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Tolu Ajayi’s AMVCA-Winning Psychological Thriller, “Over the Bridge”, Hits Nigerian Cinemas on 5th September
Are Music Videos Relevant in Afro-Pop Today?
Kaelo Iyizoba and Muhannad Lamin Selected for TIFF Directors’ Lab 2025
Features & Essays
Do African Languages Come From the Same Place?
How Geoblocking and Cinema Scheduling Bias Undermine Distribution in Nollywood
The Legend of Area Scatter: Enigmatic Musician or Misunderstood Individual?
The Life and Political Imaginations of Ngũgĩ wa Thiong’o
What’s Behind Nigeria’s Fear and Criminalisation of Dreadlocks?
JAMB: Exam Body in Crisis or Symptom of a Broken Educational System?
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Interviews
“Readers Will Bring All Kinds of Meaning to Your Work”: Uche Okonkwo, In Conversation with Afrocritik
Idowu Odeyemi’s New Theory of Disgust: He Thinks What You Say Can Be Disgusting
Loud Urban Choir Is Redefining Choral Music in Afro-Pop
Billboard-Honoured Lawyer, Akinyemi Ayinoluwa, Talks Music Law, African Excellence, and Creative Rights
Blinky Bill: East Africa’s Quiet Radical
“Fortune Favours the Bold”: In Conversation With the Cast and Crew of “Red Circle”
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Film & TV
“PLS RT” Review: Ifeanyi Barbara Chidi’s Film Brings Urgency to Nigeria’s Kidnapping Crisis
“Zikoko Life” Review: The Unwavering “Female Happiness” Agenda of BluHouse and Big Cabal’s Anthology Series
“Marked” Review: The South African Netflix Series Is a Devastating Portrait of Moral Desperation
“None of Us Is Immune”: In Conversation with Afolabi Olalekan and Blessing Uzzi, Director and Producer of “Freedom Way”
“Catalog” Review: The Egyptian Netflix Series Is Quiet But Speaks Volumes
“To Kill a Monkey” Review: Kemi Adetiba’s Exciting Crime Thriller Series Is a Lesson in How Not to Tell a Story
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Music
“444PLAY” Review: Minz’s New EP Explores a Breezy Expansion of His Eclectic Pop Textures
“Black Star” Review: Amaarae’s Boldness Finds Energetic Expression on New Album
The Neo-Arewa Soundscapes of FirstKlaz
Afrocritik Weekly Music Spotlight: Soul & Groove
“Ingubo Enamehlo” Review: Halo Yagami Tugs At Heartstrings Across New Album
Afrocritik Weekly Music Spotlight: Detour Week II
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VIDEOS
Welcome to our YouTube Channel
Books
“When Love Visits” Review: Comfort Omovre’s Explores Love Through Conventional Romance Archetypes
Nairobi LitFest 2025: NBO Explores The Countercurrents of Knowing
“The Parlour Wife” Review: Foluso Agbaje’s Novel Is a Vital Contribution to Historical Fiction
“Readers Will Bring All Kinds of Meaning to Your Work”: Uche Okonkwo, In Conversation with Afrocritik
“Little Rot” Review: Akwaeke Emezi’s Novel Confronts The Performance of Morality
“Only Big Bumbum Matters Tomorrow” Review: Damilare Kuku’s Novel Addresses Body Politics, Biases, and Femininity
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Culture
The Misogyny of “Wife vs. Mom” Hypotheticals and Why We Must Retire Them
Do African Languages Come From the Same Place?
10 Must-Have Apps for University Students in Africa
Should We Be Having Deep Conversations With AI Chatbots?
Can Satellite Imagery Spot and Solve Africa’s Poverty From The Sky?
Afrocritik Turns Four: Still Projecting Africa, One Story at a Time
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Fashion
2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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10 African Fashion Events to Watch Out for in 2025
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Sports
Kyalami’s Renaissance: Paving the Way for F1’s Return to Africa
Africa at the 2025 FIFA Club World Cup
Has the African Football League Gone Ghost?
Unity Cup 2025: New Squads, Old Rivalries, One Cause
Why Are East Africa’s Best Athletes Competing for Other Countries?
The 2025 CAF U-20 Africa Cup of Nations: Competition Review, Standout Players, and Finals Preview
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Explainers
How Fuji Music Influences the Modern Afro-Pop Soundscape
All the Scoop on Samson Dauda, the 2024 Mr Olympia Winner
How Gamification Can Make Technical Learning Fun for African Students
FASU 2024: Scholars Compete, Cultures Converge in Lagos
Bongo Flava: The Evolution of East Africa’s Soundtrack
Examining the Role of Cold Chain Storage Facilities in Reducing Nigeria’s Post-harvest Losses
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Fiction & Poetry
The Spaces Between Stars | Short Story By Adédoyin Àjàyí
“Knitting Grief” & “Conversations” | Poems by Pleasant Nneoma Stephen
Two Poems by Salihu Muhammad Ebba
FLOODWATER | Poem By Al Ameen Muhammad
The Boy Who Brought Balloons | Short Story by Maryam Abdulkarim
MIDNIGHTS | Fiction by David Agyei-Yeboah
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