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“Small Chops” Review: Mannywellz Delivers a Sweet Treat on New EP
“Let Us Conspire and Other Stories” Investigates Marginal Identities Amidst Loss and Grief
Simisolaoluwa Akande, Aicha Cherif, and Yace Sula Join 2026 Sundance Institute Ignite Fellowship
Features & Essays
Thinking Through Christopher Okigbo’s Words
Why Nollywood Has Stars but No Movie Stars
Why Do Nigerians Pray So Much?
Kwani? To Qwani: The Layers of 21st Century Literary Time in Kenya
The Consolation of Poetry
A Country That Shows Up: Kenya’s Cultural Social Capital
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Interviews
“Creators Have Been Blessed With An Opportunity To Start Conversations”: Wale Davies on Writing “My Father’s Shadow”
“I Write Because I Have to Tell the Story”: In Conversation With Oyin Olugbile on Her Nigeria Prize for Literature Shortlist, “Sanya”
“It’s People You Belong To Rather Than Places”: In Conversation With Nikki May on Her Nigeria Prize for Literature Shortlist, “This Motherless Land”
In Conversation With Omotola Jalade Ekeinde On Her Directorial Debut, “Mother’s Love”
In Conversation With Deola And Darey Art Alade: On Making EWA “Africa’s Definitive Creative Convergence”
TIFF 2025: In Conversation With the Cast and Crew of “Nomad Shadow”
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Film & TV
“Headless” Review: Michael Ndiomu’s Debut Feature Diagnoses Nollywood’s Rot Without Fully Escaping It
15 Women Who Have Shaped Nigerian Film Journalism
AMVCA 2026: The Shocks, Surprises and Frauds of the AMVCA12 Nominations
KFCB’s Notice and The Problem With The Film and Stage Plays Act
Joburg Film Festival 2026: Jordy Sank Reflects on Xenophobia, Social Justice, and Stylistic Choices In “Amazeze (Fleas)”
iREP Film Festival 2026: “Awon Boyz”, “No U-Turn”, “Awani”, “Double Minority”, “Afterlife” and “Isese” Reviews
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Music
Inside the Mind and Legacy of DJ Jimmy Jatt
Zeenobwoy Taps Into Afrobeats’ Rich Material on the Love-Led “Sweet Body”
“Oasis” Review: Brenique Offers a Soulful, Faith-Rooted Offering on Debut EP
“When Lagos Sleeps” Review: Spinall Showcases Curatorial Range on New EP
The Black Box in Music Royalties: Why African Artistes Are Missing Out on Their Money
“Free (Deluxe)” Review: Nasty C Searches for Himself on Ambitious but Uneven Album
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VIDEOS
Welcome to our YouTube Channel
Books
Of Cities and Ancestors: A Review of “The Naming” and “African Urban Echoes”
“Poetry Has All My Pain” and “Love Through the Eyes of a Village Boy” Review: Vic’Adex Twin Collection Finds Tension in Parental Absence and Love
Afrocritik’s Most Anticipated Books of 2026
Afrocritik’s Notable African Books of 2025
Carrying These Poems Far Into the Middle and Beyond: A Review of Othuke Umukoro’s “Fenestration”
The Life and Works of Meja Mwangi, Kenya’s Great Chronicler
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Culture
Why African Men Are Finally Embracing Skincare
To Sacrifice for Love: A Case for the Beauty of Marriage
Can Crime Reporting Apps Increase Police Responsiveness in Africa?
The Misogyny of “Wife vs. Mom” Hypotheticals and Why We Must Retire Them
Do African Languages Come From the Same Place?
10 Must-Have Apps for University Students in Africa
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Fashion
AMVCA 2026: The Best Celebrity Red Carpet Looks of the Night
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Met Gala 2026: How African Celebrities Showed Up on Fashion’s Biggest Stage
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2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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Sports
Has the African Football League Gone Ghost?
Unity Cup 2025: New Squads, Old Rivalries, One Cause
Why Are East Africa’s Best Athletes Competing for Other Countries?
The 2025 CAF U-20 Africa Cup of Nations: Competition Review, Standout Players, and Finals Preview
Basketball Africa League Season 5: Race for the Playoffs
African Excellence at the 2025 Diamond League
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Explainers
Bongo Flava: The Evolution of East Africa’s Soundtrack
Examining the Role of Cold Chain Storage Facilities in Reducing Nigeria’s Post-harvest Losses
The Art Behind the Music: Why Album Covers Matter
The Power and Essence of Album Rollouts
AI Voice Cloning Scams: How to Protect Yourself
African Basketball in Paris: South Sudan and Nigeria Face Formidable Olympic Hurdles
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Fiction & Poetry
“Àtìpó: The Stranger I Have Become” and Other Poems | by Olamoyegun Noah O
Two Poems | By Salama Wainaina
Dearth Warning Signs | Poem By Peace Ogunjemilua
Three Poems | By Olamoyegun Noah O
Two Poems | By Tukur Ridwan
The Dreamer | Short Story By Ornguze Nashima Nathaniel
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