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Joburg Film Festival 2026 Wraps as Award Winners Are Announced
S16 Labs Welcomes Applications For Inaugural Edition
Lyrical Ceremonies: On Poems by Agbaakin, Okigbo, and Umukoro
Features & Essays
The Consolation of Poetry
A Country That Shows Up: Kenya’s Cultural Social Capital
The Myth of the Apolitical Artiste
Condescending Benevolence: The Colonial Paradox of “Mister Johnson”
Afrocritik’s 40 Notable Essays from Africa in 2025
The Life and Works of Meja Mwangi, Kenya’s Great Chronicler
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Interviews
Sundance 2026: In Conversation with Rami Jarboui, Director of “The Bird’s Placebo”
Sundance 2026: In Conversation with “Kikuyu Land” Directors, Bea Wangondu and Andrew H. Brown
ADIFF 2025: In Conversation With Nana Adwoa Frimpong, Producer of “The Eyes of Ghana”
ADIFF 2025: In Conversation with the Filmmakers of South African Coming-of-Age Drama, “Carissa”
In Conversation: Nnamdi Kanaga Explores Liaising With The Supernatural in “Water Girl”
In Conversation: Seun Kuti Talks “Bird’s Eye View” Podcast, Pan-Africanism, and the Power of Truth
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Film & TV
How Beza Hailu Lemma and Bandamlak Yimenu Are Elevating Arthouse Film Culture in Ethiopia Through Videobet Cinema
Next Narrative Africa Fund + Parrot Analytics Partnership: Advisory Board, $50 Million Content Seed, and Implications for Africa’s Screen Industry
“Everything Is New Again” Review: What Is New About Nollywood’s Fear of Conflict?
In Conversation: Praise Odigie Paige Reflects on Migration, Memory and Artistic Trajectory in “Birdie”
“Alive Till Dawn” Review: Star Power, Genre Risk and Nollywood’s Innovation Myth
Sundance 2026: On “Kikuyu Land” And Picking Up Tea Leaves Soaked In Blood
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Music
“iNkanyezi NeZinkanyezi” Review: Sjava’s Emphatically Concludes Trilogy With New Album
Who Shapes Our Narratives?: Afrobeats, Billboard, and the Barometers of Success in African Music
“Hybrid” Review: Shoday’s Artistry Solidifies on Debut Album
Why Have Nigerian Pop Love Songs Lost Their Emotional Depth?
The Long Retreat of East African Conscious Music
Mr Eazi & King Promise Craft A Sweet Valentine’s Day Record On “That Way”
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VIDEOS
Welcome to our YouTube Channel
Books
“Jollof Rice and Other Revolutions” Review: Omolola Ijeoma Ogunyemi’s Debut Is a Triumph of Voice Storytelling
The Legacy of Jonathan Kariara, Kenya’s Foundational Poet and Editor
Literary Merit or Not: Nigerian Publishing and Gemspread’s Attempt
Of Cities and Ancestors: A Review of “The Naming” and “African Urban Echoes”
“Poetry Has All My Pain” and “Love Through the Eyes of a Village Boy” Review: Vic’Adex Twin Collection Finds Tension in Parental Absence and Love
Afrocritik’s Most Anticipated Books of 2026
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Culture
Why Do Nigerians Pray So Much?
The Beautiful Lie of “Making It”: Kenyan Youth, Hustle Culture, and the New Local Dream
Sanctified Sleeplessness: Nigeria’s Addiction to Holy Hustle
What Being Disabled Taught Me About Nigerians
Prestige vs Payoff: Do University Rankings Still Matter in Nigeria?
Why Nigeria Still Can’t Find Its Balance of Power
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Fashion
2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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Sports
Africa’s 2026 World Cup Qualifiers Explained: Standings, Withdrawals, and the Playoff Route
What Exactly Is Happening to Nigerian Men’s Football?
How Malnutrition Undermines African Teams in International Football Competitions
Africa’s Medal Tally at the 2025 World Athletics Championships
The Biggest African Transfers of Summer 2025 Across Europe’s Top Leagues
Why Are Major African Football Tournaments Always Hosted by the Same Countries?
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Explainers
Inside the Mercy Chinwo and EeZee Conceptz Fallout
Navigating the Business Side of Writing: What Every Author Needs to Know
How Budgeting Apps Empower Young Africans
How Fuji Music Influences the Modern Afro-Pop Soundscape
All the Scoop on Samson Dauda, the 2024 Mr Olympia Winner
How Gamification Can Make Technical Learning Fun for African Students
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Fiction & Poetry
“MIRROR” | Short Story by Olaore Raheemat Adebola
“How to Save a Drowning Man” | Poem by Jean Wathugu
“We are but wax” | Poem by Obongofon Etuk
“Fathers of Alego’s Roads” | Poem by Victoria Kerubo
AT THE ALTAR | Poem By Rutendo Chichaya
Afrocritik’s 50 Remarkable African Short Stories of 2025
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