of Sight – Out of Mind: Volume 1” Review: Ycee Expresses Stylistic Yin & Yang on New Album
“Love is a Machinery” Review: Anendlessocean Gives Romance the Album It Deserves
Afrocritik Music Spotlight: Outside the Box
“Small Chops” Review: Mannywellz Delivers a Sweet Treat on New EP
The Afrobeats Takeover: A Myth of Institutional Power
“A Rii Set” Review: Pheelz Expresses Artistic Duality On New Project
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VIDEOS
Welcome to our YouTube Channel
Books
“Let Us Conspire and Other Stories” Investigates Marginal Identities Amidst Loss and Grief
“The Comedian’s Diary” Review: Obase-Sam Ikoi’s Debut Novel Challenges Traditional Forms of the Novel in Its Portrait of Addiction
Notable African Political Fiction of the Last Decade (Part II)
Sisterhood and a Fractured Marriage: A Review of Yejide Kilanko’s “In Our Own Ways”
20 Notable Escapist African Fiction of the Last Ten Years
Love in a Time of Terror: A Review of Donica Merhazion’s “Born at the End of the World”
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Culture
Prestige vs Payoff: Do University Rankings Still Matter in Nigeria?
Why Nigeria Still Can’t Find Its Balance of Power
Neither Here nor There: The Talking Stage as Nigeria’s New Relationship Culture
Undoing the Knots Society Tied in Your Mind
Whose Name Do You Bear? The Politics of Surnames and the Erasure of African Women
How Capitalists Are Exploiting Us Through ‘Must-Haves’
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Fashion
AMVCA 2026: The Best Celebrity Red Carpet Looks of the Night
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Met Gala 2026: How African Celebrities Showed Up on Fashion’s Biggest Stage
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2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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Sports
Documentary Spotlight: “The African Giant”
The Ultimate Guide to the 2025 Women’s AfroBasket in Côte d’Ivoire
WAFCON 2024 Quarterfinal Guide: Players to Watch and Our Predictions
WAFCON 2024: African Women’s Football Deserves Better Broadcast Coverage
Kyalami’s Renaissance: Paving the Way for F1’s Return to Africa
Africa at the 2025 FIFA Club World Cup
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Explainers
Understanding Jade Osiberu’s “Gangs of Lagos” Court Ruling
Inside the Mercy Chinwo and EeZee Conceptz Fallout
Navigating the Business Side of Writing: What Every Author Needs to Know
How Budgeting Apps Empower Young Africans
How Fuji Music Influences the Modern Afro-Pop Soundscape
All the Scoop on Samson Dauda, the 2024 Mr Olympia Winner
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Fiction & Poetry
Three Poems | By Tobi Aluko
How to “Hide My ID” Like a Typical Northern Housewife
“Time After Time” & “Buy Her an Air Fryer” | Poems by Sheila Ngei
The Geometry of Nonsense | Poem By Obongofon Etuk
“Mine Too Counts” Review: Agbeye Oburumu Gives Voice to the Pains of the Nigerian Masses
“I Give You Softness” and Other Poems | By Olobo Ejile
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The Comment Section Republic: Where Does the Nigerian Anger Go?