Olamide
The Beautiful Lie of “Making It”
Afrocritik’s Top 100 African Songs of 2025

Afrocritik’s Top 100 African Songs of 2025

Features & Essays

Meja Mwangi
The Life and Works of Meja Mwangi, Kenya’s Great Chronicler
holy hustle
Sanctified Sleeplessness: Nigeria’s Addiction to Holy Hustle
Enugu Photo Festival
Enugu Photo Festival: Architectural Ruins and the Death of Preservation
Perliks
How Perliks Became Nigeria’s Most Story-Driven Music Video Director
reading
How Should We Read? Akpata Magazine and the Reading Debate
The Milkmaid
The Cuts of Speaking Truth in Nigerian Cinema

Interviews

Nana Adwoa Frimpong
ADIFF 2025: In Conversation With Nana Adwoa Frimpong, Producer of “The Eyes of Ghana”
Jason Jacobs
ADIFF 2025: In Conversation with the Filmmakers of South African Coming-of-Age Drama, “Carissa”
Nnamdi Kanaga
In Conversation: Nnamdi Kanaga Explores Liaising With The Supernatural in “Water Girl”
Seun Kuti
In Conversation: Seun Kuti Talks “Bird’s Eye View” Podcast, Pan-Africanism, and the Power of Truth
Perliks
How Perliks Became Nigeria’s Most Story-Driven Music Video Director
Kalu Oji
AFRIFF 2025: In Conversation With Kalu Oji and Okey Bakassi, Writer-Director and Lead Actor of “Pasa Faho”

Film & TV

Casablanca - Dakar
TSWA Film Festival 2025: Freedom of Movement and the Cost of Survival in “Casablanca – Dakar” and “Seed Is Life”
Nana Adwoa Frimpong
ADIFF 2025: In Conversation With Nana Adwoa Frimpong, Producer of “The Eyes of Ghana”
S16 Film Festival
S16 Film Festival 2025: “About Sarah”, “My Jebba Story”, “Obi Is a Boy”, “Back to the Theatre Vox”, “Òdè!” + Other Short Film Reviews
Colour Me True
“Colour Me True” Review: Toluwani Obayan Osibe’s Debut Reaches for Truth but Settles for Surface
Nome
ADIFF 2025: Sana Na N’Hada Examines the Cost of Freedom and the Weight of Memory in “Nome”
The Heart is a Muscle
“The Heart is a Muscle” Review: Imran Hamdulay’s Debut Feature Traces the Wounds We Inherit and the Ones We Try to Heal

Music

Afrocritik’s Top 100 African Songs of 2025
Afrocritik’s Top 100 African Songs of 2025
Afroculture
“Afroculture” Review: Flavour Embodies The Sounds of Africa on New Album
Love Is A Kingdom
“Love Is A Kingdom” Review: Tems’ EP Is a Soul-Deep Exploration of Love’s Many Dimensions
Fuji Moto
“Fuji Moto” Review: Seyi Vibez’s Ambitious Album Lacks Coherence
Perliks
How Perliks Became Nigeria’s Most Story-Driven Music Video Director
Sabali
“Sabali” Review: Peruzzi’s Long-Awaited Album Reasserts His Status as Afro-Pop’s Melody King

VIDEOS

Welcome to our YouTube Channel

Books

Meja Mwangi
The Life and Works of Meja Mwangi, Kenya’s Great Chronicler
Ojirami
“Ojirami: The Weeping River” Review: Immigration, Myth, and Tragedy Swirl in a Play About the Potency of a Deity
Under the Rain
“Under the Rain” Review: Ayo Deforge Writes About Profound Loss, Duty, and Compromises
Cursed Daughters
“Cursed Daughters” Review: Oyinkan Braithwaite’s Sophomore Novel Explores Superstition, Matrilineage, and Intergenerational Trauma
Will This Be A Problem? The Anthology: Issue V
“Will This Be a Problem? The Anthology: Issue V” Review: Speculative Cartographies Map the New African Imagination
Dilemma of an Outcast
“Dilemma of an Outcast” Review: Anih Emeka’s Debut Novel Interrogates Bigotry but Falters in Its Attempt at Storytelling

Culture

The Beautiful Lie of “Making It”
The Beautiful Lie of “Making It”: Kenyan Youth, Hustle Culture, and the New Local Dream
holy hustle
Sanctified Sleeplessness: Nigeria’s Addiction to Holy Hustle
What Being Disabled Taught Me About Nigerians
What Being Disabled Taught Me About Nigerians
university
Prestige vs Payoff: Do University Rankings Still Matter in Nigeria?
power
Why Nigeria Still Can’t Find Its Balance of Power
talking stage
Neither Here nor There: The Talking Stage as Nigeria’s New Relationship Culture

Fashion

AMVCA

2025 AMVCA: How the Stars Lit up the Night With Style

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AMVCA Cultural Day

10 Celebrities Who Slayed the 2025 AMVCA Cultural Day

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Met Gala
What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
Read More
2025 Grammy
Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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Africa Sourcing and Fashion Week
10 African Fashion Events to Watch Out for in 2025
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Sports

John Obi Mikel
NFF Presidency: Can John Obi Mikel Effectively Lead Nigerian Football?
Ghizlane Chebbak
Ghizlane Chebbak and the CAF Awards Debate: Was Merit Ignored?
Nigerian Football
Same Grievance, Different Year: The Endless Cycle of Unpaid Bonuses in Nigerian Football
Merchandise
Ignoring Africa’s Sports Merchandise Market Is Costing Clubs Millions
World Cup
Africa’s 2026 World Cup Qualifiers Explained: Standings, Withdrawals, and the Playoff Route
Football
What Exactly Is Happening to Nigerian Men’s Football?

Explainers

Serhou Guirassy
Serhou Guirassy: Against the Odds
Omoni Oboli
Omoni Oboli and Nollywood’s Dilemma With Copyright Infringement
Gangs of Lagos
Understanding Jade Osiberu’s “Gangs of Lagos” Court Ruling
Mercy Chinwo and EeZee Conceptz
Inside the Mercy Chinwo and EeZee Conceptz Fallout
Navigating the Business Side of Writing
Navigating the Business Side of Writing: What Every Author Needs to Know
How Budgeting Apps Empower Young Africans

Fiction & Poetry

Three poems
Three Poems | By TobI Aluko
How to “Hide My ID” Like a Typical Northern Housewife
poems
“Time After Time” & “Buy Her an Air Fryer” | Poems by Sheila Ngei
The Geometry of Nonsense
The Geometry of Nonsense | Poem By Obongofon Etuk
Mine Too Counts
“Mine Too Counts” Review: Agbeye Oburumu Gives Voice to the Pains of the Nigerian Masses
poems
“I Give You Softness” and Other Poems | By Olobo Ejile