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Nafisa Abdullah Aminu Named World Best in English Language Skills at 2025 TeenEagle Global Finals
“Marked” Review: The South African Netflix Series Is a Devastating Portrait of Moral Desperation
“Ingubo Enamehlo” Review: Halo Yagami Tugs At Heartstrings Across New Album
Features & Essays
The Life and Political Imaginations of Ngũgĩ wa Thiong’o
What’s Behind Nigeria’s Fear and Criminalisation of Dreadlocks?
JAMB: Exam Body in Crisis or Symptom of a Broken Educational System?
Tolani Is Creating Music on Her Own Terms
Who Wrote This? The Crisis of Criticism in the AI Era
It’s the Eleventh Edition, and We Still Don’t Know What the AMVCA Trailblazer Award Is
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Interviews
Idowu Odeyemi’s New Theory of Disgust: He Thinks What You Say Can Be Disgusting
Loud Urban Choir Is Redefining Choral Music in Afro-Pop
Billboard-Honoured Lawyer, Akinyemi Ayinoluwa, Talks Music Law, African Excellence, and Creative Rights
Blinky Bill: East Africa’s Quiet Radical
“Fortune Favours the Bold”: In Conversation With the Cast and Crew of “Red Circle”
In Conversation: Ife Olujuyigbe Talks Storytelling, the Realities of Producing, and Navigating Nollywood
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Film & TV
“Freedom Way” Review: Nigeria’s Systemic Dysfunction Is on Loud Display in Afolabi Olalekan’s Debut Feature
“Unclaimed” Review: Biodun Stephen’s Psychological Drama Explores Interesting Themes but Falls Flat
In Conversation: Wingonia Ikpi Talks Making “The Lost Days”, the First Features Project, and What’s Next
Maia Lekow And Christopher King Want To Make Films About Kenyan Women With A Strong Sense Of Agency
“Matabeleland” Review: Nyasha Kadandara’s Documentary Contends With Zimbabwe’s Troubled Past
“Making a Film Anywhere in Africa Is a Struggle”: In Conversation With Tunisian Filmmaker, Amel Guellaty, Director of “Where the Wind Comes From”
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Music
“The Summer That Saved Me” Review: Odeal Bottles Newfound Freedom and Clarity on New EP
“Victims of Madness 2.0” Review: Wakadinali Chooses Refinement Over Reinvention
“Goodgirl” Review: GoodGirl LA Reintroduces Her Vibrant Uniqueness on New EP
In Conversation: Fimí Talks Rap, Creative Confidence, and Finding Her Voice Through Music
Afrocritik Weekly Music Spotlight: Second Bridge Week
“No Sign of Weakness” Review: Burna Boy’s LP Is Technical, Polished, Yet Safely Played
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VIDEOS
Welcome to our YouTube Channel
Books
“Little Rot” Review: Akwaeke Emezi’s Novel Confronts The Performance of Morality
“Only Big Bumbum Matters Tomorrow” Review: Damilare Kuku’s Novel Addresses Body Politics, Biases, and Femininity
The Life and Political Imaginations of Ngũgĩ wa Thiong’o
“Ujana” Review: Frank Njugi’s Chapbook Is a Portrait of Youth, City, and Self
“Barter” Review: Erhu Kome’s Dystopian Vision In Her Novella Falters in Execution But Shines In Concept
“Some Stars Do Not Fall” Review: Taofeek Ayeyemi’s Chapbook Meditates on the Language of Grief
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Culture
Do African Languages Come From the Same Place?
10 Must-Have Apps for University Students in Africa
Should We Be Having Deep Conversations With AI Chatbots?
Can Satellite Imagery Spot and Solve Africa’s Poverty From The Sky?
Afrocritik Turns Four: Still Projecting Africa, One Story at a Time
What’s Behind Nigeria’s Fear and Criminalisation of Dreadlocks?
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Fashion
2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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10 African Fashion Events to Watch Out for in 2025
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Sports
Africa at the 2025 FIFA Club World Cup
Has the African Football League Gone Ghost?
Unity Cup 2025: New Squads, Old Rivalries, One Cause
Why Are East Africa’s Best Athletes Competing for Other Countries?
The 2025 CAF U-20 Africa Cup of Nations: Competition Review, Standout Players, and Finals Preview
Basketball Africa League Season 5: Race for the Playoffs
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Explainers
How Fuji Music Influences the Modern Afro-Pop Soundscape
All the Scoop on Samson Dauda, the 2024 Mr Olympia Winner
How Gamification Can Make Technical Learning Fun for African Students
FASU 2024: Scholars Compete, Cultures Converge in Lagos
Bongo Flava: The Evolution of East Africa’s Soundtrack
Examining the Role of Cold Chain Storage Facilities in Reducing Nigeria’s Post-harvest Losses
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Fiction & Poetry
The Boy Who Brought Balloons | Short Story by Maryam Abdulkarim
MIDNIGHTS | Fiction by David Agyei-Yeboah
Clan | Poem by Victor Obukata
Fine Geh | Fiction by Chizitere Madeleine Nwaemesi
Untitled Poem for a Boy Who Never Knew Love | By Stephen Nwankwo
Across the Border | Fiction by Bello Taiwo Victoria
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