Son of the Soil
Maison Rouge
Visions

Features & Essays

Surnames
Whose Name Do You Bear? The Politics of Surnames and the Erasure of African Women
Macondo Literary Festival
Macondo Literary Festival 2025: East Africa’s Literary Vanguard Holds Its Fifth Edition
music videos
Are Music Videos Relevant in Afro-Pop Today?
Marketing
Noise or Attention: What Really Sells Nollywood Films?
Labubu dolls
How Capitalists Are Exploiting Us Through ‘Must-Haves’
To Kill a Monkey
To Kill a Conversation: Nollywood, Criticism, and the Culture of Silence

Interviews

EWA
In Conversation With Deola And Darey Art Alade: On Making EWA “Africa’s Definitive Creative Convergence”
Nomad Shadow
TIFF 2025: In Conversation With the Cast and Crew of “Nomad Shadow”
Achille Ronaimou
In Conversation: Achille Ronaimou on “Diya”, Confronting Tradition, Justice, and Forgiveness in Chad
Zamo Mkhwanazi
TIFF 2025: In Conversation With Zamo Mkhwanazi, Director Of “Laundry”
FirstKlaz
The Neo-Arewa Soundscapes of FirstKlaz
Afolabi Olalekan
“None of Us Is Immune”: In Conversation with Afolabi Olalekan and Blessing Uzzi, Director and Producer of “Freedom Way”

Film & TV

Thinline
“Thinline” Review: Nollywood’s Dangerous Blind Spot on Male Sexual Assault and the Illusion of Morality
Vincho Nchogu
BFI London Film Festival 2025: In Conversation With Vincho Nchogu and Josh Olaoluwa, Director and Producer of “One Woman One Bra”
Nollywood
Nollywood and Its Complicated Relationship with the Oscars
Wale Davies
“Creators Have Been Blessed With An Opportunity To Start Conversations”: Wale Davies on Writing “My Father’s Shadow”
animation
Animating Africa: Inside the Rise and Realities of African Animation
Dark Skin Bruises Differently
BFI London Film Festival 2025: Susan Wokoma Interrogates British Educational System In Incisive Directorial Debut, “Dark Skin Bruises Differently”

Music

Industry Machine
“Industry Machine” Review: Odumodublvck’s Album Is Loud, Bold, and Loosely Bolted Together
Protect Sarz At All Costs
“Protect Sarz At All Costs” Review: Sarz’s Star-Loaded Debut Is Brilliant in Parts, But Fails to Thrill Fully
Peace By Piece
“Peace By Piece” Review: Fireboy DML and Pheelz’s Collaborative EP Serves Up Feel-Good Afro-Pop Bliss
Yariasu
“Yariasu” Review: Nyashinski’s Familiarity Dulls the Spark of His Latest Album
The Torcher
“The Torcher” Review: Stonebwoy Proves His Pedigree on New Album
Spotlight
Afrocritik Weekly Music Spotlight: Mood Music

VIDEOS

Welcome to our YouTube Channel

Books

The Edge of Water
“The Edge of Water” Review: Grace Olufunke Bankole’s Debut Novel Searches For Meaning In Matrilineal Ties And Liminal Spaces
They Killed Ahmet
“They Killed Ahmet” Review: Ikenna Okeh’s Novel Is Trope-Heavy With Flickers of Promise
The Mind Is Not an Ally
“The Mind Is Not An Ally” Review: Ayo Deforge Philosophises About The Mind In Her Poetry Collection
Thunder and Roses
“Thunder and Roses” Review: Eniola Omorinkoba’s Novella Is an Apt Encapsulation of the Nuances of Love & Loving
I Cry At The Feet of My Other Body
“I Cry At The Feet of My Other Body” Review: Mustapha Enesi’s Debut Collection Confronts Patriarchy and the Loss of Agency
Oyin Olugbile
“I Write Because I Have to Tell the Story”: In Conversation With Oyin Olugbile on Her Nigeria Prize for Literature Shortlist, “Sanya”

Culture

Labubu dolls
How Capitalists Are Exploiting Us Through ‘Must-Haves’
To Kill a Monkey
To Kill a Conversation: Nollywood, Criticism, and the Culture of Silence
Nigeria
Nigeria’s Class Problem and the Nepotism Debate
Skincare
Why African Men Are Finally Embracing Skincare
Marriage
To Sacrifice for Love: A Case for the Beauty of Marriage
crime reporting apps
Can Crime Reporting Apps Increase Police Responsiveness in Africa?

Fashion

AMVCA

2025 AMVCA: How the Stars Lit up the Night With Style

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AMVCA Cultural Day

10 Celebrities Who Slayed the 2025 AMVCA Cultural Day

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Met Gala
What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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2025 Grammy
Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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Africa Sourcing and Fashion Week
10 African Fashion Events to Watch Out for in 2025
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Sports

Football
Why Are Major African Football Tournaments Always Hosted by the Same Countries?
Kelechi Nwakali
Kelechi Nwakali: Stuck in Football’s Revolving Door
women’s football
A $100,000 Reward, No Infrastructure: Nigeria Must Rethink Women’s Football
The African Giant
Documentary Spotlight: “The African Giant”
AfroBasket
The Ultimate Guide to the 2025 Women’s AfroBasket in Côte d’Ivoire
WAFCON
WAFCON 2024 Quarterfinal Guide: Players to Watch and Our Predictions

Explainers

How Fuji Music Influences the Modern Afro-Pop Soundscape
How Fuji Music Influences the Modern Afro-Pop Soundscape
Samson Dauda
All the Scoop on Samson Dauda, the 2024 Mr Olympia Winner
Gamification
How Gamification Can Make Technical Learning Fun for African Students
FASU 2024
FASU 2024: Scholars Compete, Cultures Converge in Lagos
Bongo Flava artistes
Bongo Flava: The Evolution of East Africa’s Soundtrack
Cold chain storage technology
Examining the Role of Cold Chain Storage Facilities in Reducing Nigeria’s Post-harvest Losses

Fiction & Poetry

Two Poems
Two Poems | By Salama Wainaina
Dearth Warning Signs
Dearth Warning Signs | Poem By Peace Ogunjemilua
three poems
Three Poems | By Olamoyegun Noah O
two poems
Two Poems | By Tukur Ridwan
The Dreamer | Short Story By Ornguze Nashima Nathaniel
“Life’s Daunting Stare” & “Home As A Symbol Of Nostalgia” | Poems By Ewurama Tawiah Welbeck