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“One Gidi Night” Review: A Thriller That Finds Its Rhythm Only to Lose It
The Will to Leave and Live: A Review of Emmanuel Eruemulor’s “Unwanted”
Lights, Camera, Africa! Returns to Lagos After Six Years With “Convivium: In Gathering”
Features & Essays
What the Headies Awards Keep Getting Wrong: A Cursory Look at the 18th Edition Nominees List
Matt B: The Water Remembered Him First
Nollywood’s Political Unconsciousness and the Critic’s Quagmire
Who Needs the Government When You Can Tag Someone Else?
For How Long Can We Sustain This Thing of Ours?: On Bootstrapping and the Current Iteration of Nollywood
Justice Needs an Audience: How Nigeria Turned Punishment Into Content
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Interviews
In Conversation with Zipporah Nyaruri on the Road Behind “Truck Mama”
Tribeca Festival 2026: In Conversation with Pietra Brettkelly and The Critics’ Raymond Yusuff on Making “Crocodile” and Rising Above Constraints
In Conversation: Jude Dibia Talks “The Quiet That Remains”, Love, and the Lives Literature Refuses to Overlook
Tribeca Festival 2026: In Conversation with Dian Weys on “Vultures”, Capitalism, and Moral Responsibility in the Aftermath of Violence
In Conversation: Obase-Sam Ikoi Reflects on Writing “The Comedian’s Diary” and the Necessity of Hope
In Conversation with Saïd Hamich Benlarbi on His Cannes-Selected Docu-Drama, “In Search of the Grey Bird with Green Stripes”
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Film & TV
Venice 2026: In Conversation with Kamel Laaridhi on “The H@llow Man” and the Dystopian Character of Our Times
Venice 2026: In Conversation with Ashgan El-Hamus on Making the Case for Small, Collective Living in Debut Feature, “Al Baraneya”
Venice 2026: Ashgan El-Hamus’ “Al Baraneya” Captures the Tensions Between Simple Living and Urban Aspirations as a Young Woman Comes of Age
TIFF 2026: In Conversation With Kaelo Iyizoba, Director Of “The Spectacular Death of Prisca”
Venice 2026: “La Maison du Vent (House of the Wind)” Studies the Tragic Cost of Migration and the Loneliness of Old Age
“Alahun: The Weaver” Review: Dare Olaitan’s Yoruba Epic Has the Right Philosophy and a Screenplay That Takes Too Long to Find It
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Music
Matt B: The Water Remembered Him First
“ALKEBULAN III: The Water Remembers” Review: Matt B Rounds Out Album Trilogy With Orchestral Flourish
“Starrgirl” Review: Ayra Starr Cements Star Girl Status with New Album
“Oriadé” Review: Davido Showcases Hitmaking Mastery on New Album
“Yorùbá Healer” Review: Moelogo Bares His Heart on Emotive Debut Album
Afrocritik Music Spotlight: Rhythm & Pulse
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VIDEOS
Welcome to our YouTube Channel
Books
Small Change: Intimacy and Economy on the 2026 Caine Prize Shortlist
The Ordinary Affair of Being Nigerian: A Review of Jide Badmus’ “Dawn is an Open Wound”
“Writing Is an Educational Tool to Showcase Complex, Unspoken Experiences”: An Interview With Merit Gogo-fyneface
Where Are Nigeria’s Established Bestseller Lists?
Immigration is the Trafficking of Souls: A Review of Jide Salawu’s “Contraband Bodies”
Merit Gogo-fyneface’s “Deliverance” Studies the Familiar Traumas of Misrepresenting Christian Exorcism
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Culture
Can Democracy Work With a Hungry Voter?
Why Nigeria’s Joke Culture Has Become Its Biggest Handicap
Why Nigerian Politics Keeps Producing the Same Kind of Leaders
Should We Actually Celebrate June 12 As Nigeria’s Democracy Day?
Afrocritik Turns Five: From Platform to Institution
Nigeria’s Creative Industries: Why Money Cannot Fix Culture
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Fashion
AMVCA 2026: The Best Celebrity Red Carpet Looks of the Night
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Met Gala 2026: How African Celebrities Showed Up on Fashion’s Biggest Stage
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2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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Sports
2026 FIFA World Cup: How Africa’s Representatives Shape Up
AI and the Future of African Football Media
Can African Fans Actually Get to the FIFA 2026 World Cup?
No East African Nation Has Ever Qualified for a FIFA World Cup. Here’s Why
AFCON 2025: How Drama and Passion Shaped the Tournament
Afrocritik’s Top 25 Sports Personalities of 2025
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Explainers
What Makes a Film Arthouse?
Why African Artistes Need to Think About Their Name, Image, and Likeness as Legal Assets
The Catalogue Lives On: What Happens to an Artiste’s Music After Death?
Before You Sign: The Contract Clauses African Artistes Keep Glossing Over
Beat Licences, Publishing Rights, and What African Artistes Keep Getting Wrong
Sync or Sink: Music Licensing and the African Creator Economy
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Fiction & Poetry
“How Bodies Are Used as Storage Units in Sudan” and Other Poems | By Abigail George
Light Streams In | Short Story by Phodiso Modirwa
Confession and Other Poems | By Rasheed Ayinla Shehu
“A Hunger That Has Forgotten How To Eat” | Short Story By Bello Taiwo Victoria
“Beast of No Nation” and “Almajiri Girl” | Poems By Paul Chibuike Emenike
Lyrical Ceremonies: On Poems by Agbaakin, Okigbo, and Umukoro
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