AT THE ALTAR
Afrocritik’s Most Anticipated Books of 2026

Afrocritik’s Most Anticipated Books of 2026

Shine

Documentary Spotlight: “Shine”

Features & Essays

The Milkmaid
The Cuts of Speaking Truth in Nigerian Cinema
Wizkid
How Wizkid Redefined Nigeria’s Sonic Landscape With “Made In Lagos”
beef
Has Nigerian Hip-Hop Found Its Mojo Again?
NLNG Nigeria Prize for Literature
The Cuttings of 2025: Are African Literary Prizes Out of Touch?
memories
In Absence, You Find Presence: What “My Father’s Shadow” Taught Me About Remembering
Nollywood
Nollywood and Its Complicated Relationship with the Oscars

Interviews

Alexander Nderitu
“Nairobi Is a City Where Literature Thrives”: In Conversation With Alexander Nderitu, Africa’s First Digital Novelist
Vincho Nchogu
BFI London Film Festival 2025: In Conversation With Vincho Nchogu and Josh Olaoluwa, Director and Producer of “One Woman One Bra”
Wale Davies
“Creators Have Been Blessed With An Opportunity To Start Conversations”: Wale Davies on Writing “My Father’s Shadow”
Oyin Olugbile
“I Write Because I Have to Tell the Story”: In Conversation With Oyin Olugbile on Her Nigeria Prize for Literature Shortlist, “Sanya”
Nikki May
“It’s People You Belong To Rather Than Places”: In Conversation With Nikki May on Her Nigeria Prize for Literature Shortlist, “This Motherless Land”
Omotola Jalade Ekeinde
In Conversation With Omotola Jalade Ekeinde On Her Directorial Debut, “Mother’s Love”

Film & TV

The Ants
ADIFF 2025: Yassine Fennane’s “The Ants” Undertakes a Study in Dignity and Survival Across Class
Casablanca - Dakar
TSWA Film Festival 2025: Freedom of Movement and the Cost of Survival in “Casablanca – Dakar” and “Seed Is Life”
Nana Adwoa Frimpong
ADIFF 2025: In Conversation With Nana Adwoa Frimpong, Producer of “The Eyes of Ghana”
S16 Film Festival
S16 Film Festival 2025: “About Sarah”, “My Jebba Story”, “Obi Is a Boy”, “Back to the Theatre Vox”, “Òdè!” + Other Short Film Reviews
Colour Me True
“Colour Me True” Review: Toluwani Obayan Osibe’s Debut Reaches for Truth but Settles for Surface
Nome
ADIFF 2025: Sana Na N’Hada Examines the Cost of Freedom and the Weight of Memory in “Nome”

Music

Perliks
How Perliks Became Nigeria’s Most Story-Driven Music Video Director
Sabali
“Sabali” Review: Peruzzi’s Long-Awaited Album Reasserts His Status as Afro-Pop’s Melody King
Shona
On “Psalm 23” and “Psalm 16”, Shona Raps the Shepherd’s Love into Sound [Review]
Maison Rouge
“Maison Rouge” Review: Mr Eazi’s Intimate EP Is a Love Letter to Banku Music
Wizkid
How Wizkid Redefined Nigeria’s Sonic Landscape With “Made In Lagos”
beef
Has Nigerian Hip-Hop Found Its Mojo Again?

VIDEOS

Welcome to our YouTube Channel

Books

Cursed Daughters
“Cursed Daughters” Review: Oyinkan Braithwaite’s Sophomore Novel Explores Superstition, Matrilineage, and Intergenerational Trauma
Will This Be A Problem? The Anthology: Issue V
“Will This Be a Problem? The Anthology: Issue V” Review: Speculative Cartographies Map the New African Imagination
Dilemma of an Outcast
“Dilemma of an Outcast” Review: Anih Emeka’s Debut Novel Interrogates Bigotry but Falters in Its Attempt at Storytelling
How to Get Rid of Ants
The Many Pleasures in Absurdity: A Review of Jesutomisin Ipinmoye’s “How to Get Rid of Ants”
Bitter Honey
“Bitter Honey” Review: Lọlá Ákínmádé Åkerström Explores Generational Trauma and Its Effect on Matrilineal Connection
A Meal Is a Meal
“A Meal Is a Meal” Review: Nnamdi Anyadu’s Collection Serves a Balanced Plate of Pleasures

Culture

Women
Undoing the Knots Society Tied in Your Mind
Surnames
Whose Name Do You Bear? The Politics of Surnames and the Erasure of African Women
Labubu dolls
How Capitalists Are Exploiting Us Through ‘Must-Haves’
To Kill a Monkey
To Kill a Conversation: Nollywood, Criticism, and the Culture of Silence
Nigeria
Nigeria’s Class Problem and the Nepotism Debate
Skincare
Why African Men Are Finally Embracing Skincare

Fashion

AMVCA

2025 AMVCA: How the Stars Lit up the Night With Style

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AMVCA Cultural Day

10 Celebrities Who Slayed the 2025 AMVCA Cultural Day

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Met Gala
What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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2025 Grammy
Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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Africa Sourcing and Fashion Week
10 African Fashion Events to Watch Out for in 2025
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Sports

Football
What Exactly Is Happening to Nigerian Men’s Football?
football
How Malnutrition Undermines African Teams in International Football Competitions
World Athletics Championships
Africa’s Medal Tally at the 2025 World Athletics Championships
transfer
The Biggest African Transfers of Summer 2025 Across Europe’s Top Leagues
Football
Why Are Major African Football Tournaments Always Hosted by the Same Countries?
Kelechi Nwakali
Kelechi Nwakali: Stuck in Football’s Revolving Door

Explainers

How Fuji Music Influences the Modern Afro-Pop Soundscape
How Fuji Music Influences the Modern Afro-Pop Soundscape
Samson Dauda
All the Scoop on Samson Dauda, the 2024 Mr Olympia Winner
Gamification
How Gamification Can Make Technical Learning Fun for African Students
FASU 2024
FASU 2024: Scholars Compete, Cultures Converge in Lagos
Bongo Flava artistes
Bongo Flava: The Evolution of East Africa’s Soundtrack
Cold chain storage technology
Examining the Role of Cold Chain Storage Facilities in Reducing Nigeria’s Post-harvest Losses

Fiction & Poetry

Mine Too Counts
“Mine Too Counts” Review: Agbeye Oburumu Gives Voice to the Pains of the Nigerian Masses
poems
“I Give You Softness” and Other Poems | By Olobo Ejile
Àtìpó: The Stranger I Have Become
“Àtìpó: The Stranger I Have Become” and Other Poems | by Olamoyegun Noah O
Two Poems
Two Poems | By Salama Wainaina
Dearth Warning Signs
Dearth Warning Signs | Poem By Peace Ogunjemilua
three poems
Three Poems | By Olamoyegun Noah O