Hilda Baci
Zamo Mkhwanazi
The Serpent’s Gift

Features & Essays

music videos
Are Music Videos Relevant in Afro-Pop Today?
Marketing
Noise or Attention: What Really Sells Nollywood Films?
Labubu dolls
How Capitalists Are Exploiting Us Through ‘Must-Haves’
To Kill a Monkey
To Kill a Conversation: Nollywood, Criticism, and the Culture of Silence
Nigeria
Nigeria’s Class Problem and the Nepotism Debate
sexual violence
Dear Nollywood, Stop Using Sexual Violence as a Plot Device

Interviews

Zamo Mkhwanazi
TIFF 2025: In Conversation With Zamo Mkhwanazi, Director Of “Laundry”
FirstKlaz
The Neo-Arewa Soundscapes of FirstKlaz
Afolabi Olalekan
“None of Us Is Immune”: In Conversation with Afolabi Olalekan and Blessing Uzzi, Director and Producer of “Freedom Way”
Fimí
In Conversation: Fimí Talks Rap, Creative Confidence, and Finding Her Voice Through Music
Wingonia Ikpi
In Conversation: Wingonia Ikpi Talks Making “The Lost Days”, the First Features Project, and What’s Next
Maia Lekow
Maia Lekow And Christopher King Want To Make Films About Kenyan Women With A Strong Sense Of Agency

Film & TV

Zamo Mkhwanazi
TIFF 2025: In Conversation With Zamo Mkhwanazi, Director Of “Laundry”
The Serpent’s Gift
“The Serpent’s Gift” Review: Kayode Kasum’s Film Is Undone by Shallow Cultural Detail
Nomad Shadow
TIFF 2025: Eimi Imanishi’s “Nomad Shadow” Deftly Navigates the Intricacies of Exile
Diya
TIFF 2025: Achille Ronaimou’s “Diya” Confronts The Brutal Arithmetic Of Justice And Retribution
Say Who Die
“Say Who Die?” Review: Paul Utomiʼs Film Crumbles Under the Weight of its Own Ambition
NIFS
NIFS Dispatch: 5 Key Takeaways from the 2025 Nigerian International Film Summit

Music

Healers Chapel
“Healers Chapel” Review: Wizard Chan’s Debut Is an Introspective and Soulful Sonic Balm
Èkó Groove
“Èkó Groove” Review: Spinall Assembles Star-Studded Cast on New Album
Wonderful
“Wonderful” Review: Tay Iwar Continues To Wow With New EP
Catharsis
“Catharsis” Review: Fola’s Debut Album Offers an Intimate Outpouring of Desire and Affection
Kings Will Rise
“Kings Will Rise” Review: The Scorpion Kings Continue Stellar Run With New Album
Spotlight
Afrocritik Weekly Music Spotlight: Projects Galore

VIDEOS

Welcome to our YouTube Channel

Books

Sanya
“Sanya” Review: Oyin Olugbile’s Debut Novel Is a Creative Retelling of Sango as a Woman Warrior
Petrichor
“Petrichor” Review: Ayo Oyeku’s Novel Is an Attempt to Probe the Meaning of Justice
The Middle Daughter
“The Middle Daughter” Review: Chika Unigwe Synthesises Form And Content Into Mesmerising Storytelling
An Unusual Grief
Grief Touches the Sublime in Yewande Omotoso’s “An Unusual Grief”
New York, My Village
“New York, My Village” Review: Uwem Akpan’s Book Is An Important Breakaway From Conventional Contemporary Setting
Leave My Bones in Saskatoon
Michael Afenfia’s “Leave My Bones in Saskatoon” and the Burial of Prose Fiction

Culture

Labubu dolls
How Capitalists Are Exploiting Us Through ‘Must-Haves’
To Kill a Monkey
To Kill a Conversation: Nollywood, Criticism, and the Culture of Silence
Nigeria
Nigeria’s Class Problem and the Nepotism Debate
Skincare
Why African Men Are Finally Embracing Skincare
Marriage
To Sacrifice for Love: A Case for the Beauty of Marriage
crime reporting apps
Can Crime Reporting Apps Increase Police Responsiveness in Africa?

Fashion

AMVCA

2025 AMVCA: How the Stars Lit up the Night With Style

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AMVCA Cultural Day

10 Celebrities Who Slayed the 2025 AMVCA Cultural Day

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Met Gala
What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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2025 Grammy
Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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Africa Sourcing and Fashion Week
10 African Fashion Events to Watch Out for in 2025
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Sports

transfer
The Biggest African Transfers of Summer 2025 Across Europe’s Top Leagues
Football
Why Are Major African Football Tournaments Always Hosted by the Same Countries?
Kelechi Nwakali
Kelechi Nwakali: Stuck in Football’s Revolving Door
women’s football
A $100,000 Reward, No Infrastructure: Nigeria Must Rethink Women’s Football
The African Giant
Documentary Spotlight: “The African Giant”
AfroBasket
The Ultimate Guide to the 2025 Women’s AfroBasket in Côte d’Ivoire

Explainers

Serhou Guirassy
Serhou Guirassy: Against the Odds
Omoni Oboli
Omoni Oboli and Nollywood’s Dilemma With Copyright Infringement
Gangs of Lagos
Understanding Jade Osiberu’s “Gangs of Lagos” Court Ruling
Mercy Chinwo and EeZee Conceptz
Inside the Mercy Chinwo and EeZee Conceptz Fallout
Navigating the Business Side of Writing
Navigating the Business Side of Writing: What Every Author Needs to Know
How Budgeting Apps Empower Young Africans

Fiction & Poetry

Àtìpó: The Stranger I Have Become
“Àtìpó: The Stranger I Have Become” and Other Poems | by Olamoyegun Noah O
Two Poems
Two Poems | By Salama Wainaina
Dearth Warning Signs
Dearth Warning Signs | Poem By Peace Ogunjemilua
three poems
Three Poems | By Olamoyegun Noah O
two poems
Two Poems | By Tukur Ridwan
The Dreamer | Short Story By Ornguze Nashima Nathaniel