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Eniola Bolaji Becomes First African World No. 1 in Women’s SL3 Para-Badminton
“Hybrid” Review: Shoday’s Artistry Solidifies on Debut Album
“Alive Till Dawn” Review: Star Power, Genre Risk and Nollywood’s Innovation Myth
Features & Essays
Are Music Videos Relevant in Afro-Pop Today?
Noise or Attention: What Really Sells Nollywood Films?
How Capitalists Are Exploiting Us Through ‘Must-Haves’
To Kill a Conversation: Nollywood, Criticism, and the Culture of Silence
Nigeria’s Class Problem and the Nepotism Debate
Dear Nollywood, Stop Using Sexual Violence as a Plot Device
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Interviews
“Making a Film Anywhere in Africa Is a Struggle”: In Conversation With Tunisian Filmmaker, Amel Guellaty, Director of “Where the Wind Comes From”
“Readers Will Bring All Kinds of Meaning to Your Work”: Uche Okonkwo, In Conversation with Afrocritik
Idowu Odeyemi’s New Theory of Disgust: He Thinks What You Say Can Be Disgusting
Loud Urban Choir Is Redefining Choral Music in Afro-Pop
Billboard-Honoured Lawyer, Akinyemi Ayinoluwa, Talks Music Law, African Excellence, and Creative Rights
Blinky Bill: East Africa’s Quiet Radical
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Film & TV
ADIFF 2025: Yassine Fennane’s “The Ants” Undertakes a Study in Dignity and Survival Across Class
TSWA Film Festival 2025: Freedom of Movement and the Cost of Survival in “Casablanca – Dakar” and “Seed Is Life”
ADIFF 2025: In Conversation With Nana Adwoa Frimpong, Producer of “The Eyes of Ghana”
S16 Film Festival 2025: “About Sarah”, “My Jebba Story”, “Obi Is a Boy”, “Back to the Theatre Vox”, “Òdè!” + Other Short Film Reviews
“Colour Me True” Review: Toluwani Obayan Osibe’s Debut Reaches for Truth but Settles for Surface
ADIFF 2025: Sana Na N’Hada Examines the Cost of Freedom and the Weight of Memory in “Nome”
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Music
Afrocritik Weekly Music Spotlight: Mega Catch-Up
“Industry Machine” Review: Odumodublvck’s Album Is Loud, Bold, and Loosely Bolted Together
“Protect Sarz At All Costs” Review: Sarz’s Star-Loaded Debut Is Brilliant in Parts, But Fails to Thrill Fully
“Peace By Piece” Review: Fireboy DML and Pheelz’s Collaborative EP Serves Up Feel-Good Afro-Pop Bliss
“Yariasu” Review: Nyashinski’s Familiarity Dulls the Spark of His Latest Album
“The Torcher” Review: Stonebwoy Proves His Pedigree on New Album
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VIDEOS
Welcome to our YouTube Channel
Books
“The Mind Is Not An Ally” Review: Ayo Deforge Philosophises About The Mind In Her Poetry Collection
“Thunder and Roses” Review: Eniola Omorinkoba’s Novella Is an Apt Encapsulation of the Nuances of Love & Loving
“I Cry At The Feet of My Other Body” Review: Mustapha Enesi’s Debut Collection Confronts Patriarchy and the Loss of Agency
“I Write Because I Have to Tell the Story”: In Conversation With Oyin Olugbile on Her Nigeria Prize for Literature Shortlist, “Sanya”
Macondo Literary Festival 2025: East Africa’s Literary Vanguard Holds Its Fifth Edition
“It’s People You Belong To Rather Than Places”: In Conversation With Nikki May on Her Nigeria Prize for Literature Shortlist, “This Motherless Land”
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Culture
Can Body-Worn Cameras Build Trust In Africa’s Policing?
The Cultural and Structural Realities Behind Llona and Odumodublvck’s Grassroots Tours
10 Times Nigerian Songs Made a Surprise Comeback Online
Can African Proptech Startups Build Trust in a Skeptical Market?
Can AI Make Loan Applications Fairer in Africa?
10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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Fashion
2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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Sports
Basketball Africa League Season 5: Race for the Playoffs
African Excellence at the 2025 Diamond League
The Complex Relationship Between Football and Gambling
Serhou Guirassy: Against the Odds
Recap of the On-Going CAF U-17 Nations Cup
World Athletics’ DNA Testing: How New Gender Rules Impact African Athletes
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Explainers
AFCON 2023: Quarter-Finals Preview
Ranking AFCON Host Performances in the Past Decade
8 Interesting Facts About Cameroonian Fighter, Francis Ngannou
8 Common Cyber Attacks to Know, and How to Protect Yourself
The Menace of Cyber Attacks: What to Know About Phishing and How to Protect Yourself
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Fiction & Poetry
FLOODWATER | Poem By Al Ameen Muhammad
The Boy Who Brought Balloons | Short Story by Maryam Abdulkarim
MIDNIGHTS | Fiction by David Agyei-Yeboah
Clan | Poem by Victor Obukata
Fine Geh | Fiction by Chizitere Madeleine Nwaemesi
Untitled Poem for a Boy Who Never Knew Love | By Stephen Nwankwo
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